Ajouter une intrigue dans votre langueThrown out of her home by a jealous husband, a woman sinks into degradation. Twenty years later, she is charged with killing a man bent on harming her son. The son, unaware of who the woman ... Tout lireThrown out of her home by a jealous husband, a woman sinks into degradation. Twenty years later, she is charged with killing a man bent on harming her son. The son, unaware of who the woman is, takes the assignment to defend her in court.Thrown out of her home by a jealous husband, a woman sinks into degradation. Twenty years later, she is charged with killing a man bent on harming her son. The son, unaware of who the woman is, takes the assignment to defend her in court.
- Réalisation
- Scénario
- Casting principal
- Récompenses
- 2 victoires au total
- Fleuriot's Butler
- (non crédité)
- Gendarme Testifying in Court
- (non crédité)
- Silent Gendarme at Villa
- (non crédité)
Avis à la une
Gladys George is amazing in one of her best roles. Good supporting cast includes Reginald Owen, Henry Daniell, and George Zucco. Ruth Hussey has a single but important scene. It's always nice to see her. Only weakness in the cast is John Beal. He's out of his depth and it shows. Best of all the film versions of Madame X. It's one of those "power of a mother's love" tearjerkers that were so popular in the 1930s.
Gladys George is a sadly neglected actress who worked steadily for her short life. She was attractive but, as in this movie, willing to look like a sloven if the script called for that. Her gravely voice was unique. And what skills as an actress!
The rest of this is more stylishly directed than other versions of "Madame X." But the other performers are mediocre.
This is a must-see for a performance that truly ought to have won an Academy Award for Ms. George.
It is the story of a woman who gives up her child for the sake of his reputation, and disappears from his life. Only to meet again in the end of the film.
Lana Turner did a version in 1966. And then in the 1980s a TV movie was made!
MGM pared down this production after a deal fell through which would have brought Tyrone Power in as Jacqueline's adult son and Shirley Temple in "The Wizard of Oz" from Fox and taken Gable and Harlow to Fox for "In Old Chicago." Harlow's death killed the deal, and I think all of the actors involved were better for it, except, of course, for Harlow. Power got to star in the important "In Old Chicago" instead of a supporting role; Judy Garland ended up as Dorothy; and Gable was able to stay away from another disaster film after "San Francisco."
There are story differences from the 1966 Lana Turner film, and I'm not sure which version is more accurate to the book. One thing that is definitely more accurate is Jacqueline's addiction to absinthe in the 1966 version, which isn't mentioned in 1937. Since the 1929 version has the alternate title of "Absinthe," I guess it was part of that script, and most likely the book a well. In this version, Jacqueline is thrown out by her husband (Warren William) for infidelity, and the boyfriend is murdered by another woman; William doesn't have a mother who engineers the exile to avoid a scandal after the accidental death of a man pursuing Jacqueline. The rest of the story is about the same.
Warren William by this time was playing flirtatious detectives - this role really hearkens back to the days when he played a villain, and he's very good. Henry Daniell is excellent as the blackmailer. John Beal, as Jacqueline's son, is so handsome in a Tyrone Power-esquire way, and he has a big, melodramatic monologue in court toward the end of the film. He does a great job, though of course the acting style today seems over the top. I had the pleasure of meeting him many years ago, and he was a lovely man. Though he never achieved stardom, he worked constantly through the '30s and '40s in film, constantly in television through the '50s, and through the '60s to the '90s, alternated between stage, film, and television.
This brings me to Gladys George, who wound up in supporting roles shortly after this film. George is magnificent as Jacqueline. A beautiful woman and great actress, she certainly showed in this film what she was capable of. She went on giving wonderful performances until her sad death in 1954 from a stroke, complicated by cirrhosis of the liver. Difficult personal problems definitely affected her career, but she left a fine legacy, "Madame X" being but one.
MGM had already released an "all-talking" version of the warhorse "Madame X" in 1929, which resulted in "Academy Award" nominations for its star (Ruth Chatterton) and director (Lionel Barrymore). They didn't get any "Oscar" consideration, but star Gladys George and director Sam Wood do at least as well as their predecessors. The leading role is one with which several of MGM's big female stars could have acted up a storm. While not in the studio's upper tier, George is definitely up for the task. She probably should have been nominated for a "Best Actress" award. In the story's climatic moments, George and Mr. Beal hit melodramatic heights of mythological proportions, but Mr. Wood and his crew move it along beautifully and George keeps you interested in her degradation and fate.
******** Madame X (10/1/37) Sam Wood ~ Gladys George, John Beal, Warren William, Henry Daniell
Le saviez-vous
- AnecdotesThe play originally opened in Paris, France, on 15 December 1908. An English translation of the play by John Raphael opened in New York City, New York, USA on 2 January 1910 and had 125 performances.
- Citations
Lerocle: Whatcha doing in South America?
Jacqueline Fleuriot: I don't remember... What are you doing?
Lerocle: Oh, very rich city, this. Plenty of ways to turn an honest penny.
Jacqueline Fleuriot: I have a sneaking suspicion an honest penny wouldn't interest you at all.
[Lerocle laughs]
- ConnexionsReferenced in The Romance of Celluloid (1937)
- Bandes originalesYou're Setting Me on Fire
(1937)
Music by Walter Donaldson
Lyrics by Bob Wright and Chet Forrest
Sung by Gladys George (uncredited) at Scipio's cafe
Meilleurs choix
Détails
- Durée1 heure 12 minutes
- Couleur
- Rapport de forme
- 1.37 : 1