Bulldog Drummond s'évade

Ray Milland's only outing as Bulldog Drummond is a pretty good start to Paramount's series. The story is about Drummond trying to help a woman who's being kept prisoner by her nefarious guardian at the ominously-named Greystone Manor. There's also a subplot about Drummond's right-hand man Algy being a nervous wreck waiting on his wife to give birth. Milland makes for a charming and lively Bulldog Drummond. He was one of three actors to play the character in 1937 alone and, for my money, he was better than the other two. Reginald Denny and E.E. Clive offer fun support. Lovely Heather Angel plays the heiress and has a nice playful chemistry with Milland. She's also something of a tough cookie, helping fight the bad guys instead of just standing around doing nothing. The rest of the cast features fine actors like Porter Hall, Walter Kingsford, Fay Holden, and Guy Standing. This was Standing's final movie, dying from a rattlesnake bite (!) a month after this was released. The Bulldog Drummond series wasn't one of my favorites of the many detective film series that littered the '30s & '40s but I have liked many of them. This one is particularly enjoyable with lots of humor and some nice foggy atmosphere. Short runtime and good pace also help.

As with most of the items in this series, one must put aside a great deal of incredulity. There are far too many coincidences and events dependent on the victim, for the bad guys to be as successful as they are. That said, there is a great deal of byplay among the principles, including the police department and others makes it a good deal of fun. The thing that really stretches things is that the young woman whom we focus on is semi-conscious much of the time and participate a bit too much in the plot to conceal her. There are, however, so many opportunities to escape or to get help, the ultimate rescue seems a little unnecessary. Ray Milland as Drummond is quite good. I always found him unflappable in his many portrayals (even the Hitchcock classic). He has suavity down to a science. The byplay with the butler is quite delightful. I'm still not sure why they were hanging on to this girl (she seemed like excess baggage) and what the mystery was, but I still had a fine time. I have six of these films and look forward to the next one.

The basic review is spot on. This is a fun movie. Neither deep nor meaningful, but it is a good romp in a Post WWI England. Enjoyed it with my family. Three generations of my family stuck with it until the end, and all enjoyed it. The cinematography, with fog and lighting adds nicely to the suspense. It is a great look, though typically romanticized or glossy, at the morays and social structure of post WWI British society. Although totally predictable in plot, the dialog and characters made for a fun hour plus at the movies. Not a must in any DVD library, but when on sale, a worthwhile addition as the price of a single ticket.

Ray Milland kicks off the 1937-38 series of films about the intrepid Captain Hugh "Bulldog" Drummond with style. Drummond encounters a young woman on the road who pinches his car and leaves him stranded, but not for long. Soon, he's embroiled in a family squabble over inheritance and paranoid delusions. Pal Algy and valet Tenny try to help Drummond prove the girl is not loony and sort out who the baddies are. The banter is funny and lively and the acting is better than usual for the period, especially Milland, who unfortunately immediately left the role for bigger and better ones. For those keeping score, this is when Drummond meets Phyllis, and Algy is worried about missing the birth of his baby.

Mix a cup of Sherlock Holmes with a quarter of James Bond, add plenty of low budget adventures, some comedy gags, a pinch of romance, the language and the attire from the Thirties, shake well, and you'll have Bulldog Drummond: a bunch of pre-war B-movies, if you will, yet with some intriguing elements and entertaining moments. "Bulldog Drummond Escapes" is one of the three "Bulldog Drummond" productions of 1937, and one of the high points in the series in my view.

A few words about Captain Hugh "Bulldog" Drummond for those who do not know him yet: charming and gentlemanly, but a man of action when needed, he is a former WWI British officer who spends his spare time helping Scotland Yard solve intricate cases. "Bulldog" is accompanied by deadpan, witty and vaguely surreal butler Tenny (my favourite character) and by useless, dumb friend Algy (a downer, usually unfunny), and is constantly on the verge of marrying his fiancée Phyllis (adventures will happen and delay the marriage, naturally). All these fictional characters were created by "Sapper", nom de plume of Herman Cyril McNeile, and continued by Gerard Fairlie after McNeile's death -their novels inspired more than twenty motion pictures, many of them in the Thirties.

Similarly to Sherlock Holmes and James Bond, the Bulldog Drummond title hero has been played, over time, by several actors, who gave a different flavour to each episode. In this instalment of the series, which tells of Captain Drummond trying to save a beautiful heiress in distress (played by Heather Angel), the leading man is Ray Milland, a young, bright British actor -a few years later, he won an Academy Award for Best Actor in Billy Wilder's "The Best Weekend". Ray Milland's Bulldog Drummond is charming and funnily flamboyant, but not as clever as he is supposed to be, so the mystery often steers to lighter tones and to comedy.

The result, however, is fast paced and involving, while the unfunny gags are kept to a minimum. "Bulldog Drummond Escapes" is no cinematic masterpiece, but it is enjoyable if you like the genre and if you concede to stereotyped characters and some holes in the plot.

Like other movies from that age, this old flick shows the signs of time, such as scratchy sound and random vertical lines. On the other hand, it is in the public domain, so you can watch it for free on the Internet, if you want.