Vie facile

Unlikely to ever happen in the 21st century but if History is your game, it's plausible on the 1930s. The premise is simple in that a series of mishaps all fall into the lap of an innocent woman. A MUST if you're a Jean Arthur fan...it takes someone of her comedic skill to pull it off. The resulting chaos is again, pure Preston Sturges.

Although EASY LIVING makes no claim to realism it does somehow capture the flavor of New York in the thirties.

Directed by Mitchell Leisen from a screenplay by Preston Sturges it has all the hallmarks of Leisen's style, the gleaming, high style sets, the magnificent cathedral ceilinged apartments and also, unfortunately the tendency to allow scenes to run on just a little too long. The slapstick scene in the automat is a prime example, just a few pratfalls too many. If Sturges directed as well as written the film might not have been as sumptuous looking bit I think it would have been tighter.

Minor details however, the film is a delight, especially Jean Arthur and a very capable supporting cast giving it their professional all.

Highly recommended.

Just saw this one recently and loved it. Any film with Jean Arthur in it and you can't go wrong. Though there aren't alot of her films available. This Preston Sturges film is one of her/his best.

From the beginning we are entangled in a Cinderella like story that starts when working girl Mary(Arthur) gets hit in the puss by a flying Sable coat. Then she gets swept away by good fortune, OR so it seems.

Billionaire(Edward Arnold) gets fed up with his family spending. When his wife(Mary Nash) gets another fur coat, that is the final straw! Off the balcony goes the coat and down several flights to our Mary on a bus.

Getting mixed up in the proceedings is a young Ray Milland as the Billionaire's son. Full of crazy supporting characters and a zany script, this is a very funny film for those who like screwball comedies. Give it a try and I'm sure that you'll love it.

The pleasures of a Preston Sturges film are many, and even his poorest are miles above the competition. I know, you're saying that Mitchell Leisen directed this and that it was based on a play but after hearing that incredible dialogue and seeing those broadly drawn characters, imbued with a warmth not found in most comedies, you can't tell me that this isn't a Preston Sturges film. Sure, there is evidence of Leisen's restraining hand that you can't find in, say, Miracle of Morgan's Creek, but it's Sturges, all right. But for me, the real joy is seeing my favorite actress from this period, Jean Arthur, work with material, from my favorite writer from this period, Sturges. She fits this material so well that it is a shame they never worked together again. Another real strength is the work of the character roles, always so good in Sturges films and we see a few of the actors who will later become part of the 'Sturges stock company'. So, if you want hilarious situations, laugh-out-loud dialogue and strong comedic characters, I heartily recommend this great film.

I generally do not care for average screwball comedies; they are too much like slapstick comedy; a little bit is fine, but an hour and a half of it becomes a bit tedious. This film, however, holds up for the hour and change because of the wonderful performances of Jean Arthur, Edward Arnold, and Ray Milland. When that trio is at the top of their game, you are bound to have a good film. The only weakness in the film is the direction, which is a bit heavy-handed and unnecessarily over the top. The pace of the film is about 100 mph, which is fine if you are short on time. However, there are so many good moments in the film that should have been stretched out, and some opportunities for genuine character exploration were lost. Arthur's character, however, is wonderfully developed, thanks to screenwriter Sturges, who is one of the best. He does have trouble, however, trying to gain sympathy for the rich and spoiled. We are really happier when Arnolds' character, Mr. Ball, is losing his shirt. We have almost zero empathy for Arnold;s spoiled wife, and only a tad more empathy for his son, whom Milland plays to the hilt. The rich and snooty are amusing only for a few moments at a time, and then their wealth becomes a point of annoyance. Fortunately, Arthur is there to pull us back into the world of the everyday man, and the film succeeds despite its ridiculous pacing.