The President's Mystery

Henry Wilcoxon is a Wall Street lawyer. Sidney Blackmer of National Can sends him down to Washington to kill a bill that will guarantee loans to local canneries. When he comes back, he goes fishing and finds Betty Furness in charge of a closed cannery in a dying town. He returns home, where wife Evelyn Brent is happy with their life, even though she's carrying on an affair with Blackmer.

So Wilcoxon turns his assets into cash and disappears. Brent is accidentally killed by Blackmer's chauffeur, who covers it up with an accident. Soon enough, the conclusion is that Wilcoxon went bust, killed his wife and committed suicide; in reality, he's helped to reopen the Furness' cannery as a cooperative. They're about to ship out the first batch, when Blackmer shows up in town put the squeeze on.

It's a good set-up for the situation, which was proposed by Franklin Delano Roosevelt in an interview; he was known to be a mystery fan. He asked if a man could disappear with $5,000,000 with liquid assets. There's a scene with Wilcoxon reading the result in a slick magazine. the first half is an interesting piece of work, with some strong acting by all hands; the second half turns into a more standard work of New Deal fiction, the type of thing best left to Frank Capra.

The background for this film is given in a prologue. Apparently, the President himself (FDR) challenged several writers to come up with a story that is believable about a rich man disappearing and staying incognito despite having millions. This movie, apparently, is the result of the challenge and Franklin Roosevelt is listed among the writers of this film! Sadly, the story is NOT believable and seems like a politically motivated bit of public relations. For this, and that is all, the story is mildly interesting.

James Blake (Henry Wilcoxon) is a mega-millionaire who has little to do with himself as he's loaded with money and his holding run themselves. One day, he goes on a fishing trip and discovers a small town in trouble...in trouble thanks to industrialists like himself. So, he decides to pretend to be just a regular Joe and moves to the town in order to re-start its dead canning industry.

Unfortunately for Blake, his less than loving wife has been accidentally killed...and folks think HE is responsible. This means that remaining in disguise might be a good idea...though he doesn't have access to his immense fortune.

The film comes off like a Depression era fairy tale--with some stereotypes and obvious messages are inserted liberally. I think had the story been less heavy-handed and more believable, it could have worked, as one of the best films of the 1930s was "The Millionaire"...a film from 1931 starring the wonderful George Arliss. It's also about a man who is essentially like Blake--who goes back to work and gets his hands dirty because being a millionaire is so dull and non- productive.

Reading some of the information about how The President's Mystery came into being it seems like that story would make a far better film than The President's Mystery itself. Even if I had seen the director's cut which was originally 80 minutes. Sad to say about 3/8 of this film seems to have been gutted and I had to fill in a lot of blanks.

Another president named Warren G. Harding had a campaign song that came about just about like this film. At the famous Republican convention of 1920 several prominent songwriters did a collaborative effort and came up with a campaign song that featured such gems as "we need another Lincoln to do our country's thinking, Mr. Harding we're behind you". None of the writers which included Irving Berlin and George Gershwin took copyright credit.

Here Franklin D. Roosevelt pitches a story idea about whether a rich man could liquidate his assets and just disappear. Six prominent authors of the time and their names are listed on the credits of The President's Mystery wrote a collaborative story. Of course when have that much variety in the mix the result can be bland.

This film can't make up its mind whether it's a screwball comedy, a murder mystery, or in the end a Capra like populist song for the common man. Henry Wilcoxon is our protagonist who does liquidate his assets and leaves an unhappy marriage with Evelyn Brent and moves down south and finds a company town where the cannery is shut down and everyone on relief as they called public assistance back in the day. He gets the place started again, but some old enemies in the person of Sidney Blackmer try to defeat his plans. It turns out someone murdered Evelyn after Wilcoxon left town and he's looking good for it.

Betty Furness is the country girl who wins Wilcoxon and Barnett Parker is his former butler who saves the day.

The film was shut on a nickel and dime budget by the even tighter than usual fisted Herbert J. Yates and Republic Pictures. Since the overhead was cheap, FDR's Warm Springs Foundation for Infantile Paralysis I'm sure got a nice check from Republic where the picture credits say all profits went to.

Maybe the film might be higher rated if we could see the whole thing, but we have to go with what we have.

This is an interesting C film made on a tiny budget and directed by the run of the mill Phil Rosen, who made 142 films including such things as Charlie Chan and Shadow pictures. The film is a shameless attempt to exploit President Franklin Roosevelt's name at the box office. Roosevelt suggested an idea for a mystery story, six authors then wrote stories on that theme, which were published successfully, and this film takes inspiration from them (presumably without authority or without paying) and opens with a lot of ballyhoo about being 'the President's mystery'. And just in case anybody had any doubts, that is the title of the film too. It's called rubbing it in and also 'going for it'. Maybe they made a few bucks. However, having made all of those cynical observations, I can add that the film (which is not even a mystery story, by the way) has a serious message, which is treated with just enough restraint not to be a fantasy. Henry Wilcoxon plays a high-powered cartel lawyer who leaves his old life behind and sees the light. She takes the form of Betty Furness, who jumps from being 'Miss Brown' to 'darling' in about one second's screen time, so that an entire wooing and romance must have been left on the cutting room floor. But then, they don't really worry about such things in C pictures. On with the action. He decides to fight the cartel. The cartel send their bully boys round to wreck a factory, Wilcoxon is square-jawed and heroic and saves it, despite being in a framed rap for murder, indeed in jail for it, and the little guys struggle against the big guys in a very thirties way. There is lots of workers' action going on, speeches, incitement, dirty tricks, fistfights. The whole Great Depression looms large, Roosevelt is the hero, and the grit is gritty. It may be low-budget, it may be corny, but it is thoughtful, and avoids being propaganda, believe it or not. In the thirties, cartels may have been in people's imaginations a lot, but these days cartels are in people's faces, and we know they are no fantasy. Today's rogue traders and scheming moghuls make struggles to close down some canning factories in the interests of a monopoly, as in this film, look tame indeed. Sociologically and economically minded people would find this particular film relevant to their concerns, and it keeps you watching, so you can have some fun while you are worrying about society.

A millionaire believes he has successfully disappeared with his fortune intact, but his past comes back to haunt him. The only movie to boast a co-writing credit for a serving President (Franklin D. Roosevelt) is a socially conscious but scrappy affair from Republic. The 'remastered' version I saw was missing almost half-an-hour from the original running time - and it shows. At least it's different.