[go: up one dir, main page]

    Calendrier de sortiesLes 250 meilleurs filmsLes films les plus populairesRechercher des films par genreMeilleur box officeHoraires et billetsActualités du cinémaPleins feux sur le cinéma indien
    Ce qui est diffusé à la télévision et en streamingLes 250 meilleures sériesÉmissions de télévision les plus populairesParcourir les séries TV par genreActualités télévisées
    Que regarderLes dernières bandes-annoncesProgrammes IMDb OriginalChoix d’IMDbCoup de projecteur sur IMDbGuide de divertissement pour la famillePodcasts IMDb
    OscarsEmmysSan Diego Comic-ConSummer Watch GuideToronto Int'l Film FestivalSTARmeter AwardsAwards CentralFestivalsTous les événements
    Né aujourd'huiLes célébrités les plus populairesActualités des célébrités
    Centre d'aideZone des contributeursSondages
Pour les professionnels de l'industrie
  • Langue
  • Entièrement prise en charge
  • English (United States)
    Partiellement prise en charge
  • Français (Canada)
  • Français (France)
  • Deutsch (Deutschland)
  • हिंदी (भारत)
  • Italiano (Italia)
  • Português (Brasil)
  • Español (España)
  • Español (México)
Liste de favoris
Se connecter
  • Entièrement prise en charge
  • English (United States)
    Partiellement prise en charge
  • Français (Canada)
  • Français (France)
  • Deutsch (Deutschland)
  • हिंदी (भारत)
  • Italiano (Italia)
  • Português (Brasil)
  • Español (España)
  • Español (México)
Utiliser l'appli
  • Distribution et équipe technique
  • Avis des utilisateurs
  • Anecdotes
IMDbPro

Tsirk

  • 1936
  • Not Rated
  • 1h 30min
NOTE IMDb
6,6/10
785
MA NOTE
Lyubov Orlova in Tsirk (1936)
ComédieMusical

Ajouter une intrigue dans votre langueIn the mid-1930s, circus actress Marion Dixon flees the United States with her young black son. Arriving with an original attraction in the USSR, she finds friends here and decides to stay f... Tout lireIn the mid-1930s, circus actress Marion Dixon flees the United States with her young black son. Arriving with an original attraction in the USSR, she finds friends here and decides to stay forever.In the mid-1930s, circus actress Marion Dixon flees the United States with her young black son. Arriving with an original attraction in the USSR, she finds friends here and decides to stay forever.

  • Réalisation
    • Grigoriy Aleksandrov
    • Isidor Simkov
  • Scénario
    • Grigoriy Aleksandrov
    • Isaak Babel
    • Ilya Ilf
  • Casting principal
    • Lyubov Orlova
    • Yevgeniya Melnikova
    • Vladimir Volodin
  • Voir les informations de production sur IMDbPro
  • NOTE IMDb
    6,6/10
    785
    MA NOTE
    • Réalisation
      • Grigoriy Aleksandrov
      • Isidor Simkov
    • Scénario
      • Grigoriy Aleksandrov
      • Isaak Babel
      • Ilya Ilf
    • Casting principal
      • Lyubov Orlova
      • Yevgeniya Melnikova
      • Vladimir Volodin
    • 22avis d'utilisateurs
    • 2avis des critiques
  • Voir les informations de production sur IMDbPro
  • Voir les informations de production sur IMDbPro
    • Récompenses
      • 1 victoire au total

    Photos36

    Voir l'affiche
    Voir l'affiche
    Voir l'affiche
    Voir l'affiche
    Voir l'affiche
    Voir l'affiche
    + 31
    Voir l'affiche

