Postal Inspector

This was Bela Lugosi's last film on his first contract with Universal. As such, it is not too bad. The Actman-Loesser songs are silly but certainly not hard to listen to. There is evidence of some post-production editing on this one - it barely clocks in at an hour. The familiar background score by Clifford Vaughan was reused many times by Universal as stock music for the next 7 years. Worth looking at once if only to see Bela !

The British Board of Film Certifiers banned Universal's THE RAVEN as "overly brutal and sadistic" and gave THE INVISIBLE RAY an A (for Adults Only) Certificate. This pretty much ended the genre that we now call Universal's "Golden Age". So where did this leave its top terror stars, Boris and Bela? For awhile, nowhere! Boris ended up playing a kindly old grandfather type in NIGHT KEY (1937) and Bela ended up in the musical comedy/drama playing a Mexican nightclub owner! Ricardo Cortez (whose real name was Jack Kranz) plays the title role and much of the movies 58 minute running time shows him dealing with people who have been the victims of mail fraud. This provides a lot of intentional humour. Cortez's brother is a Treasury officer in charge of getting worn out bills back to Washington. The girl he is in love with sings in Lugosi's nightclub and lets slip a casual comment that $3 million in old bills will soon go out of the local bank. Bela is in debt to a gagnster and decides to steal the shipment. As if that were not bad enough the town is threatened by a flood! Republic would take that plot and stretch it out for a 12 chapter serial so believe me this film will be long on action. Bela played a similar character in the 1930 film WILD COMPANY. He is not menacing at all until the last 10 minutes of the film when he becomes a crook. Ricardo Cortez had worked with D.W. Griffith (THE SORROWS OF SATAN, 1926) and had been the first actor to play Sam Spade (THE MALTESE FALCON, 1931). Watch the supporting cast for Guy Usher, who would face Lugosi on less equal terms in THE DEVIL BAT (1942) and Hattie McDaniel who had already costarred with Bela in MURDER BY TELEVISION (1935) and would go on to appear in GONE WITH THE WIND (1939). The terror genre would start up again within 3 years but the old days were gone for good. This is still a fun film to watch even if it is just to see Bela in a relatively normal character role.

I doubt that any movie ever made better use of stock footage of floods than "Postal Inspector." Every time the tale sags -- or more accurately sogs -- it's back to some unfortunate town where the river is rising, the dam done burst, homes are being washed away and people are trudging through muck and mire (not to be confused with the vaudeville act of the same name,) trying to escape the deluge. The big chase scene even replaces cars and horses with speedboats. The plot centers on Bela Lugosi as a night club owner, drowning in debt, who tries to steal $3 million in old bills being transported by the US Post Office. Fortunately, Ricardo Cortez is there to sink him, aided by Patricia Ellis as a night club singer who manages to warble a few Frank Loesser tunes before the water rises. It's actually not a bad little thriller and manages to float along in a fast-moving 58 minutes.

This was long thought to be a lost film, but it has been resurrected using a number of different prints so quality varies, but entertainment is still consistent. This is an odd film being a mixture of genres namely thriller,disaster, musical and quasi-documentary about the post office. A number of crimes involving the post office are shown mainly tragic, but a couple are very funny. Eventually it centres on a train robbery of old banknotes en route to the federal mint. Ricardo Cortez is all suave self assurance as the leading detective assigned to the case, while Patricia Ellis is drop dead gorgeous as a chanteuse who may be involved with the robbery. Bela Lugosi as a club owner with links to a gambling syndicate only has a small role. Last part of the film takes place in a flood with stock footage lifted from the Johnstown flood interspersed with new studio shot scenes which blend quite well. Some may dislike the jingoistic tone of the film regarding the post office, but the movie fairly zips along and the denouement is exciting.

At heart, this is a 1930's B movie with a fair story and some interesting aspects. There are the usual characters: the straight-laced older brother, the reckless younger brother, the beautiful nightclub singer, and the criminal nightclub owner--plus an array or unnecessary comic relief characters.

What sets it apart is that it is part propaganda for the U.S. Post Office Department (as there were similar films promoting the FBI, Coast Guard, etc.) Cortez (the postal inspector) and Lugosi (the nightclub owner), not the most subtle of actors, are pretty restrained here.

Also interesting is that about half the movie takes place during a disastrous flood (which doesn't affect the electrical system, it seems) and includes some interesting stock footage of floods from the period. So instead of ending with a car chase, there is boat chase through flooded city streets. I was left wondering how those scenes were filmed--did Universal really flood streetscapes for a B movie? However it was done, it looks realistic.

All in all, worth watching if you are a fan of 1930's movies.