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Ajouter une intrigue dans votre langueThe arrival of the telegraph put Pony Express riders like John Blair and his pal Smoky out of work. A race will decide whether they or Stageline owner Drake get the government mail contract.The arrival of the telegraph put Pony Express riders like John Blair and his pal Smoky out of work. A race will decide whether they or Stageline owner Drake get the government mail contract.The arrival of the telegraph put Pony Express riders like John Blair and his pal Smoky out of work. A race will decide whether they or Stageline owner Drake get the government mail contract.
Bob Kortman
- Cherokee Joe - Henchman
- (as Robert Kortman)
Jon Hall
- Jim - Pony Express Rider
- (as Charles Locher)
Merrill McCormick
- Pete - Henchman
- (as W.M. McCormick)
Christian J. Frank
- Telegraph Crew Chief
- (as Chris Franke)
Bobby Burns
- Townsman
- (non crédité)
Yakima Canutt
- Smokey - Henchman
- (non crédité)
Horace B. Carpenter
- Settler with Sick Child
- (non crédité)
Helen Gibson
- Settler's Wife
- (non crédité)
Avis à la une
Strong story line that benefits from Lone Star's alliance with Republic Pictures. Poverty row Lone Star usually emphasized action at the expense of story-line. This resulted in lots of exciting chases, but often with little understanding of why. Here, however, the plot is very well developed with believable characters and good action. It's an excellent sketch of how guts, risk, and ingenuity helped transform an abandoned ghost town into a vibrant new community. The screenplay also does a nice job of showing the challenges of rebuilding a frontier town without losing the conventions that entertained kids of the time. Wayne delivers a nicely appropriate turn as the driving force behind the redevelopment, along with Lane Chandler as his buddy. This film especially shows Wayne's charm before the big-money responsibility of super-stardom made him more serious. Final stage race is well conceived along with how reviving the town also restores self-confidence of its inhabitants. Very positive story-line unusual for a B-Western of the time.
"Winds of the Wasteland" was made following the 1935 merger of Lone Star/Monogram and Mascot Pictures into Republic Pictures. With the added resources of the old Mascot serial group, the production values of John Wayne's series improved greatly. The budgets were certainly bigger and that can be seen in this particular entry.
The story has two ex Pony Express riders, John Craig (Wayne) and Larry Adams (Lane Chander) starting up a stagecoach line. They are duped into signing an agreement with bad guy Drake (Douglas Cosgrove) to operate the line between two towns one of which is deserted except for the disgruntled doctor (Sam Flint) and jack of all trades Rocky (Lew Kelly).
Doc's daughter Barbara (Phyllis Fraser) arrives unannounced and tries to convince her father to return east with her. Craig convinces them to remain and await the results of the upcoming stagecoach race for a $25,000 mail contract. Drake, along with his henchmen Bob Kortman and Yakima Canutt, among others, try to thwart our hero at every turn.
The highlight of the film, and a sequence that sets it apart, is the climatic and very well staged race between Drake's coach and that of Craig. Veteran director Mack V. Wright gives us plenty of action and a realistic race to boot. Having Yakima Canutt around meant many visually exciting stunts. The outcome of the race of course is never in doubt nor is the fate of the villains.
Jon Hall (using the name Charles Lochner), appears briefly at the beginning of the movie as a Pony Express rider who is seen talking to Wayne and Chandler. Also in the same sequence is veteran "B" western performer Ed Cassidy.
This was one of the best of Wayne's early "B" westerns.
The story has two ex Pony Express riders, John Craig (Wayne) and Larry Adams (Lane Chander) starting up a stagecoach line. They are duped into signing an agreement with bad guy Drake (Douglas Cosgrove) to operate the line between two towns one of which is deserted except for the disgruntled doctor (Sam Flint) and jack of all trades Rocky (Lew Kelly).
Doc's daughter Barbara (Phyllis Fraser) arrives unannounced and tries to convince her father to return east with her. Craig convinces them to remain and await the results of the upcoming stagecoach race for a $25,000 mail contract. Drake, along with his henchmen Bob Kortman and Yakima Canutt, among others, try to thwart our hero at every turn.
The highlight of the film, and a sequence that sets it apart, is the climatic and very well staged race between Drake's coach and that of Craig. Veteran director Mack V. Wright gives us plenty of action and a realistic race to boot. Having Yakima Canutt around meant many visually exciting stunts. The outcome of the race of course is never in doubt nor is the fate of the villains.
Jon Hall (using the name Charles Lochner), appears briefly at the beginning of the movie as a Pony Express rider who is seen talking to Wayne and Chandler. Also in the same sequence is veteran "B" western performer Ed Cassidy.
This was one of the best of Wayne's early "B" westerns.
