La Rivière écarlate

King of the Pecos has a pre-Stagecoach John Wayne witnessing the murder of his parents by a no good land swindling dealer played by Cy Kendall. Of course he's a little kid at the time, but when he grows up he becomes a lawyer. But he's no ordinary lawyer, he can ride, and shoot, and fight with the best of them.

Kendall doesn't outrightly own a whole lot of the land he's swindled from folks. He just has phony options. Lawyer Wayne take him to court as well as deal with him in the usual John Wayne fashion.

This is far from the best western the Duke ever made, but it's pretty good for the B product he was stuck in at the time. And his legion of fans will love it.

I have always enjoyed movies made prior to 60s and King of the Pecos is no exception. As a kid growing up in the 50s my hero was the Lone Ranger which I couldn't help but notice that the Lone Ranger and John Wayne both worn white hats and had white horses. I guess that was the norm for the good guys in those days.

John Wayne's acting in King of the Pecos and his early movies in general were a little bland, but it kept my interest. The story line could also have been a little more interesting but that was kind of the way many early Westerns went.

I noticed that there were a lot of horse related accidents in this movie. There were horses falling to the ground throwing their riders, and even horses running into other horses when a wagon goes over the cliff. It looked like there was a good chance that they may have been hurt, and wonder how concerned the producers and writers were in those days.

If you like early Westerns and John Wayne in particular it's worth watching.

This film begins with an extremely greedy man by the name of "Alexander Stiles" (Cy Kendall) riding out to an isolated part of Texas and arrogantly declaring to his cowboys that the entire area is his by "right of discovery." Of course, being the dishonest man that he is, the fact that his claim has no legal basis doesn't concern him in the least. To that effect, in an effort to also control all of the watering holes as well, he then sends his men to a nearby ranch and demands that the owner sell his stake to him. When the owner refuses, he sends his men to murder both him and his wife. In the process, they also beat their young son and leave him unconscious on the ground while they ride off. The scene then shifts to 10 years later with a young man by the name of "John Clayborn" (John Wayne) riding in a stagecoach into a small West Texas town and declaring to the people there that he is a lawyer and intends to challenge Alexander Stiles' illegitimate claim of land in a court-of-law. Needless to say, this infuriates Alexander Stiles who becomes determined to prevent any such action--one way or the other. Now, rather than reveal any more, I will just say that this turned out to be one of the better John Wayne films from his earlier days as it flowed much more smoothly from one scene to the next than many of his previous pictures. Naturally, as is quite typical for the time, it does have a few corny scenes here and there but even so I enjoyed it for the most part and I have rated it accordingly. Slightly above average.

John Wayne reprises many a role from his past as the man whom, as young boy, witnessed the murder of his parents. This time, it's the cattle baron "Stiles" (Cy Kendall) on whom he is fixated for revenge. He is now, though, a lawyer and so has decided to legitimately dismantle the extensive empire of his nemesis who would rather own the law than adhere to it. Initially dismissive of the young man's efforts, it's soon clear that In so doing he is risking life and limb, as well as those of the gal "Belle" (Muriel Evans). Nothing at all new here, just another 60 minute B-feature, but the Duke is on good form and Kendall makes for quite an effective, odious baddie. Joseph Kane keeps the pace hot, and there are plenty of brawls and galloping chases to keep it interesting, if hardly, challenging.

Iconic director Joseph Kane shows here why he is rated so highly by western and film aficionados. Republic (I like the sound of that word) and Kane and John Wayne are simply unbeatable.

In addition to a superlative story by Bernard McConville, an excellent cast and beautiful scenery create a nearly perfect western.

One bonus is the lovely Muriel Evans, one of the, in fact, loveliest heroines of B westerns in Republic's history. She showed, besides looks, a lot more personality than most of the B heroines.

When Turner Classic Movies showed, on 20 August 2015, a marathon of Mae Clarke movies, one of Ms. Clarke's premier performances came in a little-known film titled "Fast Workers." Muriel Evans had one scene, as a nurse, in which she mostly looked on, then had a few lines.

And in that small part, she didn't quite steal the movie, but sure did make an impression, with a fascinating performance.

She shows even more personality here, in "King of the Pecos," a fairly routine western, perhaps, but with such a sterling cast and superb directing and scenery that can and should make you want to pack your bags. Watch her in scenes where she might be only entering or leaving and you can't help admiring her presence and control.

She has an expressive face and eyes that enthrall.

John Wayne stands tall, demonstrates his personality that led him to be Hollywood's biggest star of all time, but isn't really stretched as an actor.

He is aided by two unknown but immensely talented character actors, playing "Josh" and "Hank," who do generally steal every scene they're in. And praise be, their humor is not the usual silly stuff so often found in B westerns.

The three chief bad guys are among the best in Hollywood history, Cy Kendall, Yakima Canutt, and Jack Clifford, of whom I blush to admit I know almost nothing -- except he is GREAT in this role.

There are several versions of "King of the Pecos" at YouTube and I picked the longest one. Don't you make that mistake. It's longer because whoever posted it tacked on several minutes of the ending twice.

It's a beautiful print, in brightness and contrast, but there are some strange technical glitches that cause the background to wave and wobble.

Still, the extraordinarily high quality of the production makes such stuff irrelevant. I highly recommend "King of the Pecos."