The Case of the Stuttering Bishop

Most of Edward McWade's roles were uncredited, but he certainly paid his dues in film-making; he had been making movies since 1919. Here he plays the stuttering bishop, who shows up at the office of Perry Mason (Donald Woods this time... Warren William had been playing Perry Mason for most of the 1930s.) with a case, then disappears. He makes accusations against the local rich man, Renald Brownley, played by Douglas Wood. Anne Dvorak and Joseph Crehan in supporting roles, as Mason confronts Brownley and tries to sort out the clues and what's going on. People start turning up dead, people are fighting, and then we're in the courtroom, like any good episode of Perry Mason. There are some comical moments, mostly between Mason and Della Street, and the names are a little confusing, with a Della, a Stella, TWO girls named Janice, and even an Ida. It's solid enough, with the usual court-room drama and outbursts. Directed by William Clemens, who had also directed many of the Nancy Drew and The Falcon films.

You can often tell when a studio is losing interest in a film series when they start replacing the entire cast. In this instance, they did it twice in 2 films-- and by the time of THE CASE OF THE STUTTERING BISHOP, we'd not only seen 3 Perry Masons in 6 films, but 5 different Della Streets! Donald Woods does his 2nd PM film, having played one of the suspects in ...THE CURIOUS BRIDE, while William Clemens directs his 2nd PM film, having already done the relatively sober ...VELVET CLAWS. Clemens would go onto quite a few series films, including a Torchy Blane, 4 Nancy Drews, a Dead Ends Kids, a Philo Vance, and 3 Falcons. There's nothing especially flashy or stylish about this film, and it starts out very confusing, but it is a solid mystery film, and gets better as it goes.

For example, you have the boastful house detective who Perry winds up hiring part-time, and as the story goes on he proves to be genuinely helpful, rather than "merely" comic relief. It seems the murder takes forever to happen in this one, but once it does, the story FINALLY kicks into gear, and the courtroom sequence at the end is probably the BEST in all 6 films. Unlike when Perry rattled off confusing info nobody but HE knew in the previous installment, the quick stream of witness testimonies actually help to pull all the threads of the story together neatly. And at last, there's the patented "blurted out confession" seen in so many PM stories-- only in this case, NOT from the person being grilled on the stand.

It's been said that sometimes casting actors very accurate to novels can lead to dull films. Some of the most popular versions of characters are quite unlike their literary sources-- good examples being Sean Connery's JAMES BOND and Stacy Keach's MIKE HAMMER. In this case, I find myself wishing Warren William had done more films like this one-- his version of Perry might not be thought of as so much of a joke then.

As someone who has read all 82 of the Perry Mason novels, I have to say that this is the best I've seen of the Warner Brothers Perry Mason films. Readers of Gardner's mysteries will appreciate how faithfully the screen writers were able to keep to the essentials of the original plot in this short 70 minute film.

This film is far superior to the turkeys WB made with Warren William (although that's not saying much.) And Donald Woods was more like the literary Mason than Raymond Burr, who was almost fat enough by the end of the TV series to play Nero Wolfe!

And, of course, there's the great 1930's atmosphere in this film, something the TV series could never hope to reproduce.

Donald Woods stars as Perry Mason in "The Case of the Stuttering Bishop," a 1937 film that also stars Ann Dvorak as a lively Della Street. Frank Faylen is also on hand to pep things up a bit. Both of them are needed, because Donald Woods isn't terribly exciting. Of the men who played Perry Mason in the films, he is perhaps the closest rendering to the actual character. But the book Perry Mason was just that - for books - and it would take Gardner himself to not only choose Raymond Burr (the original Perry Mason was supposed to be Fred MacMurray until Gardner saw Mason at an audition for Hamilton Burger) but oversee the scripts to make the translation to the moving image.

The story concerns a mysterious bishop who asks Perry to help clear a woman accused of manslaughter many years earlier. From there, the story gets into mistaken identity - is a woman posing as an heiress or isn't she - and the solving of a murder. It's a very complicated plot, so pay attention. And Paul Drake is old. If you can sort it all out, you'll find it interesting. There's a little comedy to be had, which is helpful.

I like watching the Perry Mason movies, if only to see the different interpretations of the various roles and the emphasis put into the stories, but in the end, it's best to forget who these characters are supposed to be - because after watching the TV show for years, none of them are. So don't expect much in that department, and you won't be disappointed.

Donald Woods takes over the role of Perry Mason in the last of the Mason series that Warner Brothers did in the 30s with Ann Dvorak as Della Street in The Case Of The Stuttering Bishop. Erle Stanley Gardner's lawyer/sleuth would have to wait for television and Raymond Burr for its next incarnation.

Edward McWade, a bishop who stutters comes from Australia to see Woods about a possible fraud being perpetrated on millionaire Gordon Oliver regarding a fake granddaughter being foisted upon him. Later on Myra McKinney, Oliver's estranged daughter-in-law is arrested and it's Perry Mason for the defense.

Hamilton Burger played by Charles Wilson and Joseph Crehan as Paul Drake also appear. Burger for his one and only time in the movie series and Drake is a more traditional private eye. Previously Drake was "Spudsy Drake" played for comic relief by Allen Jenkins in previous films.

Viewers of the classic TV series will note that this observes the Perry Mason paradigm about never having guilty clients and the killer being unmasked in court. Previous films strayed from that somewhat.

I have to mention Tom Kennedy who took a leave from the Torchy Blaine series and brought his usual thick as a brick detective character with him. He's a favorite so incredibly droll and so naive.

Watch it for Tom Kennedy alone.