Charlie Chan at Monte Carlo

Murder at Monte Carlo from 1937 is a very enjoyable Charlie Chan mystery, with Warner Oland as Chan, Keye Luke as Lee Chan, and Sidney Blackmer, Virginia Field, and Harold Huber.

Charlie and Lee are en route to an exhibition in Paris, in which Lee has a painting, when they stop in Monaco. The police inspector there is thrilled to meet Charlie and brings him to the casino. There Charlie sees two high-powered businessmen, Paul Savarin and Victor Karnoff (Blackmer) playing ruthlessly against one another.

The Chans are trying to get to their train when their taxi breaks down, so they set out on foot. They find a body, that of Karnoff's messenger, in a car. He had been carrying bonds that were to be sold. The sale supposedly would have wiped out his enemy, Savarin. Charlie and Lee return to Monte Carlo and work with the inspector to solve the murder.

There are some strange situations. First of all, Mrs. Karnoff (Kay Linaker) is being blackmailed by the hotel barman, Al Rogers (George Lynn) and has paid him with bonds - bonds which are expected to be sold that evening. She needs them back, but Rogers refuses to hand them over.

The second strange thing is a woman at the hotel, a former model (Field) who seems to have no money yet dresses beautifully and lives in luxury. Where is she getting her money? There are plenty of suspects, but also more than one body as time goes on.

This is lots of fun, with Lee Chan getting into all sorts of trouble -- even with his lousy French, he manages to get himself and his father in trouble. Part of this film is in French but the situations are easy to read. Oland, Luke, and Huber as the inspector are delightful, and Sidney Blackmer is very good. The woman that plays his wife, Kay Linaker, is one of the worst actresses I've ever seen.

To be fair, these films were shot very quickly, and often the director wasn't as focused as he should have been. It's one of those performances where someone asks her what's wrong and she says no in a terrified voice, with her eyes widening as she turns away.

Very enjoyable.

Charlie Chan (Warner Oland) and Chief of Police Jules Joubert (Harold Huber) track down theft of metallurgic bonds and murder in Monaco. Huber has a great deal of time on screen and he plays his character with the comedy that mars his department. Supporting character actor Louise Mercier does a great job as a taxi driver whose conveyance gets the best of him and son Lee Chan's misuse of French gets him into trouble.

Early theme in movie is repeated use of number `25.' Lee points out that their hotel room is 125, he is 25 years old, this is the 25th of August, this is the Chinese Year 9325 - and therefore the number 25 will be lucky at the roulette wheel. Chan point out that Lee had borrowed $25 the week before. Later we learn that the value of the missing bonds is $25,000, one of the suspects borrows an amount equal to $25,000, and heretofore there had not been a murder in Monaco for 25 years. Poor writing fails to capitalize on this theme and the storyline sounds better in movie reviews than as portrayed on the screen.

Lots of misdirection and suspicion but in the end, Chan and the police trap (`Questions are keys to door of truth') the guilty party using knowledge that was known only to police and not the viewer. One clue might have been picked up on by an observant viewer, but the other part of the explanation at the end goes beyond what we could have known. When confronted, the guilty party makes a final error in revealing yet another fact known only to police and murderer (again not to viewer). Not one the best of the Chan series.

This is the final appearance of Oland live in a produced film - he died the following year. In this movie, as Chan, he says: `Humble presence of no more importance than one drop of rain in cloudburst.' On the contrary - although the Chan series is not high art, this viewer thinks that we are better for Oland having played the role.

Charlie Chan and "Number One Son" Lee are visiting Monte Carlo when a bank messenger is murdered and some bonds stolen. Sadly, this was Warner Oland's last Charlie Chan film. He's good in this, though he does seem a little 'off.' Whether this is my imagining things because I know about his problems offscreen, I don't know. He just doesn't seem as happy in this one as earlier films. Keye Luke is great, as always. Harold Huber, who appeared in Charlie Chan on Broadway as a different character, is fun here as a French police chief. It's not the best of the series, but still enjoyable. All of the Fox Chan films were at least watchable, whether Warner Oland or Sidney Toler were Chan. After the series moved to Monogram, quality declined greatly. The worst moments of Charlie Chan at Monte Carlo are better than anything in the Monogram series.

When Charlie and son Lee stay at Monte Carlo for an art exhibition (Lee's become a painter now), naturally they also visit the famous casino; where we soon get to know two exchange sharks, Gordon Karnoff and Paul Savarin, 'fighting' grimly even at a game of Baccara, while at the same time, Karnoff's wife Joan is in a tight spot: she took some of his metallurgic bonds out of his safe and for some strange reason gave them to bartender Al Rogers - and Karnoff intends to send those bonds to the stock market that same night to be sold, which would mean enormous losses for Savarin. She manages to recover the bonds, and her brother Gordon, Karnoff's secretary, places them back in the safe with the others, and so, after being checked, they're all sent by car to France. But when Charlie and Lee happen to come along that same road, they find the car stopped, the courier murdered, and the chauffeur missing...

So, eagerly, Monsieur Joubert from the Monaco police takes on the case - but very soon, he's in despair: the chauffeur is also found murdered, and literally everybody involved in the whole affair could be guilty: Savarin of course, who on top of it all was seen with pretty young Evelyn (who over the past few months suddenly became a rich socialite from the humble model she was before) near the scene of the crime, Joan and the mysterious bartender, her brother Gordon who had access to all of Karnoff's papers - and even Karnoff himself, because very soon the fact is revealed that those bonds were of course insured. A VERY hard nut to crack for Joubert! But Lee has got an even bigger difficulty to cope with: the French language, which he's supposed to have learned at college... Once his desperate tries to express himself correctly even get him and his father into jail on a murder charge! So there are Lee and Joubert to provide the comical elements, while Charlie's calm reasoning finally leads to the capture of the murderer; not the most ingenious of plots, but some very fine performances, and of course some VERY wise philosophical remarks of our Chinese master sleuth...

This is the last 'Charlie Chan' movie starring Warner Oland, because unfortunately he died just a few months later. But we shall never forget that he left to the world 16 MAGNIFICENT performances, which would forever shape the character of our favorite Asian detective - and which will live on for generations and generations to enjoy.

The famous Chinese detective is in Monte Carlo with eldest son Keye Luke in Charlie Chan At Monte Carlo for a little relaxation before going on to Paris. Of course Warner Oland was already there several pictures ago.

The murder of bank manager Georges Renavent and later of chauffeur John Bleifer and the theft of bank bonds of Sidney Blackmer is the case that Oland gets involved in. Later on an American gangster George Lynn is also murdered. Lynn's got his own little racket going concerning Blackmer's wife Kay Linnaker.

Blackmer's rival in another competing banking house also has much to gain. He's got a mistress played by Virginia Field who sends out her come hither glances and those are ultimately responsible for all three of the murders.

Not one of the better Charlie Chans from Warner Oland. There is however a funny scene with Charlie and number one son trying to order breakfast in French and see what Charlie gets. This was also the last film for Warner Oland.

Nice, but not as good as other Chan features.