Windbag the Sailor

This first entry in the six movies made by the English comic trio of Will Hay, Moore Marriott and Graham Moffatt. The film manages to entertain and delight from start to finish. Will Hay once again finds himself in an impossible situation: the captain of a British merchant marine vessel heading towards Norway. Marriot and Moffatt are landlubbers who are stowaways on the ship. Of course there is a mutiny and the three become castaways on a South Pacific Island. This movie contains some funny Buster Keaton moments on board of the ship. The funniest scene has Hay, Marriott and Moffatt trying to coordinate the latitude and longitude of the ship.

Of all the 1930s English comedies, Will Hay's films are the ones which appeal most in a modern audience. Silly, gentle, nostalgic and always uplifting. Although most of his films are virtually identical, this is one of the best.

This was made immediately after WHERE THERE'S A WILL with the same team but with one notable addition: Moore Marriott and Graham Moffatt as Harbottle and Albert who would repeat their roles in Hay's next five pictures. These three are simply magical together.

Although his gentle humour; laughing at loveable incompetence is akin to that of Laurel and Hardy, I find the mood of Hay's films, that sense of teetering close to the close to the cliff edge between blissful ignorance and anarchy closer to that of early Marx Brothers. Maybe it's also because they inevitably have a Margaret Dumont equivalent, a wealthy trusting and naïve patron who can see only the good in Will Hay/Groucho - in this picture, like the previous ones that's Norma Varden who looks and acts suitably matronly despite only being 36! A film like this ostensibly looks childish but what it's doing is appealing to our base emotions and there's nothing wrong with that - after all, you couldn't call SPONGEBOB sophisticated but it's still funny.

It takes real genius (Hay was famously quite the intellectual) to make something which appears so childish so engaging to grown-ups.

A retired barge captain entertains customers in a pub with tall tales of days at sea. He gets caught out when he is tricked into captaining an unseaworthy ship which is to be scuttled for insurance money.

Mildly amusing film with Will Hay as the ship captain aided by Moore Marriott and Graham Moffat as stowaways. These three would go on to to make other, better, films together. Some racial stereotypes and language are now outdated.

Windbag The Sailor finds Will Hay as a barge captain who loves entertaining the folks at the pub with his tall tales of the sea. On the other side of the pond Hay would be the equivalent of Gabby Hayes telling those tall tales of the west in all those cowboy pictures.

But he works his charm on Evelyn Varden who sponsors a troop of Sea Scouts one of them Graham Moffatt who along with Moore Marriott was making his first appearance as a second banana to Will Hay.

Hay gets to be captain of a freighter that's a sea going disaster, but he does not know that this canal barge captain is supposed to be the dupe and go down with the ship that his crew is planning to scuttle for the insurance. Of course Hay knows nothing about running an ocean going vessel and that's half the comedy in Windbag The Sailor.

The other half involves Hay and Moffatt and Marriott being rescued by cannibals off Africa and their lives being saved by the portable battery operated radio that Moffatt won't leave the ship without. Funniest part of the movie is our three heroes sailing away from the ship with Hay doing his best Charles Laughton cast adrift from the Bounty.

A special providence seems to save this trio in all their films as they sure don't get by on their own abilities. Windbag The Sailor is a very funny film, holding up well for a movie now 80 years old.

Will Hay appears, not as a schoolmaster this time, but as an incompetent sea captain. However his character is, as usual, one of seedy incompetence, with few redeeming features,for whom one nevertheless roots, with touches of W.C. Fields (not that I am accusing Hay of plagiarism.) The plot, however, has touches of Buster Keaton's "The Navigator." Marriot and Moffat, in their first film with Hay, provide excellent comic support. By no means Hay's best film but well worth watching.