    Rôles principaux29

    Modifier
    Lyubov Orlova
    Lyubov Orlova
    • Marion Dixon
    • (as L.P. Orlova)
    Yevgeniya Melnikova
    Yevgeniya Melnikova
    • Rayechka, the director's daughter
    • (as E. Melnikova)
    Vladimir Volodin
    • Circus Director - Ludvig Osipovich
    • (as V. Volodin)
    Sergey Stolyarov
    Sergey Stolyarov
    • Martinov - Ivan Petrovich
    • (as S. Stolyarov)
    Pavel Massalsky
    Pavel Massalsky
    • Kneishitz - Entrepreneur
    • (as N. Massalskij)
    Aleksandr Komissarov
    • Skameykin - Amateur Designer
    • (as A. Komissarov)
    N. Otto
    • Chaplin
    Jim Patterson
    • Jimmy, Marion's son
    • (as Dzh. Patterson)
    Fyodor Kurikhin
    Fyodor Kurikhin
    • Captain Borneo, animal tamer
    • (as F. Kurikhin)
    Sergei Antimonov
    • Circus Presenter
    • (as S. Antimonov)
    Solomon Mikhoels
    • Lullaby Singer
    • (as S. Mikhoels)
    Pavel Geraga
    • Lullaby Singer
    • (as P. Geraga)
    Lev Sverdlin
    Lev Sverdlin
    • Lullaby Singer
    • (as L. Sverdlin)
    Vladimir Kandelaki
    • Lullaby Singer
    • (as V. Kandelaki)
    Robert Ross
    • Pilot - Lullaby Singer
    Coretti Arle-Titz
    • baby Jim's nanny
    • (non crédité)
    Vladimir Durov
    • Clown
    • (non crédité)
    Emmanuil Geller
    Emmanuil Geller
    • Circus Orchestra Conductor
    • (non crédité)
    • Réalisation
      • Grigoriy Aleksandrov
      • Isidor Simkov
    • Scénario
      • Grigoriy Aleksandrov
      • Isaak Babel
      • Ilya Ilf
    • Toute la distribution et toute l’équipe technique
    • Production, box office et plus encore chez IMDbPro

    Avis des utilisateurs22

    6,6785
    1
    2
    3
    4
    5
    6
    7
    8
    9
    10

    Avis à la une

    edwartell

    This is definitely not Eisenstein

    We rented this movie for my Russian grandmother; she's seen it, she says, 17 times. Scary. This is a saccharine romance in which an American actress, impregnated by a black man, escapes to Russia and starts a new life. She loves one man; the heavy, however, threatens that if she doesn't marry him, he will reveal her secret. This continues for a long time until the end, when he does so; indignantly, the masses at the circus rise and say that it doesn't matter what color the baby is, this is tolerant Russia! Then, for no reason whatsoever, the actress and her new lover are marching at the head of a huge parade singing about the freedom that Soviet Russia provides.

    This is one of those knock-off comedies that Aleksandrov made after returning from Hollywood. It even features a Chaplin impersonator. It's not that great, and anyone who masochistically feels they simply must learn about Soviet film in the 1930s would be advised to stick to Eisenstein and The Three Songs Of Lenin.
    anweinandy

    OK but only for some

    The movie Tsirk is about a Russian woman named Mary who was a socially out casted for having a black child. During her escape she is meets her soon to be German manager Von Kneishitz. After running away from her previous life with her new born baby, she joins the circus. In this new group she is at least making a living but she still feels like she must hide from her past. Her manager, Von Kneishitz, is always reminding Mary of her situation and frequently threatens to reveal Mary's illegitimate child. As Mary becomes more at home in her new environment she begins to have feelings for the ideal Russian man. As her feelings continue to grow for the great Russian man the threat to reveal her child becomes more real. While pursuing her new love Mary's plans are thwarted by the conniving and evil German. The film ends in glory after Von Kneishitz reveals Mary's son. All the people under the big top unite to welcome the newly discovered child into the warm embrace of the Russian state. All of this happens while they laugh at the silly German for being racist and turn him into the outcast.

    This film is brimming with propaganda. This film shows just how great the Russian people are when they unite together to belittle the foolish and backward German. There is also a scene that features a giant poster of Stalin that helps the viewer to see that this work was used as propaganda. While on the one hand it supports Russian unity and demonstrated the evils of the German people it also was racist in its own rite. During one of the final scenes all of the different ethnic groups sing to the child in their own native language. The shot with the Jewish group singing to the child was cut out of the official soviet release.

