Murder with Pictures

Lew Ayres and Gail Patrick both give good performances, and the two of them plus a fast-paced story make this an enjoyable B-feature. The crime/mystery story is often implausible, but it provides some interesting developments and it creates some good action.

Ayres and Patrick were both pretty talented performers, and their roles offer each of them some good material. Ayres plays an easygoing news photographer who gets involved in a murder case, in which Patrick's strong-minded character plays an uncertain role. It's good to see Patrick get a more prominent role than usual, even in a low-budget feature, and her elegance fits in well.

The story uses a number of offbeat details to keep things moving, and this helps to hold your interest in the story as well as in masking some of the low production values. This is not bad at all for a movie of its kind, and it provides an hour or so of good light entertainment.

Murder With Pictures finds Lew Ayres and Paul Kelly as a pair of breezy reporters who are tracking the same story, namely the acquittal of murder by gangster Onslow Stevens. It seems as though a key witness Gail Patrick is located and arrives too late to testify. Stevens is giving a bash and he invites the press to the party.

Where his high priced defense attorney Ernest Cossart is shot to death after apparently recognizing someone in the room. Suspicion falls on Patrick, but Ayres shields her and starts his own investigation with Kelly dogging his every move. A couple of murders later and it's all solved.

Ayres gives a nice account of himself in a film which if done at Warner Brothers would have starred James Cagney with Kelly in the Pat O'Brien part. The how is not terribly original, this particular murder gambit was used before and after still it is done with style. As for the motives, Murder With Pictures is a story of greed and revenge.

One cliché seems to be present a lot in these kind of films. The cops are always wrong and the hero always sorts it out. I've seen it in God knows how many films, but in real life I've seen it to be true. Not that the police are dumb, but what people have a problem being is flexible. More than cops will get wedded to a certain notion and then just won't change no matter how the facts are explained to them. In solving cases that's a natural barrier. In my former job with New York State Crime Victims Board I've seen it happen more than once.

It was also nice to see Gail Patrick for once not playing the second lead or the other woman. Murder With Pictures is a nice, fast moving and entertaining film and it's a pity it seems to have dropped into obscurity. The fact that it also has dropped into the public domain may gain it new viewers and fans who've not seen it as of yet.

After racketeer Onslow Stevens is acquitted on murder, Gail Patrick pops up amidst a bunch of reporters, with a perfect motive for killing Onslow's putative victim...and other people start dying. News photographer Lew Ayres doesn't believe she did it, even though she keeps lying to him.

It's not a Universal picture, it's from Paramount, but it's definitely not one of their better ones. It's very watchable, but it depends mostly on Ayres playing the snappy-pattering reporter, and his rivalry with news writer Paul Kelly, who is very good. Other than that, it's a matter of standard cinematography by Ted Tetzlaff, a murder method that I figured out from the get-go and a murderer whom I identified at the 40-minute mark, by the way he behaved, even though there was no sign of why he had done it for another fifteen minutes.

It looks like B director Charles Barton was given a mediocre script, and did a job that didn't much exceed his undoubted competence. It's worth watching for the actors, but not much else.

This is a B-movie from Paramount. How it has lapsed into the public domain, I have no idea--but regardless it's available for download from the link on its IMDb page.

The film stars a young Lew Ayers as a smart-mouthed newspaper photographer (as bit of a cliché). When a murder occurs, a lady who is the police suspect (Gail Patrick) asks Ayers to hide her. This is one of the oldest and worst clichés of murder mystery films as in real life no one would shelter a murder suspect no questions asked! And, if they were dumb enough to do this, then the murder suspect would most likely kill them for their trouble! But, in B-movie fashion, you know she CAN'T be the killer. The rest of the film, Ayers investigates and proves that the handsome hero is ALWAYS smarter than the stupid cops (yet another familiar cliché)--led by Joe Sawyer as the investigator (a rather familiar role for him). And how does he intend to do this? Yep, one of the oldest plot ideas--with a supposed photo that will prove who the murderer is! As you can tell from my description, the film abounds with clichés--the sort that fans of classic films will quickly recognize. Because of this, the film is not exactly original act. However, the acting and overall polish of the movie are nice--making it at least a tolerable time-passer.

Part of the Treeline/Reel Media 50-Movie Mystery Classics Collection from 2003, the sound quality is a little shaky, which probably explains why we NEVER see this one on Turner Classic Movies. Director Charles Barton had helped on a couple of silent movies, but had only been directing for 2 years when he did "Murder with Pictures". Given some quick one- liners by the writers, Lew Ayres stars as photographer Kent Murdock, trying to navigate around everyone involved with the trial he is covering. The part is quite generic, and anyone, like Bogey or William Powell could have played it. Co-stars Gail Patrick and Paul Kelly. Pretty short, at 69 minutes, it was probably considered quality at the time, since Edith Head did the costumes. Lots of cops- and- gangster type threats, guesses, and intrigue, and the bodies start piling up. Lots of car chases and the usual murder mystery antics, but pretty good. Liked Ayres better in "Holiday", which he would make two years later with K Hepburn and C Grant.