NOTE IMDb
6,3/10
463
MA NOTE
Ajouter une intrigue dans votre langueA priceless Cellini silver cup is stolen from a local museum with both Hildegarde and Oscar on the case.A priceless Cellini silver cup is stolen from a local museum with both Hildegarde and Oscar on the case.A priceless Cellini silver cup is stolen from a local museum with both Hildegarde and Oscar on the case.
- Réalisation
- Scénario
- Casting principal
Alyce Ardell
- Josephine, Hildegarde's Maid
- (non crédité)
John T. Bambury
- Midget
- (non crédité)
Billy Dooley
- Gas Station Attendant
- (non crédité)
Frank Fanning
- Detective Fanning
- (non crédité)
Mary Gordon
- Woman with Bag
- (non crédité)
Reed Howes
- Museum Guard in Egyptian Room
- (non crédité)
John Indrisano
- Man in Line for Inspection
- (non crédité)
Avis à la une
Inspector Oscar Piper (James Gleason) has a baffling new case on his hands when John Carter (Richard Tucker) is found dead in his study by his butler, Kendall (Arthur Aylesworth). There are several suspicious people in Carter's circle. Alice Stevens seems to be the last person to have seen Carter alive; her boyfriend, Robert Wilkins, was seen arguing with Carter by a cop; and there's a mysterious stranger with a French accent whom Kendall overheard speaking with Carter before the crime took place. The further the investigation moves along, the more baffling the mystery, but Oscar has a secret weapon that may help him crack the case: schoolteacher/sleuth Hildegarde (ZaSu Pitts) Withers.
Pitts and Gleason play very well off of one another. ZaSu is really good as Hildergarde, and though she's not as distinctive as Edna May Oliver, she gives her own spin on the character, and comes across a bit dizzy yet intelligent and self-assured, and witty. She appears to be inattentive and "all over the place", but in reality she's analytical and doesn't miss a thing. As one reviewer rightly said, it's Columbo style of misdirection.
As for the mystery, it's quite good, has plenty of twist and turns, interesting suspects, a neat buildup to the murder, and a satisfying denouement, though it can be a little convoluted at times.
Pitts and Gleason play very well off of one another. ZaSu is really good as Hildergarde, and though she's not as distinctive as Edna May Oliver, she gives her own spin on the character, and comes across a bit dizzy yet intelligent and self-assured, and witty. She appears to be inattentive and "all over the place", but in reality she's analytical and doesn't miss a thing. As one reviewer rightly said, it's Columbo style of misdirection.
As for the mystery, it's quite good, has plenty of twist and turns, interesting suspects, a neat buildup to the murder, and a satisfying denouement, though it can be a little convoluted at times.
Back in the 1930s, Edna May Oliver played amateur detective Hildegarde Withers in several very successful films. Unfortunately, when Miss Oliver went to MGM to work, this left a vacancy. RKO/Radio Pictures didn't want to discontinue the series and they tried a couple actresses in the role...though none were as good as Oliver. In "The Plot Thickens", they tried out Zazu Pitts in the lead...and they apparently liked her enough to have her appear once more time as the detective.
Soon after the story begins, a man is shot. Was he the victim of a jealous boyfriend? It appears this way. However, through the course of the picture, it becomes obvious that the victim was a jerk...and had something to do with the theft of a valuable piece of art, the Cellini Cup.
I liked this film for many reasons. Much of it was because the film had lots of false leads that kept you guessing. And, much was because the detective (James Gleason) investigating the case was NOT an idiot and often made smart moves. So, instead of Hildegarde saving the day and constantly out-thinking the cops, she was more an assistant to an already capable guy...which made this much unlike the average B-mystery. Well worth seeing...even without Oliver.
Soon after the story begins, a man is shot. Was he the victim of a jealous boyfriend? It appears this way. However, through the course of the picture, it becomes obvious that the victim was a jerk...and had something to do with the theft of a valuable piece of art, the Cellini Cup.
I liked this film for many reasons. Much of it was because the film had lots of false leads that kept you guessing. And, much was because the detective (James Gleason) investigating the case was NOT an idiot and often made smart moves. So, instead of Hildegarde saving the day and constantly out-thinking the cops, she was more an assistant to an already capable guy...which made this much unlike the average B-mystery. Well worth seeing...even without Oliver.
Zasu Pitts takes over the role of Hildegarde Withers for the first of two appearances in the role. She and James Gleason must deal not only with a murder, but with the theft of a piece of Cellini silver from a museum.
The recasting from Edna May Oliver is probably why Miss Pitts entrance is delayed until a quarter hour into the film; some one probably thought it would make people more answer to see her. She acquits herself quite handily, of course, but there seems to be a lack of snap in her chemistry with Gleason... or perhaps that's just a hangover from the snappish Miss Oliver.
