Le rayon invisible

The scientist Janos Rukh (Boris Karloff) has been expelled from the scientific community due to the lack of credibility in his researches. Living isolated in a castle with his blind mother (Violet Kemble Cooper) and his wife Diane (Frances Drake), he makes a private presentation of the recently discovered invisible ray to his colleague Dr. Felix Benet (Bela Lugosi), and succeeds in being sponsored by Sir Francis Stevens (Walter Kingsford) and his wife Lady Arabella Stevens (Beulah Bondi) in an expedition to Nigeria, where he believe he could find a meteor with Radium X. Once in Africa, Janos leaves the expedition alone and finds the meteor, but is exposed to its radiation, acquiring a deadly touch that immediately kills anyone who is touched by him. Meanwhile, Diane falls in love for the son of Lady Arabella, Ronald Drake (Frank Lawton). Dr. Benet finds an antidote to control the effects of the radiation in Janos to be daily injected, but advises that the side effect could bring madness to him. Dr. Benet returns to Paris and steals the findings of Janos, exposing and using Janos's researches to the scientific community, while the deranged Janos seeks revenge against those that have betrayed him.

"The Invisible Ray" is a delightfully silly and naive sci-fi visibly inspired in H.G. Well's "The Invisible Man" of 1933. This minor film is a great opportunity to see Boris Karloff and Bela Lugosi acting together. The story is entertaining but with questionable ethical and moral behaviors of the lead characters. Dr. Felix Benet steals the research of his colleague that needed to recover the esteem together with the scientific community for self-profit and self- promotion. Diane Rukh has an affair with Ronald Drake in the absence of her husband in Africa. Mother Rukh breaks the only chance of survival of her only son that loved her and recovered and healed her vision. And Janos Rukh does not tell his wife that is sick and kills innocent people to reach his personal vendetta. In the end, all the characters are unpleasant. My vote is six.

Title (Brazil): "O Raio Invisível" ("The Invisible Ray")

The Invisible Ray is an exciting story about an overworked scientist who works effortlessly in his Carpathian castle looking for secrets of the universe. Boris Karloff plays the scientist Janos Ruhk who travels with a band of other scientists to Africa for the spot where an unidentified element landed centuries ago. Karloff is very good as the scientist who accidentally poisons himself with this new radioactive element. Karloff is obsessed with the idea that his fellow travelers, amongst them the stately Lugosi as Dr. Benet, are after his honors and secrets of this new find. Because of this, Karloff goes on a maniacal murdering spree of his former friends. There are many good elements in this film, most dealing with the rather interesting story of science gone amok. Lugosi is good too, although his role is not very big. I must agree with many that this pairing of the horrific duo is a second to The Black Cat. Nonetheless this is a fine Universal science fiction/horror film.

One doesn't get to enjoy this gem, the 1936 Invisible Ray, often. But no can forget it. The story is elegant. Karloff, austere and embittered in his Carpathian mountain retreat, is Janos Rukh, genius science who reads ancient beams of light to ascertain events in the great geological past…particularly the crash of a potent radioactive meteor in Africa. Joining him is the ever-elegant Lugosi (as a rare hero), who studies "astro-chemistry." Frances Drake is the lovely, underused young wife; Frank Lawton the romantic temptation; and the divine Violet Kemble Cooper is Mother Rukh, in a performance worthy of Maria Ospenskya.

The story moves swiftly in bold episodes, with special effects that are still handsome. It also contains some wonderful lines. One Rukh restores his mother's sight, he asks, "Mother, can you see, can you see?" "Yes, I can see…more clearly than ever. And what I see frightens me." Even better when mother Rukh says, "He broke the first law of science." I am not alone among my acquaintance in having puzzled for many many years exactly what this first law of science is.

This movie is definitely desert island material.

Karloff and Lugosi - Together again! This is one of those films that casual fans will pass over and tend not to appreciate as much. It's not an all-out horror film like the duo's previous two hits, The Black Cat and The Raven. But, it is very worthy of both's talents and is a fun film when re-visited.

The Invisible Ray was directed by Lambert Hillyer, a director who mainly made westerns, but curiously in these final days of the Laemmles' reign at Universal, he found himself helming this and the Laemmles' final horror film, Dracula's Daughter. Both are crisp, clean-cut fantasies that are very light on horror content despite the fantastic elements.

