Stolen Holiday

Doing tours at Warner Brothers, I had the distinct honor of holding one of Orry Kelly's Oscars, the fashion guru of Hollywood. A genuine piece of Hollywood history, which had its own special case. Handle with care! Absolutely unforgettable.

This film is partly his, shared with the stunning Kay Francis. Casey Robinson's dramatic script likely was also designed as a showcase for Kelly's magnificent wardrobe designs AND for Francis to show it off. She does.

The villain here, noneother than Claude Rains, playing Stefan Orloff, a sly European con who uses (and quite efficiently) model Nicole (Francis) in picking the pockets of the French elite. It isn't long before both are wealthy, Orloff rewarding Nicole with a fashion enterprise of her own. Then comes handsome Anthony (Ian Hunter), and yes, three's a crowd. Hunter often appeared with Kay Francis, and what a handsome couple they make. Deje Vu all over again.

Excellent performances, thanks to director Michael Curtiz. Hunter would soon go on to co-star (as King Richard) in the ADVENTURES OF ROBIN HOOD. AAA cast, backed by Alison Skipworth (a treat), playing Suzanne and Alexnader D'Arcy as Anatole.

No matter what, the fashions rule. A nod to Mr. Kelly.

Always on remastered Warner Brothers dvd. Thanks much to TCM for running this oldie for all us Kay Francis devotees.

Fans of Claude Rains and Kay Francis shouldn't miss this one. It has its weaknesses--the romantic lead (Ian Hunter) is simply not as interesting as the devilish Rains--but it's tremendous fun nonetheless. The opening sequences may be the strongest: independent model Kay Francis meets the dashing but underhanded Claude Rains under strange circumstances, and the two form an unlikely partnership. The scenes between these two are the highlight of the film.

In a great supporting role as Francis's best friend and Rains's severest critic, acid-tongued Alison Skipworth is hysterical. And I love the elegant and often eccentric fashions spotlighted by the movie in the fashion show sequences. For me, the interest only flags during the "stolen holiday" of the title--a forced romantic idyll between Francis and Hunter. When Rains starts scheming and Francis starts suffering, that's when the movie really cooks. You'll have your work cut out for you finding this movie, but it's worth seeking out.

Better than average Kay Francis picture. Thanks to a stronger script than was usually handed to her as well as a superior co-star in Claude Rains this swindle drama moves along at a nice clip assisted by that master of any genre, Michael Curtiz.

Of course this wouldn't be a Kay vehicle if they didn't slap one amazing outfit after another on her back and she wears them with the same effortless grace and elegance she always exhibited.

The story isn't terribly inventive but Kay and Claude have a good chemistry which works to the advantage of making the film more involving than it would be. It's nice to see her matched with an artist of equal skill to hers instead of the usual bland leading men such as George Brent and Alan Dinehart she was often teamed with.

This was one of the last good films she made as queen of the lot before her feud with the brothers Warner caused them to start sticking her in any piece of low rent junk to get her to walk on her contract.

Fashion model Kay Francis (Nicole) is selected to accompany swindler Claude Rains (Stefan) on an important business function. In return, he will set her up with her own fashion business in return. This is her dream, and, as she doesn't suspect him of shady business practices, she accepts. She is basically an escort under the guise of 'fashion model' and she gets her business as promised. They forge a friendship but Rains cannot keep up his crooked front and asks her for another favour - marriage.

The film looks good and it has great sets and fashion elements thrown in that are interesting to look at. Francis and Rains are usually worth watching but this is sub-par material and neither character gets to really pull off any hard-hitting scenes because the storyline takes a bland path. It never really explores any true criminality, there is no suspense and Ian Hunter (Anthony) is introduced as a love rival for Rains and he is completely miscast.

So, we have an unconvincing love affair between Francis and Rains and another unconvincing love affair between Francis and Hunter and Rains as the despicable manipulator, whilst slimy, is never a threat in any way. The film, unfortunately, falls flat and drags.

Plot-- Clever con-man Orloff uses fashion model Picot to gain entrée into French high society. Once situated among the rich, his financial swindle proceeds. In return, he rewards Picot with her own fashion house, which soon prospers. But what will happen to their bonded relationship if Picot's con game is discovered.

That opening of elegant models parading down the runway is a grabber. As one of the models, Picot (Francis) commands with regal stature and a compelling gaze. On the other hand, Orloff (Rains) commands with voice and smooth demeanor, despite his short stature. Together, they're an interesting, though hardly romantic, pair.

It's really the two charismatic leads that carry the film. The con game thread is not emphasized, rather the odd relationship between the two amounts to the main thread. It's ultimately a bond of friendship and gratitude that endures, despite Picot's romance with the rather callow Wayne (Hunter). I'm not sure how convincing the relationship is since the narrative is more intent on using it rather than explaining its steadfastness. I wish that key part were more strongly written. And though talk dominates, the film's well-mounted, while Curtiz directs with a smooth tempo that never drags. Also, a rotund, aging Allison Skipworth as Picot's assistant adds a colorful touch of lemony spice.

In passing-- Catch that biplane the twosome travels to France in. It may be the ugliest example of flight engineering I've seen. Note also presence of commanding Frank Conroy as a police inspector. His fearsomely dominating Maj. Tetley in the classic Ox- Bow Incident (1943) certainly deserved Oscar recognition. Here he gets a few moments of that.

Overall, the movie's mainly a showcase for the two leads, without being anything special.