The recasting from Edna May Oliver is probably why Miss Pitts entrance is delayed until a quarter hour into the film; some one probably thought it would make people more answer to see her. She acquits herself quite handily, of course, but there seems to be a lack of snap in her chemistry with Gleason... or perhaps that's just a hangover from the snappish Miss Oliver.
From 1936, The Plot Thickens sure does - it starts as one thing and ends as another. James Gleason and Zasu Pitts star in this Hildegarde Withers mystery.
A man, John Carter (Richard Tucker) is found deceased in his study by his butler (Arthur Aylesworth). Inspector Oscar Piper (James Gleason) is called in and summons Hildegarde Withers (Pitts), who always has interesting deductions.
There are a few suspects. One is Alice Stevens. Another is her boyfriend, Robert Wilkins, who was seen arguing with Carter by the cop who patrols the park. There was also a Frenchman seen speaking with Carter.
The mystery deepens, as the murder seems mixed up with valuable museum pieces that have been stolen.
As Hildegarde, Pitts comes off as a little dizzy, but she doesn't miss a trick, is very self-sufficient, and works well with Gleason, who plays a smart cop.
There are some twists and turns, making this an enjoyable mystery.
A man, John Carter (Richard Tucker) is found deceased in his study by his butler (Arthur Aylesworth). Inspector Oscar Piper (James Gleason) is called in and summons Hildegarde Withers (Pitts), who always has interesting deductions.
There are a few suspects. One is Alice Stevens. Another is her boyfriend, Robert Wilkins, who was seen arguing with Carter by the cop who patrols the park. There was also a Frenchman seen speaking with Carter.
The mystery deepens, as the murder seems mixed up with valuable museum pieces that have been stolen.
As Hildegarde, Pitts comes off as a little dizzy, but she doesn't miss a trick, is very self-sufficient, and works well with Gleason, who plays a smart cop.
There are some twists and turns, making this an enjoyable mystery.
Zasu Pitts holds her own in this entry to the Stuart Palmer mystery series that spawned a movie entry. Hildegarde Winters and Oscar Piper solved murder mysteries in RKO's B movie cannon. Younger than Helen Broadrick and prettier than Edna May Olvier Zasu's Hildegarde seems to have a more social relationship with James Gleason's Oscar Piper. In this movie she has a golf date with Oscar. And in the movie 40 Naughty Girls they are attending a musical when murder rears its ugly head. Regardless of the different actress the movies as whole are very enjoyable. I hope to see them on DVD like Nancy Drew or Mike Shayne. The movies always had interesting locations that are no longer with us. From the New York Aquarium in The Penguin Pool Murders to the public school building in Murder on a Blackboard and out to sea on Catalina Island for Murder on a Honeymoon. A viewer gets a glimpse of history and living, of life and entertainment from a bygone era in Hollywood a viewer is given a look at life and living in a bygone age. p.s. I love to see old time telegram pages splashed on the screen. A Post Script: it is now 2014 and I have The Hildegarde / Oscar Movie set from WARNER ARCHIVES. I now firmly attest Zasu Pitts is the more comfortable 'Miss Withers for me. She sheds the spinster cast transforming the character into a crimebuster (with official police credentials)and masters the'Colombo' guise of detective misdirection by her mannerisms and appearance. She exhibits skills (using a hair pin to unlock handcuffs). Her mannerism of not seeming to pay attention makes suspects underestimate her very keen analytical mind. Miss Pitts also brought more emotion to the role. She shows enthusiasm for the thrill of solving a case.
Le saviez-vous
- AnecdotesJohn Carter (Richard Tucker) drives a revolutionary new 1937 Cord 812 roadster, owned by RKO and used in several other of their productions, such as Super-Sleuth (1937), in which it's driven by Jack Oakie as film star Willard (Bill) Martin. As usual, the police drive a more traditional and more conventional 1936 Ford sedan.
- GaffesThe Italian couple that Officer Cassidy talks to near the beginning of the movie say "good night" to him in Spanish.
- Citations
Hildegarde Withers: Now don't behave more stupid than is natural, Oscar.
- ConnexionsFollowed by Forty Naughty Girls (1937)
- Bandes originalesPretty Baby
Music by Egbert Van Alstyne and Tony Jackson
Lyrics by Gus Kahn
Played by the organ grinder in the park
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Détails
- Date de sortie
- Pays d’origine
- Langue
- Aussi connu sous le nom de
- The Plot Thickens
- Lieux de tournage
- Société de production
- Voir plus de crédits d'entreprise sur IMDbPro
- Durée
- 1h 9min(69 min)
- Couleur
- Rapport de forme
- 1.37 : 1
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