Just as Lugosi went wild in The Raven, much needs to be said of Karloff's hamming in The Invisible Ray. The one aspect of the story that is particularly unsatisfying is that Karloff's character, Rukh, acts so madly before he is poisoned by Radium X, that there really isn't much of a change once he starts glowing. This is very similar to the complaint people have about Jack Nicholson in The Shining - He's basically a loony right from the start. There isn't any real transformation. Same here. Halfway through Karloff simply has an added purpose for revenge in his mind. I still enjoyed his performance, though, just as I did Lugosi's over-the-top antics in The Raven.

Meanwhile, Lugosi completely surprises you and gives a restrained, and thoughtful turn as Rukh's rival in science, Dr. Benet. Lugosi also has some of the best lines in the film, including a memorable warning to the police trying to catch Rukh, of which I am in alignment with horror film writer John Soister on - "And if he (Rukh) touches anyone?" the inspector inquires. Lugosi hesitatingly replies, in a way that only Lugosi could deliver, "They die". Just as Lugosi could be so off, he could also be more perfect than any actor. This is one of those moments.

Therefore, Karloff and Lugosi's interactions are all very good as we get the mad antics of Karloff pared off against the cool logic of Lugosi. Karloff would go on to play similar mad scientists many times, however, one wishes Lugosi would have gotten to play more straight roles like this one. He only had one more chance (Ninotchka).

The Invisible Ray is a fun film, and a real treat to the true Karloff and Lugosi fans. It is one of those films that improves on each viewing, not because it is a masterpiece, but because of the charisma and talent of its' stars and how this story complements the darker, more horrific pairings they had. The special effects, by the always innovative John Fulton, are terrific and the supporting actors are all adequate. Frances Drake looks as beautiful as she did in Mad Love and plays a strong woman, something seldom seen in classic horror films. The scene in the end when Karloff stalks her and she doesn't scream is one of the most haunting moments of the film. A terrific, fun film!

THE INVISIBLE RAY (1936) Starring Boris Karloff, Bela Lugosi, Frances Drake, Frank Lawton, Walter Kingsford Directed by Lambert Hillyer

Universal's third pairing of Lugosi and Karloff strays in to the realm of science fiction while retaining many of the elements of horror for which the studio was famous.

Janos Rukh (Karloff) is a brilliant, workaholic scientist who lives with his beautiful wife (Drake) and mother in a sprawling gothic castle/laboratory/observatory in the storm-swept Carpathian Mountains (where else?).

Sir Francis Stevens (Kingsford) and wife, accompanied by the skeptical Dr. Felix Benet (Lugosi), arrive to see Rukh's latest discovery. By following a ray of light that left the Andromeda galaxy millions of years ago back to its source, he can see back in time. What he is able to show them is a giant meteor striking the surface of the Earth, on the African continent "thousands of millions" of years ago. With this proof that such a catastrophe occurred, he is able to embark on an expedition to Africa. The meteor is found and Rukh is able to harness a strange power that emanates from it...Radium X. Unfortunately, this mysterious element also causes Rukh to glow in the dark. And, as if that weren't bad enough, everyone who touches him dies. Dr. Benet comes up with a counteractive which will not cure Rukh, but will at least make him tolerable to have around. As with all such things, there is a price...Benet cannot promise what effects the counteractive will have on Rukh's mind.

For a film released in 1936, THE INVISIBLE RAY has some pretty good special effects. The image of the meteor sailing toward the Earth is impressive, though the actual impact is less than spectacular. The scene where Rukh launches his invisible ray at a rock formation and reduces it to nothing is also good, even by today's standards. The scenes at Rukh's home are what give THE INVISIBLE RAY its creepy atmosphere. As in other Universal horror productions, the set is made of almost exclusively vertical elements, casting long shadows. The doorways are so tall the tops of them disappear somewhere beyond the top of the screen. A middle segment that takes place in Africa is less eerie, but it does provide a nice setting for us to first see Rukh's glowing face and hands.

THE INVISIBLE RAY is a fun movie to watch despite (or because of?) a few flaws, like the fact that all of the Paris newspapers seem to be printed in English. Not as fun is the film's racist depiction of the African porters. Even allowing for the attitude of the time in which the film was made, these scenes will still make most modern viewers cringe.