La grande ville

After watching Big City a, TCM, television version of the movie, I felt cheated that I had not seen Luise Rainer before. She was magnificent, sweet, and believable. Because of my research on this 1930s two-time, back-to-back Oscar winner, I can't wait to see the other seven films in which she acted. She won an Academy Award in 1937 & 1938. She left acting at the peak of her career, and that is very sad. This woman had something "different" about her. Though she is now 102 years old and lives in England, she has a new American fan. Spencer Tracy was the male lead, and he was his usual incredible self, but Luise Rainer, in my opinion, upstaged the great Tracy!

A very funny film that stars Luise Rainer and Spencer Tracy as a taxi cab driver and his wife. The plot is basically two cab companies fighting over which one gets the territory or something like that. The two main stars are great and Luise Rainer has top billing over Tracy. I've read a lot of negative reviews but i think it's very funny.

New York City cabdriver Spencer Tracy (as Joe Benton) picks up dewy-eyed Luise Rainer (as Anna Roya) on the street one evening and makes amorous advances. A policeman stops Mr. Tracy's aggressive moves, but Ms. Rainer jumps into his arms. As it turns out, the co-stars are happily married and enjoy role-playing. The real problem is with "independent" driver Tracy and a big taxicab company. A taxi war is going on and Ms. Rainer, a Russian immigrant, becomes a murder suspect. Future "My Three Sons" TV series favorite uncle William Demarest (as Beecher) stands out as the lead bad-guy. Near the end, Jack Dempsey and several sports figures appear...

"Big City" opens like a comedy, turns into a hard-boiled crime drama, then tries to merge events in a closing stolen by athletic fighter and manic speedster Eddie Quillan (as Mike Edwards). The film is a vehicle for Rainer, elevated to MGM stardom as studio chief Louis B. Mayer sought another Greta Garbo. More like Garbo's Russian ballerina from "Grand Hotel" than Tracy's working-class wife, Rainer recalls the Swedish superstar most in her telephone and ice cream cone scenes. The two-time "Oscar" winner has an interesting courtroom outburst and emotes unmercifully during her saddest scenes. Director Frank Borzage moves it along and captures some atmosphere.

***** Big City (9/3/37) Frank Borzage ~ Luise Rainer, Spencer Tracy, William Demarest, Eddie Quillan

... declares Chevy Chase in a fake commercial in the first season of Saturday Night Live about some strange product that could be one of several things that nobody can identify. That sentiment applies to this film too. With Spencer Tracy and Luise Ranier in the lead as a cab driver husband and his foreign born and raised wife and the MGM trademark you'd be expecting a melodrama, but when it comes to director Frank Borzage, expect the unexpected.

The overall theme has to do with the war between a large cab company - Comet Cab - and the independent cab drivers in New York City. It's part tragedy in the willingness of city officials to deport an innocent alien girl (Ranier as Anna) without any real due process in order to avoid a controversy, part drama in the war between the cabbies and the conspiracy to hide Anna from the cops until six weeks expires and she becomes an American citizen, and part screwball comedy with a funny but rather pointless street brawl between all of the cabbies with some popular sports figures of the day (Jack Dempsey, Jim Thorpe, Bull Montana, Jack Jeffries and more) thrown into the fight for good measure as well as the chief of police, the district attorney and the mayor getting into the act. Actually the part about hiding Anna is partially played for laughs too, with the joke being on the hapless police always running in circles.

Then there's the bad guy, the muscle for Comet Cab Company who is willing to murder to keep his protection racket rolling who is played by - William Demarest??? Usually the comic relief or a harmless yet crusty fellow, you just know Borzage is playing the drama part of this tongue in cheek with this particular piece of casting. When Uncle Charlie of "My Three Sons" says "I'll rub you out if you talk" it's just hard to be too terribly afraid. All we need is baddie Barton McLane as a hairdresser to make the upside down casting and strange plot roadmap of this film complete.

One of the things Borzage did best was depict camaraderie and heroism, and here you see that in the independent cabbies and their wives who are willing to risk jail to keep Anna hidden from the police, and in Anna when she realizes that her presence among them is causing so much hardship for them.

Don't think I don't like this one - I do. Just sit back and enjoy whatever course of events you are presented and don't try to pigeon hole it or analyze it too much. From the first frame with cabbie Joe Benton attempting to "pick up" his own wife, to the end credits with the normally dignified MGM insignia that instead sports a hand-drawn lion's backside aimed at the audience, I've never seen anything quite like this from the movie factory era of MGM.

The follow-up to "Mannequin" and coming just before the sublime "Three comrades" melodrama ,"Big city" has a bizarre cast and credits showing cartoons Winnie Winkle style .But it's not a comedy.Once again ,it's a drama showing the fight of two lovers against a hostile world.Both Spencer Tracy and Luise Raiser(her eyes are so beautiful) give outstanding performances .Once again,Borzage teaches us real love,true love,pure love ,this love which leads you to sacrifice everything (Anna calling the Police)so the others can go on.He shows us men and women all standing together against the High and the Mighty.Recalling sometimes his great silent work "street angel" (1927)when Tracy visits his wife on the boat about to take her away from him.The final rumble may seem too long ,but after so much pain,it's a sweet relief.Humor is also present in the scene of the bottle of milk.Monsieur Borzage,you were a great man.