L'espionne de Castille

The reviews here that say the movie is too long (or "too long for a 1930s musical") must be written by people from fleet street. The movie is as long as it needs to be for a nicely complex storyline, nicely told with lots and lots of beautiful music to entertain, and Jeanette even gets a lot of dancing and wonderful non-dance choreography through crowds of men that she tantalizes with her charm.

The love scenes between MacDonald and Jones are funny, sweet, captivating, and the necessary betrayals are handled well and understandably from both sides.

I loved every minute of this film and would not have wanted it shortened. All the songs are hummable and lively/romantic. MacDonald's intelligence and sense of humor underlie everything she does, as when she says to Jones after his beautifully sung love song, "Well, perhaps I shouldn't tell you this, but you know that part where you sing, 'My heart's your throne dear, my heart's your throne dear, There you shall rule alone...' with the music building just before the high note?"

"Yes?"

"I was wondering... but, no, perhaps I shouldn't tell you."

"Tell me."

"Well, I was wondering ... if you were going to make it."

Or when Jones complains to her, "You're always saying goodbye," and she replies, "All right then, I won't say goodbye. I'll just ... go."

Her comic timing is lovely.

In fact, she has never been lovelier than in this movie, and the two of them together are just a lot of doggone fun and romance.

is exceptional in this OK Napoleonic War film. Anyone who ever thought MacDoanld was just a bland operatic singer needs to see this film. She plays a spy posing as a camp follower. MacDonald has a sexy dance number that is just a knockout. She is as sultry and sexy as any star of her era. MacDonald was a great singer who was also a great actress and comic. She is superb. Starring here with Allan Jones and Warren William, the film is a tad long, but still eminently watchable. Jones and MacDonald introduced the big hit "Donkey Serenade" in this film. Good support from Billy Gilbert, Henry Daniell, Douglas Dumbrille, and George Zucco. Not as snappy as some of her films with Nelson Eddy, but this is Jones' best film aside from the 1936 Show Boat with Irene Dunne. Give this one a watch and marvel at Jeanette MacDonald!

France and England are at war. Napoleon has placed troops in Spain "to protect the Spanish" in case England invades.

There is a beautiful cantina singer (and dancer!) named Nina Maria (Jeanette MacDonald) whom men fight over. She works as a spy for Spain. When Napoleon invites Ferdinand--who appears guileless--to France for a meeting, Nina Maria must leave for France immediately to determine if Napoleon's intentions are honorable.

She is pursued there by Don Diego (Allan Jones), a man smitten by the senorita. Along the way, he tries to charm her by singing "The Donkey Serenade"--one of the most memorable moments in the film.

When they arrive in Bayonne, France, things get complicated. The senorita discovers someone is on to her. The love story becomes more political as Nina Maria must make alliances based on trust. Will she let her heart guide her actions? What is Napoleon's true objective?

The two leads are excellent. Much of the surrounding cast portray military characters and they are very strong.

The lavish sets and a large number of extras give the film a feeling of richness, as when Joseph Napoleon and his military escort ride into Madrid.

Part romance, part political intrigue, "The Firefly" entertains while Jeanette MacDonald shines.

If it wasn't for "Donkey Serenade", this would have been a total loss as a piece of gaudy MGM entertainment for the masses in the 1930s. JEANETTE MacDONALD gives her all as a sexy spy who tries getting potentially harmful information from French officers, but it's all pretty preposterous and finally much too long for sustained interest.

The only sequence that comes off as completely charming is the "Donkey Serenade" episode with ALLAN JONES singing his heart out as he rides a dusty trail following her carriage. Jones is a fine match for MacDonald but probably left MGM when he realized it was Nelson Eddy's territory.

The score is kind of lackluster, the sets are opulent in typical MGM grand style manner, but the plot is never lively enough to keep one's attention riveted on the plodding story of spies and counter-spies in ye olde Spain. Everyone tries hard, but it just seems to stall somewhere near the middle and never recovers.

Trivia: Did Jeanette MacDonald ever show her real hair in a costume film? She must wear at least 25 wigs and hairdos in this film alone, changing her far from simple hairstyles from scene to scene more often than Lana Turner ever changed her costumes in glamorous roles. There must have been a special Jeanette wig department at Metro just for the occasion.

Spy-thrilla where Jeannette MacDonald must get napoleonic soldiers to reveal their secrets. Warren Williams (The Lone Wolf!) is the Major; Billy Gilbert who sneezed his way through films is the innkeeper. Douglass Dumbrille always played the bad guy, and here is the Marquis. Dance numbers, singing. It's Jeanette MacDonald, who always does operatic arias. Yawn. Pretty dated stuff. Intrigue. suspense. love triangles. It's a pretty dry period piece, which is never my first choice. Kind of a mata hari. Showing on Turner Classics. It's pretty well done, but moves pretty slowly. the songs keep bringing it to a screeching halt. I'd skip this one unless you're a fan of J. MacDonald. Directed by Robert Leonard... nominated twice, but never got the Oscar.