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MA NOTE
Les frères O'Leary, l'honnête Jack et le coquin Dion, deviennent des personnages puissants, et finalement des rivaux, à Chicago à la veille du grand incendie de 1871.Les frères O'Leary, l'honnête Jack et le coquin Dion, deviennent des personnages puissants, et finalement des rivaux, à Chicago à la veille du grand incendie de 1871.Les frères O'Leary, l'honnête Jack et le coquin Dion, deviennent des personnages puissants, et finalement des rivaux, à Chicago à la veille du grand incendie de 1871.
- Réalisation
- Scénario
- Casting principal
- Récompensé par 2 Oscars
- 5 victoires et 4 nominations au total
Madame Sul-Te-Wan
- Hattie
- (as Madame Sultewan)
Avis à la une
This was the first of three films that teamed Tyrone Power and Alice Faye, the others being Alexander's Ragtime Band and Rose of Washington Square. In Old Chicago and Alexander's Ragtime Band also had Don Ameche in it. And it set a pattern, no way was Ameche going to get Faye when Power was on the scene.
Ty Power's roles in his Fox days fell in two Categories. He was either the total romantic hero or he was a hero/heel. In In Old Chicago he's the latter although Power usually has the heroic side win out in these parts, he's not above a little scheming. Power's Dion O"Leary both double crosses Brian Donlevy and marries Alice Faye not just because he loves her, but so she can't testify against him. But Ty's always a charming likable cuss and Ameche is always the straight arrow, but slightly dull rival and in this case, brother.
However the film is known for two things. It gave Alice Faye her first real notice as actress. Up to this point, she'd been a Jean Harlow wannabe right down to the platinum blonde hair. Here Faye gets those period costumes that she wore so well. It was the first of many successes in that genre.
The second thing is the grand special effects showing the burning of Chicago. Even almost 70 years later it's a spectacular sight.
Ty Power's roles in his Fox days fell in two Categories. He was either the total romantic hero or he was a hero/heel. In In Old Chicago he's the latter although Power usually has the heroic side win out in these parts, he's not above a little scheming. Power's Dion O"Leary both double crosses Brian Donlevy and marries Alice Faye not just because he loves her, but so she can't testify against him. But Ty's always a charming likable cuss and Ameche is always the straight arrow, but slightly dull rival and in this case, brother.
However the film is known for two things. It gave Alice Faye her first real notice as actress. Up to this point, she'd been a Jean Harlow wannabe right down to the platinum blonde hair. Here Faye gets those period costumes that she wore so well. It was the first of many successes in that genre.
The second thing is the grand special effects showing the burning of Chicago. Even almost 70 years later it's a spectacular sight.
This is a good, old-fashioned movie featuring brotherly rivalry between Don Ameche's character and Tyrone Power's. Tyrone is the good-hearted scoundrel of the two -- his scenes with Alice Faye have pizzaz despite her not being half as gorgeous as her leading man. The scene where Tyrone ducks objects that Alice throws at him in anger, then wrestles her to the floor and bites her lower lip, is a must-see for Power admirers. The Chicago fire is portrayed so well, this movie won an award for special effects.
This is the fictional story of the O'Leary family and the birth of the Great Fire of Chicago.
Big budget, big stars and a completely big production, In Old Chicago may be deemed as a Zanuck cash in on the previous years MGM eye opener, San Francisco, it is however a wonderful picture that features two differing halves of worth. Casting aside historical accuracy (lets really not go down that road in cinema history), this Henry King directed piece firstly engages us as a jaunty family character piece, only to then pull the rug from underneath us to let in political intrigue, deception, down right ugliness and a near $2 million fire besieged Chicago!
Tyrone Power, Don Ameche, Alice Faye, Alice Brady (Best Supporting Actress Academy Award) and Brian Donlevy all line up to entertain the viewers, all possibly aware that they are merely the starter course for the extravagant main course that will be the 20 minute final reel of panic and burning disaster. Yet to focus merely on the fire itself, and the effects that some 70 years later still impact smartly, is to do the first half a disservice, characters are formed and the story is fully fleshed to make the wait for the fire completely worth our time. It's no history lesson for sure but the devilment of some characters, and the ineptitude of some others, more than make this an essential watch for fans of 30s cinema. 7.5/10
Big budget, big stars and a completely big production, In Old Chicago may be deemed as a Zanuck cash in on the previous years MGM eye opener, San Francisco, it is however a wonderful picture that features two differing halves of worth. Casting aside historical accuracy (lets really not go down that road in cinema history), this Henry King directed piece firstly engages us as a jaunty family character piece, only to then pull the rug from underneath us to let in political intrigue, deception, down right ugliness and a near $2 million fire besieged Chicago!
