Ajouter une intrigue dans votre langueA retelling of Little Red Riding Hood with Elmer Fudd, Wolf, Red, and Granny. Granny won't let the Wolf in her house, but she lets Elmer walk right in the front door. The Wolf seeing this br... Tout lireA retelling of Little Red Riding Hood with Elmer Fudd, Wolf, Red, and Granny. Granny won't let the Wolf in her house, but she lets Elmer walk right in the front door. The Wolf seeing this breaks the door down so he can get inside.A retelling of Little Red Riding Hood with Elmer Fudd, Wolf, Red, and Granny. Granny won't let the Wolf in her house, but she lets Elmer walk right in the front door. The Wolf seeing this breaks the door down so he can get inside.
- Réalisation
- Scénario
- Casting principal
- Little Red Walking Hood
- (voix)
- (non crédité)
- …
- Wolf
- (non crédité)
- …
Avis à la une
As far as the cartoon goes, it is directed by Tex Avery and seems like a very early incarnation of Avery's later, and genius, "Red Hot Riding Hood"...which he made for MGM. But this Looney Tunes cartoon isn't nearly as clever or fun to watch. On the other hand, it does break the 4th wall, which is clever...and I think it's best seen as an experimental film and not as enjoyable or pretty as most Looney Tunes films of 1937.
What starts out as a nice idea isn't totally delivered to the screen. The portrayal of the wolf as, well, a wolf is a clever idea that is quite funny especially with his gangster/pimp clothing, car and lifestyle! It does make the relationship with Red a little uneasy she is clearly a child and he is a fully grown adult trying to chat her up! Maybe that's a bit of modern perspective speaking but it did bother me a little.
After the initial start the film doesn't really go anywhere part of the fault is the characters. The wolf is quite funny but none of the rest really work. Red is amusing the first time, but her hamming gets annoying after a while, Grandma is OK but a bit when she gets a call everything slows down. The `hero' of the piece is a guy who walks round whistling he is weird and funny the first time but his running presence without explanation gets a little annoying.
Overall this was a good idea which is amusing but it lacks a certain something and doesn't really work as well as it starts out. Old jokes and some lack lustre moments don't help either.
It's worth noting that Tex Avery's fairy tale parodies were like a karate chop on Disney's versions. It was in fact Disney who decided that cartoons should be "cute" and frequently used fairy tales and nursery rhymes as the plots (fairy tales are also easy to use because they're public domain). Warner Bros. cartoons turned this "children's entertainment" into jokes...and really good ones, I might add.
Otherwise, the main highlights were Little Red talking like Katharine Hepburn and giving the wolf a literal cold shoulder. Backgrounds drawn with color pencil were an unusual trick; I wonder why more cartoons didn't do that. As for Egghead, he was always a fairly enigmatic character, but I think that most Looney Tunes fans will agree that he reached his full potential once the Termite Terrace crowd turned him into Elmer Fudd.
Anyway, worth seeing.
It is agreed that Egghead's running gag, while having some entertainment value initially, runs out of steam in the second half and gets repetitive and tiresome (which actually is not uncommon with running gags). And while Red and Granny are amusing characters the wolf is the only character who remains consistent all the way through, he is by far the funniest and most interesting of the four and he is a great character.
Animation is as always bright and colourful, with lots of smooth movement, imaginative detail in the gags and rich and meticulous detail in the backgrounds. Carl Stalling's music score is as ever high in energy, liveliness, character, lushness and whimsy, and not only is dynamic and fits effortlessly with the action but enhances everything. This reviewer also absolutely loved the use of pre-existing music, especially "Have You Got Any Castles Baby", "Put on Your Old Gray Bonnet" and Liszt's "Liebestraum No. 3".
'Little Red Walking Hood' is entertaining with the usual wild looniness and wit, with enough fun, bite and imagination. The visual gags are beautifully timed and inventive, only Egghead's running gag doesn't work so well. Love the dynamic between the character, though the wolf makes the most impact and the one character who remains consistent, Red and Granny's material is not quite as strong in the second half but still amusing. The voice acting is excellent as you would expect, top honours coming from Ted Pierce, not often does another voice actor make more of an impression than Mel Blanc (who is still excellent) but Pierce does it here.
In conclusion, entertaining and interesting if not one of my favourites. 8/10 Bethany Cox
Le saviez-vous
- AnecdotesThe backgrounds for this cartoon were drawn in colored pencil.
- GaffesWhile taking the shortcut to Granny's, the Wolf's windshield noticeably switches styles a few times.
- Citations
Elmer: [after hearing a recurring unknown little man now named Elmer re-appear, that's lightly whistling a tune, the wolf's curiosity and temper quickly rises irately]
Wolf: Hey, bud! Hey, just a minute, bud! Now who the heck are you anyway?
Elmer: Who, me?
[Hits wolf with a mallet, knocking him out]
Elmer: *chuckles* I'm the hero in this picture! *chuckles*
Elmer: [Iris closes, irises opens to show Elmer starts kissing Little Red Walking Hood continuously & his kissing continued as the iris re-closes]
- ConnexionsFeatured in Så er der tegnefilm: Épisode #4.7 (1981)
- Bandes originalesGee, But You're Swell
(1936) (uncredited)
Music by Abel Baer
Lyrics by Charles Tobias
Sung by Tedd Pierce (as the Wolf) to Red
Meilleurs choix
Détails
- Date de sortie
- Pays d’origine
- Site officiel
- Langue
- Aussi connu sous le nom de
- Qui est le héros ?
- Société de production
- Voir plus de crédits d'entreprise sur IMDbPro
- Durée7 minutes
- Mixage
- Rapport de forme
- 1.37 : 1