Mariage double

"Double Wedding" is an enjoyable, albeit dizzying comedy starring William Powell and Myrna Loy.

It's really a tribute to the cast that they were able to carry on in such a wacky movie despite being shut down for a time due to Jean Harlow's untimely death. Both Powell, who was involved with Harlow, and Loy, who was a friend of hers, took her death very hard.

Powell and Loy play polar opposites in this film. She is a complete control freak who has her life, her sister's life, and the life of her sister's fiancé, planned down to the millisecond. Along comes Powell, who lives in a trailer and hocks items when he needs money. Once he's in their lives, all bets are off, and chaos reigns supreme.

The cast is great but the whole thing kind of veers off focus from time to time. The writing isn't as strong as in some of the other screwball comedies of the era. But Powell is a treasure and teamed with Loy, even more so.

A very funny, romantic movie. I enjoyed all the little creative pieces of "business" and lines such as "...you rang my gong." I enjoyed the treat of Sidney Toler as Keough.

I enjoyed the beautiful, wonderful cars of the 1930s, and the background scenes of beautiful, wonderful downtown Los Angeles of the '30s and into the 1950s. I was born there in 1934 and remember it well when it was a beautiful place to live. Ah, nostalgia!! This is what it really did look like then.

A screwball romantic comedy...but somebody forgot to tighten the screws. Confusion reigns after a ne'er-do-well man becomes involved with both a would-be actress and her domineering, humorless sister. Funny cast (including the "Thin Man" couple, Myrna Loy and William Powell) have a high time with their eccentric characters and fast, witty dialogue, but the plot is extremely thin, taking everyone around in circles. Too bad this didn't have firmer handling, the potential was here for a comedy classic. Loy's continuous bad temper gets the biggest laughs, however the wild slapstick climax boasts some very amusing sight-gags. **1/2 from ****

Powell is an artist, a free spirit who disrupts the well-made plans of Loy, who controls the lives of her kid sister (Rice) and the latter's fiancé with an iron fist. Like the dozen other teamings of Powell and Loy, it is fun to watch the two pros match wits. Beal is funny as Rice's milquetoast fiancé, whom Powell tries to make a man out of. Powell is an aspiring writer/director who coaches Beal and Rice in acting out a love story; unable to arouse passion out of Beal, Powell demonstrates by passionately kissing the lovely Rice, who falls in love with him. Of course, Powell falls in love with Rice's sister, Loy, setting the stage for comic situations.

For the most part Double Wedding is a standard rom-com about opposites attracting, with Myrna Loy and William Powell carrying most of the screenplay weight. But it's John Beal's delightfully clueless literal- minded suitor to Loy's sister (ably but forgettably played by Florence Rice) that makes this film work. Scenes he shares with Powell as a hopeless actor and would-be man of the world are laugh-out-loud funny. His style of understated flat-affect comedy wouldn't become popular until the Coen brothers. Powell and Loy are capable as always, and the sets and costumes have a high sheen, but this film is Beal's steal. There's lots of misunderstandings and misapprehensions, all of which don't add much to the genre, but it's an amusing way to spend a few hours in the company of experts.