Tyrone Power, Don Ameche, Alice Faye, Alice Brady (Best Supporting Actress Academy Award) and Brian Donlevy all line up to entertain the viewers, all possibly aware that they are merely the starter course for the extravagant main course that will be the 20 minute final reel of panic and burning disaster. Yet to focus merely on the fire itself, and the effects that some 70 years later still impact smartly, is to do the first half a disservice, characters are formed and the story is fully fleshed to make the wait for the fire completely worth our time. It's no history lesson for sure but the devilment of some characters, and the ineptitude of some others, more than make this an essential watch for fans of 30s cinema. 7.5/10
"In Old Chicago" is an entertaining 1930s movie that focuses on the adventures of two brothers who live in the Windy City during the latter portion of the 19th century. One of them runs for mayor of Chicago; the other finds love with a showgirl. The brothers' mother is Mrs. O'Leary, a headstrong woman who makes a living in the laundry business. And it is Mrs. O'Leary's cow that kicked over a lantern in the barn that started the Great Chicago Fire of 1871. That scene is recreated here in brilliant fashion. The special effects are excellent (by 1930s standards), and the sets are marvelous. 19th century Chicago has never looked as good as it does here. The late Don Ameche (Oscar winner for the 1985 fantasy "Cocoon") stars in one of his early film roles as the brother who becomes a candidate for mayor of Chicago. "In Old Chicago" is an old movie that's classy and realistic.
***1/2 (out of four)
***1/2 (out of four)
Immortalized by Martha at the beginning of "Who's afraid of Virginia Wolff," "In Old Chicago" is a dramatization (you know, 20th Century Fox style) of the 1871 Chicago fire.
As is fitting, it focuses on the owners of the cow that allegedly started it all, the O'Learys. Tyrone Power is the drop dead gorgeous, bad boy brother of good Don Ameche. "Little Miss Alice Faye," (as Martha says) plays Power's love interest, a dance hall girl.
All of the performances are good, the threesome of Power-Ameche-Faye being a great combination that works well here and in "Alexander's Ragtime Band."
Faye gets to show off her voice, and she looks very pretty, having graduated from the days when Zanuck tried to make her look like Jean Harlow.
The role was actually intended for Harlow, who died before she could do it; Gable was also supposed to be loaned out for the Power role. Power had only started with Fox a year earlier. Harlow's death killed the deal.
Also in the film is Rondo Hatton, referred to by Power as "Rondo." Hatton suffered from acromegaly after laughing gas exposure in World War I. Standing side by side were a man who, due to disease, was deformed and ugly, and Power, perhaps the handsomest man in the world. More ironic yet, Power had no appreciation of his looks, feeling they kept him from roles he wanted.
The fire and devastation effects are fantastic, Fox no doubt feeling the "heat" from MGM's "San Francisco" earthquake scenes.
Alice Brady gives a strong performance, with a somewhat melodramatic monologue at the end. She won an Oscar, which was stolen by the person she sent to accept it. A lovely actress, it's a shame she died at the age of 47.
As is fitting, it focuses on the owners of the cow that allegedly started it all, the O'Learys. Tyrone Power is the drop dead gorgeous, bad boy brother of good Don Ameche. "Little Miss Alice Faye," (as Martha says) plays Power's love interest, a dance hall girl.
All of the performances are good, the threesome of Power-Ameche-Faye being a great combination that works well here and in "Alexander's Ragtime Band."
Faye gets to show off her voice, and she looks very pretty, having graduated from the days when Zanuck tried to make her look like Jean Harlow.
The role was actually intended for Harlow, who died before she could do it; Gable was also supposed to be loaned out for the Power role. Power had only started with Fox a year earlier. Harlow's death killed the deal.
Also in the film is Rondo Hatton, referred to by Power as "Rondo." Hatton suffered from acromegaly after laughing gas exposure in World War I. Standing side by side were a man who, due to disease, was deformed and ugly, and Power, perhaps the handsomest man in the world. More ironic yet, Power had no appreciation of his looks, feeling they kept him from roles he wanted.
The fire and devastation effects are fantastic, Fox no doubt feeling the "heat" from MGM's "San Francisco" earthquake scenes.
Alice Brady gives a strong performance, with a somewhat melodramatic monologue at the end. She won an Oscar, which was stolen by the person she sent to accept it. A lovely actress, it's a shame she died at the age of 47.
Le saviez-vous
- AnecdotesThe 20-minute climactic fire sequence cost $150,000 to stage and burned for three days on the Fox back lot. It helped make this one of the most expensive films made at the time.
- GaffesCarrie Donohue's testimony is stricken because "the law says a wife cannot testify against her husband" and Dion O'Leary marries Belle Fawcett for the same reason. However, the law only says that a wife cannot be compelled to testify against her husband; she can still testify of her own free will.
- Citations
[repeated line]
Dion O'Leary: We O'Learys are a strange tribe.
- Versions alternativesThe original roadshow version of "In Old Chicago" ran 111 minutes, and was cut to 95 minutes for a 1943 re-release. For many years, the longer version was thought to be lost, and only the shorter re-release print was shown on television, and released on video in 1994. In 2002 the missing elements to the original version were found, and the 2005 DVD release included both the original and the shorter versions.
- ConnexionsEdited into Ahen sensô (1943)
- Bandes originalesI've Taken a Fancy to You
(1937) (uncredited)
Music by Lew Pollack
Lyrics by Sidney D. Mitchell
Sung and danced by chorus girls at The Hub
Meilleurs choix
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- How long is In Old Chicago?Alimenté par Alexa
Détails
Box-office
- Budget
- 1 800 000 $US (estimé)
- Durée1 heure 35 minutes
- Couleur
- Rapport de forme
- 1.37 : 1
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By what name was L'incendie de Chicago (1938) officially released in India in English?
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