Ajouter une intrigue dans votre languePrizefight manager (Patsy Kelly) helps a truck driver be a champ. Good Kelly comedy also featuring the talents of great silent comedian Charley Chase.Prizefight manager (Patsy Kelly) helps a truck driver be a champ. Good Kelly comedy also featuring the talents of great silent comedian Charley Chase.Prizefight manager (Patsy Kelly) helps a truck driver be a champ. Good Kelly comedy also featuring the talents of great silent comedian Charley Chase.
- Réalisation
- Scénario
- Casting principal
Guinn 'Big Boy' Williams
- Cecil Callahan
- (as Guinn Williams)
DeWitt Jennings
- Judge
- (as DeWitt C. Jennings)
Ernie Alexander
- Cecil's Handler
- (non crédité)
Jessie Arnold
- Mrs. Slocum
- (non crédité)
Herbert Ashley
- Fight Arena Manager
- (non crédité)
Hooper Atchley
- Bookie
- (non crédité)
Harry Bernard
- Andrew's Man
- (non crédité)
Harry Bowen
- Drenched Ringsider
- (non crédité)
Heinie Conklin
- Counter Customer
- (non crédité)
Baldwin Cooke
- Hungry Diner
- (non crédité)
Avis à la une
This picture was shown on TCM recently and it is strictly for hard-core Patsy Kelly fans. Apparently it was a vehicle for her in hopes it would lead to a series of films, according to Maltin.
But Patsy Kelly is an acquired taste and this film did her no favors. The humor is extremely broad and the storyline is vapid. The climax has to be seen to be believed and is far removed from true comedy. The one bright light is the inimitable Charley Chase who injects as much fun as he can into the proceedings and which sorely needs his expertise.
Can't really recommend this one except for the historical value via a glimpse of some of '30's Hollywood's great extras and character actors. A rainy day movie - but it is only 70 minutes long and doesn't kill enough bad weather time.
But Patsy Kelly is an acquired taste and this film did her no favors. The humor is extremely broad and the storyline is vapid. The climax has to be seen to be believed and is far removed from true comedy. The one bright light is the inimitable Charley Chase who injects as much fun as he can into the proceedings and which sorely needs his expertise.
Can't really recommend this one except for the historical value via a glimpse of some of '30's Hollywood's great extras and character actors. A rainy day movie - but it is only 70 minutes long and doesn't kill enough bad weather time.
This was my first Patsy Kelly film. I am almost fifty and I've heard her name for years from my parents. But I've never seen her in anything before unless you want to count "Rosemary's Baby" which I didn't even care for.
So I watch the film and at first you're not sure what to make of her. But as someone else posted here, yes, she begins to grow on you.
As the movie progressed I could not help but keep watching. She made some funny facial expressions that can't hold a candle to Lucille Ball, yet I couldn't help but giggle at them.
I like old films from the 1930s. So this helped to keep my interest going. At the times the film/storyline was a bit lame, yet before I knew it I found myself chuckling out loud and I didn't know why. Like when Kelly, Guinn and the Charley Chase's car stopping right in the middle of the train tracks. How many times have we seen this train tracks gag before? Yet they managed to pull it off with Kelly's pant leg getting caught on the gear shifts and the car pulling out just in time, in front of film screen of a train whizzing by! I had a good laugh on that one.
This was also my first Big Boy Guinn film and he reminds a lot of Nat Pendleton, a favorite of mine. So I'll be keeping an eye out for more films of his on TCM.
I walked away from this film a Patsy Kelly fan and I am now on the hunt to see more of her. I may even rent "Rosemary's Baby" to appreciate her in that role.
A friend who saw this with me didn't laugh much except when I laughed. So a film like this might not appeal to all. But I am glad I watched it and hopefully this will get released on DVD sometime in the future.
My next goal is to check out Judy Canova and see what the big deal was about her. Stay tuned.
So I watch the film and at first you're not sure what to make of her. But as someone else posted here, yes, she begins to grow on you.
As the movie progressed I could not help but keep watching. She made some funny facial expressions that can't hold a candle to Lucille Ball, yet I couldn't help but giggle at them.
I like old films from the 1930s. So this helped to keep my interest going. At the times the film/storyline was a bit lame, yet before I knew it I found myself chuckling out loud and I didn't know why. Like when Kelly, Guinn and the Charley Chase's car stopping right in the middle of the train tracks. How many times have we seen this train tracks gag before? Yet they managed to pull it off with Kelly's pant leg getting caught on the gear shifts and the car pulling out just in time, in front of film screen of a train whizzing by! I had a good laugh on that one.
This was also my first Big Boy Guinn film and he reminds a lot of Nat Pendleton, a favorite of mine. So I'll be keeping an eye out for more films of his on TCM.
I walked away from this film a Patsy Kelly fan and I am now on the hunt to see more of her. I may even rent "Rosemary's Baby" to appreciate her in that role.
A friend who saw this with me didn't laugh much except when I laughed. So a film like this might not appeal to all. But I am glad I watched it and hopefully this will get released on DVD sometime in the future.
My next goal is to check out Judy Canova and see what the big deal was about her. Stay tuned.
