Une fine mouche

In the best movies of the thirties, the stars are glib (in the best way) and glamorous. Libeled Lady is blessed with a clever script that serves up fastballs that the cast handles adroitly. And I have to credit the amazing wardrobe by Dolly Tree, made all the more remarkable as she was responsible for the wardrobes of 23 films in 1936. Loy's wardrobe, in particular, is impeccable.

This was the 5th in the series of William Powell/Myrna Loy pairings. They were cranking them out at a rate of about 2 per year during this period, so you might think that the chemistry between them would be stale or formulaic. But in Libeled Lady, the chemistry is fresh and the relationship between their characters is not just another Thin Man performance.

Then there are Spencer Tracy and Jean Harlow. Tracy is adept at the machine-gun delivery required by this (screwball) comedy, and Harlow just shines, showing more depth of character and emotion than she is sometimes given credit for. After Libeled Lady, she only acted in two films, so the screen never saw what greater depths of performance she might have achieved. (She died of uremic poisoning during the filming of Saratoga Trunk)

The plot involves a newspaperman (Powell), good at the con, who ingratiates himself to a wealthy young woman (Loy) and her father in order to set her up for a blackmail situation. She suspects his motives, but he manages to pull her in. Plenty of plot curves ensue, adding humor and more character development.

I particularly liked the fishing scene. Without much dialogue it advances the plot, provides some laughs and shows that Dolly Tree can even make Myrna Loy look sexy in fishing gear.

Spencer Tracy, William Powell, Myrna Loy, and Jean Harlow star in "Libeled Lady," about the attempts to convince a society woman to drop a lawsuit against a newspaper.

Spencer Tracy is a scream in his role of a newspaper editor who has been engaged to Jean Harlow for some time, but his work keeps getting in the way of their marriage and relationship. His whole life revolves around his newspaper. When an heiress, played by Loy, sues the newspaper for libel, Tracy puts William Powell to work, hoping that by photographing them together, he can convince Loy to drop the suit. But it will only work if Powell is a married man caught cheating, so Tracy convinces Harlow to marry him.

Harlow is her usual feisty self. Powell is marvelous, especially in his fishing scenes, which are classics, especially the one in which he literally chases a trout through a stream. It's laugh out loud material if there ever was any. Loy has the least showy part, though she's quite beautiful and works well with Powell, portending great things to come.

This is a very enjoyable film with Tracy milking the comedy for all it's worth. Apparently his comedic work was a revelation back then, unlike today, when we know how adept he was at it.

This movie is over 70 years old but is far better than what mostly comes out of the film industry these days. The picture is genuinely funny and all the performers are excellent. In brief a newspaper who have libeled a lady need to get her legal action against them stopped to prevent the newspaper going out of business so they devise a plot to set up their victim. There are all sorts of comical twists and turns and plenty of good gags and amusing moments. The movie is very well directed, has an excellent script and the voters here on IMDb have got the high mark exactly right. Well done to Turner Classic Movies for showing this on their channel:

8/10

It's always a pleasant surprise to run into one of Myrna Loy and William Powell's legendary pairings. "Libeled Lady" was even more pleasant than usual! Spencer Tracy is marvelous as the too smooth operator, while Harlow shrills her way through the film, stealing every scene.

Still and all, the real selling point of this film is the clever drawing room dialogue and rat-a-tat-tat delivery! One does not see this type of intelligent comedic script come out of Hollywood these days. Full of double entendre, perfectly honed sarcasm and beautifully timed quips, this film keeps you smiling, even as you wince at Powell's adept physical comedy, full of falls and falls and falls.

As for his co-star, watching Loy glow on screen is always magic, the moments that she raises an eyebrow and drops in a gem of a line, well, there's the real abracadabra...

... and it definitely is a roadmap on how to make a film that is interesting to adults and feels authentic during the production code era. And that was needed because for the first three or so years after the production code began to be enforced, the studios released some real stink bombs.

The New York Star prints a story that calls out socialite Connie Allenbury (Myrna Loy) as a home wrecker. The story turns out to be false, and Connie Allenbury sues the Star for five million dollars, which if awarded would cause th paper to go under.

The Star's managing editor Warren Haggerty (Spencer Tracy), once he unsuccessfully begs Connie to drop the suit, comes up with a plan to show her up as a homewrecker in another situation entirely, thus hoping to either get her to drop the suit at that point, or putting her in a position to lose the suit by reputation. He gets reporter and lady's man Bill Chandler (William Powell) to marry Warren's fiancee, Gladys (Jean Harlow) in what the three of them know to be a sham marriage. Bill is then supposed to woo Connie, after which his "wife" will burst in on them and accuse Connie of busting up her home. Complications ensue when Bill really does fall for Connie.

William Powell makes this movie with his combination of urbane charm, facial expressions, great comic timing, and something he rarely gets to show off - a real talent for slapstick comedy. Of course he and Myrna Loy always had great chemistry together, and another great tribute to his acting is that the script calls for the relationship between his character and his "wife" to seem strained - it does - when he and Jean Harlow were the actual real life couple in this film. Spencer Tracy is actually fourth billed at this point, but he's only been at MGM for a year and is still playing "the hard guy" at this point, and he has been playing similar roles for about five years. That will all change with "San Francisco".

Highly recommended and great for repeat viewings.