Shadow of Chinatown

Wiki says the feature ran 71 minutes. The verson I saw was labelled Chapter One, which, according to IMDB runs 26 minutes. BUT the version I saw ran 44 minutes.

But then I see that it's really just the first two chapters. What's the point?

It also resembles an Ed Wood picture. The acting is horrible and half teh Chinese are White people.

Just a waste of celluloid.

About the movie itself, there's a few things that are cool. Hypnotism, remote hypnotism using machines, gangsters, attempts at fight scenes, high up stuff, and car chases. All of this though seemed to be overshadowed by the manic versus stilted interaction between actors since there's very little to be said about writing or plot.

Clearly a few folks knew what they were doing on the screen. Bela Lugosi and Luana Walters had me rooting for them even though they were "the bad guys" (at least in the beginning). Sharply contrasting were Joan Barclay's "going for the oscar!" antics and Bruce Bennett's mannequin-style method.

Attempts at humour were hackneyed, cliché, stereotypical, and offensive (even in that day I'm sure towards both races and audience intellect). Martin Andrews comes across as a jerk from beginning to end. I don't usually pay much attention to actors in film, but with such a slight offering, it seemed that's all that there was to observe.

As long as Bela Lugosi was not playing the part of "Bela Lugosi" he was great. In Shadow of Chinatown he plays Victor Poten, the Eurasian scientist intent on destroying the Chinese people in Chinatown. Poten is hired by Sonya Rokoff, another Eurasian, to put an end to the tourist trade in San Francisco's Chinatown so that a new business cartel can take over the businesses there. Over the fifteen chapters Lugosi went through a few disguises and was given a chance to show his talent for playing different types of characters. His acting still appeared as if he were performing on stage rather than in front of a camera. Serials rarely had perfect lighting or camera angles, but Lugosi was able to look good in Shadow of Chinatown.

Herman Brix was excellent as Martin Andrews. He was always good in the serials that he made. Joan Barclay was not good as Joan Whiting. She overacted in almost every scene. In addition to bad acting, her character was more a nuisance than anything else. As Sonya Rokoff, Luana Walters was much better, though her character should have been stronger. The oddity among the cast was Charles King as Grogan. As many times as King played a tough character he rarely showed a mortal fear. Grogan's weakness when he was around the evil Poten was something unusual for a character played by Charles King.

I have read that heavy accents worked against some actors in the early days of sound film, but I also think that people in North America were more willing to accept certain accents at the same time. Vaudevillians had performed using dialects and brought them to radio and movies. In Shadow of Chinatown, the accents are integral to the characters. The strong Chinese accents of some of the actors may be authentic, but it is also obvious that some of the dialogue and accents are overplayed to the Chinese stereotype. The character Willy Fu always speaks in parables and proverbs, even in emergencies. Willy Fu seemed long winded at all the wrong times.

At a time when white actors would don costumes and wear makeup to appear as another race, Shadow of Chinatown used real Chinese actors. The credits undoubtedly prove this. Victor Poten's gang of thugs dresses in Chinese clothing as they commit their crimes in Chinatown. Whether or not it was an intentional swipe at the practice of using non-Asians as Chinese, there was an early scene in which Willy Fu discovers the fake Chinese and tells Martin Andrews about them. Either way, it is a nice plot element as it strips away a layer of Poten's cover.

The story in Shadow of Chinatown is weak, and the action and suspense are not as good as what was seen in other serials. The best reason to watch this serial is to see Bela Lugosi in a strong role. He is the saving grace of Shadow of Chinatown.

I'm a big fan of the movie serials. I never watch even the best of them with the same critical eye as I do "real" movies. But even by those lowered standards, this film is a big bore-fest. People commenting on this list seem eager to use "worst movie of all time" to describe anything they happen to dislike, but I hesitate to use the phrase here, even though I am sorely tempted. I'm certain that there are other films that are worse than this, but I'm just as certain that I don't want to see them.

The movie is clunky and stereotypical, rather demeaning of Asians and women. That's actually par for the course for an action film of this vintage and is understandable even if not really forgivable. What is not really understandable is why an action thriller has only sporadic, stilted action, a cliffhanger has no real cliffhangers and something designed to bring you back to the theater week after week only makes you want to hurry ahead to the comedy. The plot--trying to keep the tourists out of Chinatown--is a ludicrous as the Monty-Pythonesque spike in the telephone gag used in the film. I saw the film on two DVDs; I bought the second part by accident and was confused a bit by it. I figured that starting at the beginning would help.

It didn't.

Try not to watch the film alone. It screams for MST3 treatment!

As I often say, I enjoy watching the master, Lugosi, in just about anything. The problem with this is he doesn't have much to do. In order to create a serial, it's necessary for the bad guy to continue to goof up, leaving his adversaries alive to continue the pursuit. The episodes are an endless trapezing of zombie like lackeys and air headed reporters. There's enough sexism to go around for a long time. The conclusion will make some gag. Chinatown businesses are the target of Lugosi who is "Eurasian" and very angry about something, I guess being Eurasian. He tries to destroy the town just for spite. It's an endless parade of pratfalls and silly hypnotism. The one young Asian woman is very beautiful. She is the honorable one in the film, but has been used by Lugosi and he has a hypnotic control over her. It all comes out in the wash, as if we cared.