I recently watched the John Wayne western Winds on the Wasteland (1936) on Prime. The plot depicts the end of the Pony Express and the shift to traditional government postal services. Recently laid-off men offer to assist a local stagecoach company in securing the government mail contract, but challenges lie ahead.
Directed by Mack V. Wright (The Man from Monterey), the film stars John Wayne (Stagecoach), Phyllis Fraser (Little Men), Lew Kelly (Paradise Express), Lane Chandler (Samson and Delilah), and Douglas Cosgrove (Lady Killer).
This is a dated western with varying degrees of success in its elements. The acting and dialogue feel somewhat stiff and inauthentic at times. However, the elite attire, settings, and props immerse the audience in the era. The storyline is compelling and holds attention, though the fake backgrounds and staged scenes haven't aged well.
In conclusion, Winds on the Wasteland is an average western with redeeming elements that make it a must-see for genre enthusiasts. I'd score this a 5.5-6/10 and recommend watching it once.
Directed by Mack V. Wright (The Man from Monterey), the film stars John Wayne (Stagecoach), Phyllis Fraser (Little Men), Lew Kelly (Paradise Express), Lane Chandler (Samson and Delilah), and Douglas Cosgrove (Lady Killer).
This is a dated western with varying degrees of success in its elements. The acting and dialogue feel somewhat stiff and inauthentic at times. However, the elite attire, settings, and props immerse the audience in the era. The storyline is compelling and holds attention, though the fake backgrounds and staged scenes haven't aged well.
In conclusion, Winds on the Wasteland is an average western with redeeming elements that make it a must-see for genre enthusiasts. I'd score this a 5.5-6/10 and recommend watching it once.
This is my favorite B-Rater from the 30's of John Wayne!!!!! Ilove this movie, and the COach race and all, action pack john wayne 54 Minute movie that will keep u interested all through the movie! I have the pleasure to Own the VHS Copy of this movie and all its B-Rating Oater Glory right now!!!!!! John Wayne is my favorite actor of the 30's always have been and always will be. And for who ever doesn't like this movie or John wayne, then you really don't know good from bad!!!!!
On a end note, who ever likes b-rated westerns from the 30's this is a great choice to pick.
I HOPE THIS Review Helps you!!!!!!!
On a end note, who ever likes b-rated westerns from the 30's this is a great choice to pick.
I HOPE THIS Review Helps you!!!!!!!
Former Pony Express Riders John Wayne and Lane Chandler get some free horses when the Pony Express disbands and decide to start a stagecoach line. Easier said than done when a crooked stagecoach entrepreneur, Douglas Cosgrove, sells them a worthless route to a ghost town.
Well not quite a ghost town, there are two inhabitants there. But through good old American know how and some hard work, Wayne and Chandler make a go of it. The town springs back to life in the process.
Though this is a poverty row B film with production values of same, this is one of the Duke's better B films of his pre-Stagecoach period. I like the plot very much and there is an exciting climax with a stagecoach race to see who wins the government mail contract.
And why wouldn't it be exciting since the King of Stuntmen, Yakima Canutt who did the chariot race in Ben-Hur had a hand in this one.
Also look for a very nice performance from character actor Lew Kelly, the "Mayor" of the ghost town who keeps having a run in with a persistent skunk who has taken up residence in the old stagecoach Wayne and Chandler buy.
But that's no comment on the picture.
Well not quite a ghost town, there are two inhabitants there. But through good old American know how and some hard work, Wayne and Chandler make a go of it. The town springs back to life in the process.
Though this is a poverty row B film with production values of same, this is one of the Duke's better B films of his pre-Stagecoach period. I like the plot very much and there is an exciting climax with a stagecoach race to see who wins the government mail contract.
And why wouldn't it be exciting since the King of Stuntmen, Yakima Canutt who did the chariot race in Ben-Hur had a hand in this one.
Also look for a very nice performance from character actor Lew Kelly, the "Mayor" of the ghost town who keeps having a run in with a persistent skunk who has taken up residence in the old stagecoach Wayne and Chandler buy.
But that's no comment on the picture.
Le saviez-vous
- AnecdotesPhyllis Fraser was Ginger Rogers' cousin.
- GaffesIn the final stage of the race, the long shots of the Crescent City coach show a driver with a light coloured vest wielding a whip in his right hand. The close shots show John Blair (John Wayne) wearing a dark coloured vest and with both hands holding reins.
- Versions alternativesAlso available in a computer colorized version.
- ConnexionsEdited into Six Gun Theater: Winds of the Wasteland (2021)
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- How long is Winds of the Wasteland?Alimenté par Alexa
Détails
- Durée55 minutes
- Couleur
- Rapport de forme
- 1.37 : 1
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By what name was La Ville fantôme (1936) officially released in India in English?
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