Heidi la sauvageonne

Some people have said this is Shirley Temple's best film. It's not my favorite but I admit it is very, very good....and it has some of the most touching, wonderful moments of any of her films. In fact, there were several times in the first part of this film that produced tears in my eyes. Of course, I am an old sentimentalist. Nonetheless, this is wonderful stuff.

The only reason I don't rank this among my favorite Temple films is the mean old lady, "Fraulein Rottenmeier," played by Mary Nash, has too big a role in the second half of the movie making for a number of unpleasant scenes. I had gotten so involved with the story that I couldn't stand to see this mean woman so nasty to "Heidi" (Temple). Also, there was only one song-and-dance number and that's not enough for Shirley Temple movie.

The other characters were fine. Arthur Treacher provides good humor; Jean Hersholt is great as the gruff-then-loving grandfather and Marcia Mae Jones is nice as the young invalid.

This is a true classic story and ends with perhaps the most gorgeous and sweetest smile I've ever seen on Shirley's face.

One of my top 40 favorite films, of all time. Can watch this movie over and over again. My Grandson will watch the entire movie with me, and he is just four years old. From the moment Heidi arrives on the mountain to live with her Grandfather, the film captures ones imagination. The spirit of Heidi, the bond she develops with her Grandfather. Her finding a bed in the straw with the coverlet, milking the goat, carrying a load of firewood on her back, and my Grandson's favorite scene, sledding down the snow covered mountain on a sled, all show the child's perfect life with her Grandfather. When disrupted by her mean-spirited Aunt, and taken to live in the city, Heidi is instantly a favorite of Clara, the Butler and Clara's father. Once again, heart warming scenes capture the spirit of the girl. The monkey shines, the school lessons, the manners taught, all paint a vivid picture. None the less, Heidi and the Grandfather can not be kept apart, and each fights a mighty battle to be rejoined. Don't miss this fabulous film, a favorite around the holidays, when Heidi sings "Silent Night", I challenge you to keep a tear from your eye. Beautiful film.

The story of Heidi is kind of hard to present to film-goers. As a book it's wonderful and engaging, but it's just not movie material. Thus we get versions like this, with kidnapping and gypsies and an evil witch of a Fraulein Rottenmeier who wants to keep Klara sick and bring Heidi down.

But how can you not love Shirley Temple? She just takes any movie and makes it golden! And we also have the heart of the story: a little girl who teaches a grumpy old man to open up his heart again. And those two things by themselves help the movie to shine.

A wonderful classic, especially for young viewers, but also good for the young at heart!

Little orphaned HEIDI is abandoned at the Alpine home of her stern Grandfather - only the beginning in a series of remarkable changes in both their lives.

Shirley Temple had one of her greatest triumphs as the diminutive heroine of Johanna Spyri's classic children's novel. So well does she fill the role - eyes bright, tremendous smile & bouncing curls - that it is difficult to imagine any other young American actress of the era playing the part.

Some might grumble at the various incongruities - the jumble of accents, the Dutch musical number - but that is beside the point. This was meant to be quality family entertainment and to earn Fox Studios a great deal of money. The film was a success on both scores.

Director Allan Dwan ensured that the book's high points were included in the film & Fox gave HEIDI very good production values - note especially the scenes of village life in Dorfli - and a fine supporting cast: gentle Jean Hersholt, perfect as the old Grandfather, gruff & lovable; droll Arthur Treacher, his comic English butler is definitely not in the original book, but he is hilarious nonetheless; Marcia Mae Jones as crippled Klara; Sidney Blackmer as her wealthy father; Sig Ruman as a police captain and elderly Helen Westley as the blind Grandmother.

There are often she dragons in Shirley Temple films, bitter women who try to thwart the innocent joys of the Mighty Moppet and end up either converted or punished. HEIDI boasts two villainesses, Mady Christians as hardhearted Aunt Dete & imperious Mary Nash as the strangely evil Fräulein Rottenmeier. So well do these ladies play their parts that they are able to grab some of the attention of the audience away from Miss Temple.

Movie mavens should recognize Greta Meyer as a Dorfli villager & Frank Reicher as a Frankfurt police lieutenant, both uncredited.

"Heidi" is a childhood classic. It was only natural that Darryl F. Zanuck should choose to have his number one star play the title role in what has become a classic Shirley Temple film. Watching it, one has to be aware of just why this girl was one of the most famous of all the child stars. She has more charisma than the law allows!

While not completely faithful to the book, it is adapted to make it suitable to fit Shirley Temple's growing expertise as a child actress--and for good measure, a song sequence is included--"My Little Dutch Shoes"--to keep Shirley's fans happy. Jean Hersholt makes a perfect Grandfather, living in the Alps and at first resistant to Shirley's charm, stern and strict in behavior. Of course his heart soon melts and soon he's even attending church again. When Heidi is kidnapped, we see her in a rich man's household. Here she helps the crippled Klara to walk again and brightens up a gloomy household. In the end, of course, she is reunited with her grandfather for a teary reunion.

Perfect entertainment for youngsters who will probably fall under Temple's spell by the time the movie is over. Mary Nash is a standout as Fraulein Rottenmeier--although even meaner to Shirley in "The Little Princess". Too bad this one wasn't filmed in color. There is a colorized version available on video but I'm not partial to the colorization of black and white films. The colors are often distorted and unreal.