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'High Flyers' marked the end of the partnership between Bert Wheeler and Robert Woolsey, which had begun eight years earlier with 'Rio Rita'.

Although their films had been hit and miss for a while, this one really is pretty awful. It's only just over an hour long, but your attention still wanders. Robert Woolsey is clearly not well (and indeed this was his last appearance before his early death), and although he has a musical number with peppy Lupe Velez, it doesn't have much go in it.

Slightly better is Wheeler's Chaplin impersonation which comes from his music hall days. 'High Flyers' is sort of worth watching for this, but you won't remember much about the rest of the film, and it is far worse in quality than most of their other work.

A sad way to end their association, really. Wheeler made a few more films, including 'Las Vegas Nights' and 'The Cowboy Quarterback', but never again regained the success he had with Woolsey in the early days of RKO.

Robert Woosley and Bert Wheeler are a comedy duo whose career was hurt by the strict enforcement of the Production Code in 1934: their often risquè humor was necessarily reduced to mostly "safe" slapstick. In "High Flyers", their last film together, the comedy is weak and repetitive, and the story is aimless. But there are a few funny bits, and some bright spots, particularly a couple of specialty numbers which have absolutely nothing to do with the "plot": Lupe Velez's terrific impersonation of Dolores Del Rio (what adds an extra punch to this is that Del Rio was probably the only other Mexican female star working in Hollywood at that time), and Wheeler's equally terrific impersonation of Charlie Chaplin. There is also a pretty spectacular plane crash. ** out of 4.

A couple of zany HIGH FLYERS find themselves involved in the hunt for missing stolen diamonds.

The wonderfully funny team of Wheeler & Woolsey (Bert Wheeler is the little guy with curly hair; Robert Woolsey is the skinny fellow with glasses & cigar) provide lots of solid laughs in this fast moving comedy crime caper. Of course, crash-landing on a millionaire's estate inhabited by peppery Lupe Velez, lovely Marjorie Lord & the monumental Margaret Dumont might raise anyone's spirits.

Jack Carson is hanging around as a crooked reporter, while an exasperated Paul Harvey tries to figure out why his household is suddenly so topsy-turvy. Maybe it has something to do with the trio of gentlemanly criminals - Charles Judels, Lucien Prival & Herbert Evans - who have arrived, hot on the Boys' trail.

Lupe & Woolsey perform a wildly exuberant gaucho number, while a solo Velez gets to do devastating impressions of her Hollywood rivals Dolores Del Rio & Simone Simon. Not to be outdone, Wheeler is terrific mimicking Charlie Chaplin & Bill Robinson. Dumont, meanwhile, provides chuckles as a matron infatuated with crystal gazing.

Ultimately, though, HIGH FLYERS is rather bittersweet, as it was the last Wheeler & Woolsey film. First brought together by Flo Ziegfeld for Broadway's Rio Rita, the Boys had starred in 22 features from 1929 until 1937, carving out a unique niche in the history of movie comedy.

Tragically, however, even while filming for HIGH FLYERS was underway, Robert Woolsey was already stricken with kidney failure. After a year of horrible suffering, he died on October 31, 1938. He was only 50 years old.

Bert Wheeler continued on in films for awhile, making a handful of unremarkable movies. But the spark that came from his association with Robert Woolsey was gone. When, at the age of 72, Wheeler died on January 18, 1968 from emphysema, it was more than 30 years since the release of the final Wheeler & Woolsey film. The Boys - energetic, hilarious & ever so eager to please - had slipped into almost complete cinematic obscurity.

I laughed so hard when Lupe Velez impersonating celebrities and give me Pee my pants I will never say that to me, Will miss you dearly, what just to say? It took ran out of the sauce,

I first heard of the comedy team of Wheeler & Woolsey when Chris Costello mentioned them as one of several of those movie teams that had come before her father Lou and Bud Abbott invaded the cinema themselves in her book about her dad. In another book called "Abbott and Costello in Hollywood", their routines were compared to Bud & Lou's. When I was in Jacksonville, FL, during the '90s, I saw a few of their films on AMC which I managed to enjoy. So I'm now reviewing what turned out to be Bert Wheeler and Robert Woolsey's final movie as a team as the latter would pass on not long after its completion. I found them as funny as ever and I also liked the supporting turns by Lupe Velez (especially during her two numbers of which one of them is with Woolsey) and usual Marx Brothers foil Margaret Dumont. The plot is all over the place so I won't go there but I was also charmed by Wheeler's Charlie Chaplin impersonation when tap dancing, not so with his blackface shtick! So on that note, High Flyers Is worth a look.