    This was an interesting film but I would only recommend it to those interested in seeing how the Russian government was interested in spreading the message of the state through film.
    sunlion

    Propaganda, but talented

    It`s funny to see Americans so picky about this movie, when Russians at than time and still are portrayed much worse in Hollywood productions. It`s either gangsters or drunk "comrades". Also I have to add that the famous singer Paul Robson was living some time in Soviet Russia and sent his son to Soviet high school. In later interview the son told BBC that it was the only time when he didn`t felt subhuman in his entire life. There`s the racism for you ! As for the Stalin - people didn`t know anything at that time and were just rebuilding the country that was finally theirs, so the jubilant scenes are absolutely rightful,they were supposed to gratify people for their immensely hard work and show what they have already achieved. Plus the march scenes are not a bit more silly than for example "water games" shot in Hollywood and featuring just diving, swimming an endless liters of colored water and smoke. I have to mention the actress in lead role - Orlova. She was a prime dancer of the Soviet cinema. Film features one shot that shows just how great her talent as an actress was. When she dances on the cannon, it`s closed with a thick glass and lit up from inside. The glass during the dance heated up, and when she sits down she actually sits on something like an oven ring. But she continues to sing !! You can only note the slight trepidation in her voice if you know about the accident, otherwise it`s seamless !

    Overall, this movie has to be taken along with the context and ability to be fair both ways. After all, Stalins face was used by filmmakers as a means to get their films through,so you can just peel that away as an ugly wrapping.
    7americanmovie3000

    Circus

    Circus is about an American dancer, who is touring through Moscow – as a dancer in the circus. She falls in love with a soldier in Russia. It's discovered that she is the mother of an interracial child, which displeases her manager. She comes under attack from him, but she is ultimately accepted into the loving embrace of the Soviet people.

    The director of Circus – Grigori Aleksandrov – had a specific purpose when making this film - to show that the unity of the people could rise above any opposing force. The film serves as a propaganda piece for Russia, Stalin, and socialism. At the end of the film, when our main character is under attack from the villain, everyone in the circus audience quickly comes to her aid and hides the baby from hard. This represents the unity and equality of the Russian people. Everyone is equal and everyone is accepted.

    The film takes place in the 1930s, in Russia. Most of the action takes place within the walls of the circus. Although, at the end of the film, the whole group of performers and friends march through the streets of Moscow in praise of unity, communism, and Russia.

    I thought the movie was very interesting and thought provoking. Not only did it contain musical elements, but it also proclaimed an intense social message. I especially liked the story line, because it seemed unique and interesting - how many movies about American dancers in the Russian circus are there?

    I would definitely recommend this film to a friend because of the unique story, the 30s-era musical numbers, and the interesting social message. Not many movies usually spell out their message in such a way as Circus did. Imagine if every movie with an important social message had its characters run through the streets at the end, proclaiming the lesson learned!

    It's interesting to see a moment in time, in a country where the people are so passionate about unity. You know things were not this perfect in real life, but its fun to see a glossed over version of history - if only to recognize its weirdness.
    5amikal

    The purpose of this film is clearly propaganda.

    Circus which was written by Brigori Aleksandrov and was directed by Aleksandrov and I. Simkov was released in 1936. The movie which is a comedy/musical centers on a U.S.-Vaudeville dancer Marion Dixon on tour with her German manager Von Kneischitz in Mosocow. The woman's act entails her being shot from a canon and is a crowd favorite. When Marion begins to fall in love with the handsome Ivan Petrovich Martynov(Sergei Stolvarov) she falls in love with Moscow as well. When Marion decides she wants to remain in Moscow this does not make her German manager happy. Her manager insists that if she tries to stay in Moscow she will never be accepted after he tells everyone about her son who is half black. As the film progresses and comes to a close Marion confesses her love to Martynov and Kneischitz shows Marion's black child to the circus audience. While Kneischitz thinks he is going to ruin Marion, the opposite occurs. The Russian people accept the child. In the final scene they all march off in unity and happiness.

    The purpose of this film is clearly propaganda. The author seems to try and convey multiple messages in this film for that purpose. One message the author tries to convey in this film is that the Russian people are good and the German people are bad. This message is used as propaganda in order to create and increase nationalism amongst the Russian people during a time of conflict between Russia and Germany. Another message which the author tries to convey is not apparent until the end of the movie. This message is the portrayal of the Russian way of living, during the time of the Soviet Union, as the best way of living. The author conveys this message of equality and bliss amongst the Russian people for the purpose of propaganda in the final scenes.

