Night Waitress

Night Waitress (1936)

** (out of 4)

Decent crime picture from Lew Landers has Helen Roberts (Margot Grahame) getting a waitress job after being put on probation for a crime the police think she knew about but couldn't really prove. Once working the woman gets involved with a young man (Gordon Jones) but what she doesn't know is that this location is a hot spot for gangster crime and soon she's threatened with going back to jail. There's romance, crime and drama here but none of the three things are exactly done good. For the most part this is just a 57-minute "B" picture that was obviously made to play second tier to something much bigger and as long as you don't take it too serious or expect too much you should at least be slightly entertained. I think Landers does a nice job with what he has to work with as he at least keeps the picture moving at a fast pace and for the most part the seedy locations feel real. Both Grahame and Jones do a nice job in the leads and help carry the picture and we also get to see Billy Gilbert in the role of the restaurant owner. If you look quick you can even spot a very young Anthony Quinn in a few spots. The biggest problem with the picture is that nothing ever really works well enough to make the film a good one. Still, fans who enjoy these forgotten, low-budget pictures will still want to check it out.

Minor effort with Edward Hopper-like waterfront setting. Margot Grahame and Gordon Jones (did I get the names right?) are interesting leads. Routine crime story has nice touches, its heroine is lower-class and depicted without condescension (quite a rarity for Hollywood). Low budget, interesting art direction, short and sharp action scenes, above average for its type. Anthony Quinn (unbilled) has a few scenes as a gangster.

WHAT A SURPRISE this one was to us. We found it in the off hours at Turner Classic Movies and due to the marvelous invention of the DVR, we were able to view it at our leisure.

IT IS TRULY A fine example of how good a "B" movie can be. Without any pretensions of the serious message film or "Art" if you please, this is the sort of "potboiler" that makes movie going the pleasure that it is. In short, it is fun.

WE FIND THE starring roles Margot Grahame (a Brit import) and Gordon Jones (from Iowa,USA). This was most pleasing to us to see "Mike the Cop" (from the ABBOT & COSTELLO Television series) in a starring role. This was at the very early stages of actor's career, when anything could happen. His looks, athletic ability and muscukar physique served him well in this regard.

BUT AS IS the case with so many, be it in show business or wherever, he didn't quite make the cut to stardom. Instead, the former USC Trojan footballer (starting Guard as "Bull" Jones) and pal of another football player there named "Duke" Morrison (John Wayne) found his niche as supporting player and character actor. Having gradually "filled out", his build helped to establish him in many a role, both villainous and sympathetic.

IN REGARD TO this short feature's merits and why we sing its praises, it has the whole package for a movie of its station in life. At 57 minutes, it only occupied an hour of the double bill on Saturdays. This left plenty of time for the cartoon, the live action comedy short, the serial chapter and the trailers (aka "Previews of Coming Attractions"). Its bright and cheerful attitude groomed its audience for more to come on the screen.

ONE OTHER ASPECT of this title NIGHT WAITRESS is the manner in which the production team so skillfully puts together the supporting cast. It has been said that you'll never see a bad scene that has Billy Gilbert or Marc Lawrence in it. Well here we have both. Added to the mix, one Don "Red" Barry, Willie Best, Walter Miller (former lead in serial king) and Paul Stanton.

PERHAPS THE MOST interesting tidbit of trivia is the casting of Antonio Rodolfo Oaxaca Quinn in an uncredited role as a gangster. This was undoubtedly a great start and boosted his career, getting it off to great start. His tie on the screen is far greater than one would think; bringing us to conclude that Mr. Quinn made such an equally spectacular impression on those bigwigs at RKO.

BUT MOST IMPORTANTLY the greatest single attribute and accomplishment of this little picture was in its ability to entertain us and ultimately leave us happy. Then we could move on to the "main event" (Featured "A" Picture).

The story itself is fine, concerning a waitress on probation and a seemingly shady guy. She suspects him as a gangster but he has a charm nonetheless.

From there the plot is fast paced (the running time is only 57 minutes)and fairly predictable. The acting is average overall, though the leads (Grahame and Jones) are a cut above.

Honestly though, for movie buffs, the background is just as interesting. Anthony Quinn runs around as a gangster. Some of the sets look familiar as well.

Worth a watch!

Margot Grahame has just been put on probation. She goes back to work at Billy Gilbert's waterfront fish restaurant. She wants to work and avoid trouble. Sailor Gordon Jones wants to date her. When gangsters kill a criminal in the restaurant, she's the only witness. The gang starts looking for her.

It's a nice, atmospheric B movie that doesn't bother with gloss. Director Lee Landers, just breaking out of B westerns the year this was made, shoots quickly and efficiently, with San Pedro standing in for San Francisco in the shipside shots.

Margot Grahame was Britain's highest-paid screen actress in this period. Dubbed 'the Aluminum Blonde', she was a skilled performer, trying to break into the much more prosperous American industry.

With a fine cast of then-minor players - the IMDb claims this is Anthony Quinn's first feature; it's really his fifth - it's a good example of what could be done on a small budget.