Sa femme et sa dactylo

It sounds like some sort of cheap sex farce, but this wonderful gem from MGM is actually a very sophisticated work. At its heart are the brilliant performances of five shining stars. Myrna Loy, her miraculously beautiful face subtlely registering her consumption by the green eyed monster. Clark Gable, exhaustingly energetic and effortlessly charming. May Robson, worldly wise and utterly compassionate. James Stewart, in an early supporting role displays the sincere simplicity that was to become his trademark. And Jean Harlow, luminous and intelligent - with a practical notion of love - but playing temptation better than any actor I've ever seen. Watch that scene where she takes off Gable's shoes. So sad that she died only a year after this film was made.

At the helm of this under-rated film is the great Clarence Brown, one of the great stylists of the cinema, who was able to take a simple story and give it depth - watch the gossip and the prejudice of the observers that slowly manipulate Loy, Gable and Harlow into distrusting themselves. Magnificent production and costume designs and great music flesh out the film, and make it a memorable experience. And it's very sexy for its time too! If it weren't for the slightly forced happy ending this film would be perfection itself.

Jean Harlow is the secretary no wife wants her husband to have in "Wife vs. Secretary" starring Clark Gable, Myrna Loy, and Harlow, with an early appearance by James Stewart. It's hard to believe, looking at this film, that Jean Harlow would be dead a year later. Less blonde than in some earlier films, and far more subdued, she plays the indispensable, smart, and efficient secretary of Clark Gable. Gable is a high-pressured businessman happily married to Myrna Loy. All is well until her mother-in-law advises her to make Gable get rid of that good-looking assistant. Slowly, Loy begins to realize that everyone in their circle is assuming an affair, which up to that point hadn't crossed her mind. It does now.

Harlow is involved with James Stewart, and he doesn't want her to work after they get married. Her job, he feels, is too exciting and important and will threaten their marriage. Harlow is half in love with Gable and refuses to quit. Stewart is adorable and gives a hint of what will be truly be one of the great screen personas.

The cast is splendid. Gable is his usual charming self; Loy and Harlow are perfect casting as unique women who are complete opposites. Their final scene together consists of only a long look. It's very effective, as is the acting of both women throughout. Loy's scene with her mother-in-law is heartbreaking.

This is a dated film but very satisfying. Although it's wonderful to see these stars together, it's sad to realize they're all gone now, and that young Harlow has been gone for 68 years. Quite a loss.

A lot of this is typical 1930s melodrama. The story continues because various of the characters fail to have the obvious conversations, which would have cleared things up in a jiffy.

The scene I found particularly interesting and innovative was the penultimate one. In the third from the end scene, Harlow shows up in Loy's stateroom aboard the French Liner ship she is planning to take to Europe to forget about her husband (Gable), whom she imagines, incorrectly, to have had a fling with his secretary Harlow during a business trip to Havana. Harlow tells Loy that if she leaves Gable now, he will turn to Harlow out of loneliness and Loy will never get him back. (Yes, that sounds like the mother's speech to Norma Shearer in The Women.) Loy believes, incorrectly, that she has already lost Gable, so she says she won't go back to him. Harlow tells her that that would make her (Harlow) happy.

The next scene takes place in Gable's office. He is talking with Harlow. We hear footsteps coming down the hall outside. Footsteps that take a long time. It turns out that they belong to the cleaning lady. Then, when she leaves, we hear footsteps again, very assertive footsteps, for a long time. Harlow gets up - she suspects it is Loy, come to return to her husband. And this time it is. Harlow then walks through the next, large office - more long footsteps - and leaves. The use of the footsteps is really very impressive.

Despite the story not being anything extraordinary, the cast for 'Wife vs Secretary was something of a dream one. Clark Gable, Myrna Loy and Jean Harlow were of immense talent and already knew that both Gable and Loy and Gable and Harlow pairings were of classic status. Seeing all three in the same film and also featuring James Stewart in a very early role was enough to make me squeal in delight. Clarence Brown was one of those directors that when he was on good form his films were very good and more, when not so his films were rather eh.

Luckily, 'Wife vs Secretary' is a good example of the former. It sees all three leads on sparkling form, one can see what people saw in all three when judging them individually as actors, it was a good representation of Gable and Loy having such good chemistry together and an even better representation of Gable and Harlow's chemistry. 'Wife vs Secretary' had all the makings of a gem, and while its potential was still even bigger than it turned out not an awful lot disappoints here.

'Wife vs Secretary's' story is admittedly very slight and is also very predictable.

Have seen much better performances from Stewart, who does the best he can but has little to do and is not as into the material as the rest of the cast.

Gable is full of charisma and charm, while Loy is classy and poignant (especially in the film's latter stages) and Harlow is sass personified. All in roles tailor made for them, with equally pitch perfect support from May Robson also perfectly cast and beautifully complemented by Brown's direction. It looks beautiful too, sumptuously designed and costumed and the photography not only doesn't cheapen those qualities but it also makes all three leads look great on screen. The score doesn't intrude and matches the tone of the writing and story.

The script is snappy and intelligent as one hopes from this type of film, with some witty banter and with the more serious moments not trivalised and actually not feeling that out of date. While the story is slight and with few surprises, it still manages to not be dull and is both light-hearted and thoughtful.

In summation, not a classic but very nicely done that does not waste its stars in any way. 8/10

It's Rolls Royce MGM hitting on all eight cylinders— lavish interiors, pretty people, well- upholstered crowds, and sprightly dialog. So who can ask for more. Not me. Gable's a hard- driving top executive with a super efficient secretary (Harlow) and a loving wife at home (Loy). Trouble is, he spends all his time making deals and neglecting his patient wife. At the office he depends a lot on the fetching Harlow, slowly making wife Loy suspicious. But getting his attention is difficult since he's so wrapped up in the latest big deal. Thus, straightening things out in expected Hollywood manner makes up the narrative.

Gable's at his charming energetic best, while Harlow gets an unusual non-vampish role, and Loy is winning in the sympathetic wifely part. Together, their characters are uniformly likable, unusual for what may be a romantic triangle. It's not hard seeing why Gable made six films with the star-crossed Harlow. There's real chemistry at work between them. Also, a boyish Jimmy Stewart turns up in an early supporting role as Harlow's sometimes swain. Not surprising for the 30's, the business world is portrayed as tricky, at best.

Anyway, director Brown keeps things moving in smooth fashion, so all the talk seldom palls. Overall, it's a slickly entertaining 90-minutes featuring three legends of their time and our own.