    In my opinion the author and the Committee of Cinema Affairs want to portray Stalin and Lenin as Gods and Communism as a type of religion. This is reflected in what I believe to be the theme of the film; The Soviet way of living is the best way of living because all Russian people are equal and happy. This theme reflects the author's purpose of the film as propaganda.

    I liked some aspects of the film and some aspects I did not necessarily like but in a way I understood. The parts of the film that I did like were: the love story of Marion and Martynov, the humor associated with the acts of the circus clowns, and the conveyed message of equality and bliss. However some parts of the film may rub certain individuals the wrong way. For example: the way the black child is hidden from the public until the very end of the film. Although I understood that part of this use of a black child was to portray the existence of slavery in the United States during this time period. Another aspect of the film that may be offensive to some is the way that Americans(through the image of Marion) are portrayed as dumb and Russians superior. I would suggest this film to a friend because the film captures a person's interest, is controversial, and is funny. However this film is not for everyone, and I would mostly recommend it for the purpose of study in film or history, not pleasure.

    Vous aimerez aussi

    Les joyeux garçons
    6,9
    Les joyeux garçons
    Volga Volga
    6,6
    Volga Volga
    Tchapaïev
    7,0
    Tchapaïev
    Le Destin d'un homme
    7,9
    Le Destin d'un homme
    Alexandre Nevski
    7,5
    Alexandre Nevski
    Ivan le terrible
    7,7
    Ivan le terrible
    Furie
    7,8
    Furie
    Pierre le Grand, 1ère partie
    7,2
    Pierre le Grand, 1ère partie
    Le printemps
    7,1
    Le printemps
    La fuite
    7,8
    La fuite
    Rencontre à Moscou ou la porchère et le berger
    6,3
    Rencontre à Moscou ou la porchère et le berger
    Les aventures extraordinaires de Mister West au pays des bolcheviks
    6,4
    Les aventures extraordinaires de Mister West au pays des bolcheviks

    Histoire

    Modifier

    Le saviez-vous

    Modifier
    • Anecdotes
      In the scene where people sing a lullaby in various languages to the black child, the bit sung in Yiddish by Solomon Mikhoels was cut out of the film for distribution in the USSR, for a time when a state-backed anti-Semitism campaign was unleashed.
    • Versions alternatives
      A colorized version was released on Blu-ray in Russia in 2012.
    • Connexions
      Featured in Komediya davno minuvshikh dney (1980)
    • Bandes originales
      Vykhodnoy marsh
      Music by Isaak Dunaevskiy

    Meilleurs choix

    Connectez-vous pour évaluer et suivre la liste de favoris afin de recevoir des recommandations personnalisées
    Se connecter

    Détails

    Modifier
    • Date de sortie
      • 25 mai 1936 (Union soviétique)
    • Pays d’origine
      • Union soviétique
    • Langues
      • Russe
      • Anglais
      • Allemand
    • Aussi connu sous le nom de
      • The Circus
    • Société de production
      • Mosfilm
    • Voir plus de crédits d'entreprise sur IMDbPro

    Spécifications techniques

    Modifier
    • Durée
      • 1h 30min(90 min)
    • Couleur
      • Black and White
    • Mixage
      • Mono
    • Rapport de forme
      • 1.37 : 1

    Contribuer à cette page

    Suggérer une modification ou ajouter du contenu manquant
    • En savoir plus sur la contribution
    Modifier la page

    Découvrir

    Récemment consultés

    Activez les cookies du navigateur pour utiliser cette fonctionnalité. En savoir plus
    Obtenir l'application IMDb
    Identifiez-vous pour accéder à davantage de ressourcesIdentifiez-vous pour accéder à davantage de ressources
    Suivez IMDb sur les réseaux sociaux
    Obtenir l'application IMDb
    Pour Android et iOS
    Obtenir l'application IMDb
    • Aide
    • Index du site
    • IMDbPro
    • Box Office Mojo
    • Licence de données IMDb
    • Salle de presse
    • Annonces
    • Emplois
    • Conditions d'utilisation
    • Politique de confidentialité
    • Your Ads Privacy Choices
    IMDb, une société Amazon

    © 1990-2025 by IMDb.com, Inc.