5tavm
Just watched this Hal Roach feature on the TCM site on the recommendation of Mark Evanier. In this one, Guinn "Big Boy" Williams plays a truck driver who inadvertently takes Patsy Kelly's car when it gets stuck on his bumper. That makes Ms. Kelly late for her job at Charlie Chase's drug store. I'll stop there and just say that a fight erupts during the beginning sequence which results in Williams in a new boxing career with Kelly and Chase putting all their hopes on him. Also appearing is Edward Brophy as Chase's eventual partner in the venture and Pert Kelton as his girlfriend who tries to drive a wedge between Kelly and Williams. There's also a cute cameo by "Our Gang" member Carl "Alfalfa" Switzer. Director Gus Meins, another "Our Gang" veteran, brings some energy to the proceedings though the movie is uneven at best. Still, there's a few funny visual gags like the "pop" noises whenever someone thinks shots are being fired or the reactions of Williams when he hears "The Irish Washerwoman" being played. I also liked a scene when he tries to eat something while he still has his gloves on! So on that note, Kelly the Second is worth a look. P.S. I recognized one of the boxing patrons as Max Davidson who had previously starred in his own silent series of Hal Roach comedies from the '20s.
I have watched this film twice and liked it better the second time. I love Charley Chase, even when he wasn't at his best (or healthiest). His actual gray hair helps make him a more natural character. His (too) short solo scenes made me chuckle, especially when he is alone in his drug store after Cecil's disastrous first fight. He is also funny when Carl 'Alfalfa' Switzer needs to "get back" his swollen coins. But alas, he wasn't the best choice for the role. His comedy wasn't loud and overly frantic, and Patsy Kelly was way too loud to be mated with Chase. We DO, though, get to see him dance!
Guinn Williams was mediocre. Patsy Kelly did a fine job IF you like her style of comedy. Edward Brophy and his "thugs" are good. There are way too many back-projection scenes and use of doubles that give the movie a low-budget feeling, THOUGHT they did use a lot of real people in the fight audiences. OH, and a lot of farm animals...
Patsy's last CAR, on the other hand, I absolutely LOVED: A Duesenberg.
So while not the best film of 1936, it is decent and you need to watch it if you are a Chase fan, even if he simply wasn't in enough feature films.
Guinn Williams was mediocre. Patsy Kelly did a fine job IF you like her style of comedy. Edward Brophy and his "thugs" are good. There are way too many back-projection scenes and use of doubles that give the movie a low-budget feeling, THOUGHT they did use a lot of real people in the fight audiences. OH, and a lot of farm animals...
Patsy's last CAR, on the other hand, I absolutely LOVED: A Duesenberg.
So while not the best film of 1936, it is decent and you need to watch it if you are a Chase fan, even if he simply wasn't in enough feature films.
Patsy Kelly is in a comedy league all of her own. She has quick silver timing and excels at physical comedy which is pretty rare for a woman. I had never seen her in the lead before this film...usually being relegated to sidekick, and I think she carries the show wonderfully. She is paired nicely with Guinn 'Big Boy' Williams who plays Cecil Callahan a truck driver who accidentally gets his truck attached to Molly Kelly's car and drags her around New York making her late for her job at the lunch counter of pharmacist Dr. J. Willoughby Klum (silent star Charley Chase). Before Callahan can get Molly to her job a big brawl ensues, such that by the time they get to the pharmacy the cops are hot on their heels and arrest Klum, Callahan and Molly. They make bail by putting up the pharmacy, but the judge proclaims Callahan can't get into any more fights. Worried that the big Irish brawler is going to get them all in trouble, Molly comes up with the idea to make him a prize fighter...where he can fight for money and not get into trouble.
In the boxing business they encounter a mobster, including his dame and entourage. After Callahan's initial loss due to their naïveté, Molly and Klum set to training him properly...which involves more automotive shenanigans and puts them on a farm for Molly to ride and get chased by all sorts of animals.
I love Patsy Kelly. I really think she is delightful. I was amazed at how physically taxing this film must have been for her. I thought her and Williams made a nice romantic couple. I really enjoyed the use of the song "The Irish Washerwoman" throughout the film...as it stilled up Callahan's blood. The biggest revelation for me was Charley Chase. I couldn't believe how light on his feet he was for his and Kelly's big dance number, but also his comedic timing and acting. He was wonderful. I can't believe he didn't go on to be a bigger star after his silents. I will be seeking out more of his films to watch based on this performance.
In the boxing business they encounter a mobster, including his dame and entourage. After Callahan's initial loss due to their naïveté, Molly and Klum set to training him properly...which involves more automotive shenanigans and puts them on a farm for Molly to ride and get chased by all sorts of animals.
I love Patsy Kelly. I really think she is delightful. I was amazed at how physically taxing this film must have been for her. I thought her and Williams made a nice romantic couple. I really enjoyed the use of the song "The Irish Washerwoman" throughout the film...as it stilled up Callahan's blood. The biggest revelation for me was Charley Chase. I couldn't believe how light on his feet he was for his and Kelly's big dance number, but also his comedic timing and acting. He was wonderful. I can't believe he didn't go on to be a bigger star after his silents. I will be seeking out more of his films to watch based on this performance.
Le saviez-vous
- AnecdotesIn the first scene, a shop window reads "Roy Seawright Cleaners". Roy Seawright was the Roach Studios special effects technician.
- GaffesAlthough the film is supposedly taking place in New York City, Molly's car has California license plates and the exteriors are obviously California, mostly Los Angeles and vicinity.
- ConnexionsEdited into Kelly Finds a Fighter (1953)
- Bandes originalesThe Irish Washerwoman
(uncredited)
Traditional
Played on a radio, on a record and an on an hurdy gurdy
Played also by an orchestra at the party and danced by Guinn 'Big Boy' Williams with Pert Kelton and Patsy Kelly with Charley Chase
Sung a cappella by Patsy Kelly and others at the fight
Meilleurs choix
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Détails
- Date de sortie
- Pays d’origine
- Langue
- Aussi connu sous le nom de
- Irish Washerwoman
- Lieux de tournage
- Société de production
- Voir plus de crédits d'entreprise sur IMDbPro
- Durée
- 1h 10min(70 min)
- Couleur
- Rapport de forme
- 1.37 : 1
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