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6,5/10
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Un violoniste tombe sous le charme de la professeure de piano de sa fille.Un violoniste tombe sous le charme de la professeure de piano de sa fille.Un violoniste tombe sous le charme de la professeure de piano de sa fille.
- Réalisation
- Scénario
- Casting principal
Erik 'Bullen' Berglund
- Impresario Charles Möller
- (as Bullen Berglund)
Hasse Ekman
- Åke Brandt
- (as Hans Ekman)
Neset Berküren
- Gunner
- (non crédité)
Millan Bolander
- Emma, the Maid
- (non crédité)
George Fant
- Young Man
- (non crédité)
Emil Fjellström
- Truck driver
- (non crédité)
Folke Helleberg
- Young Man
- (non crédité)
Linnéa Hillberg
- Shocked woman
- (non crédité)
Emma Meissner
- Greta
- (non crédité)
Margarete Orth
- Marie
- (non crédité)
Carl Ström
- The Captain
- (non crédité)
Avis à la une
This is coming from someone who is neither an Ingrid Bergman fan nor a fan of subtitled movies. I was surfing my cable channels, when this movie just popped up from nowhere. As you can tell my overwhelming joy in watching subtitled movies is pretty negative. The movie description said it was about a TORRID love triangle. Of course this peaked my curiosity. Peaking my curiosity and watching the movie until the end are totally two different things but to my surprise I watched the movie until the credits rolled and was not disappointed. I am still in shock that I actually enjoyed this movie. As soon as I come out of shock, which has to be soon if I plan to stay employed, I will be searching for more movies with subtitles. ENJOY!
The Swedish version of "Intermezzo" is so heartwrenching that it must be true. Okay, so maybe that's an exaggeration, but this film is certainly one of the greatest screen romance films. It's definitely a film for artists, who need to always attempt to balance their lives between the home fires and the passion of one's creative calling. Watching this one will certainly remind the viewer to not take for granted what their love life offers them.
This is the Swedish version of INTERMEZZO. The film was remade for English-speaking audiences just 3 years later with a mostly non-Swedish cast, except for Ingrid Bergman who reprized her role from the original.
While this Swedish version isn't quite as polished as the other, it is the original and seems a little less polished--and this ISN'T necessarily a bad thing. Because of the lack of polish, the film seems more like it was filmed with real people and the problems seemed more universal. Also, while I didn't approve of the lead running around on his family, it sure brought up a lot of moral questions and made me think. A decent, though not great, film.
While this Swedish version isn't quite as polished as the other, it is the original and seems a little less polished--and this ISN'T necessarily a bad thing. Because of the lack of polish, the film seems more like it was filmed with real people and the problems seemed more universal. Also, while I didn't approve of the lead running around on his family, it sure brought up a lot of moral questions and made me think. A decent, though not great, film.
10timmauk
"Intermezzo"(1939) was Ingrid Bergman's first American film, but it wasn't the first film she made. She had made 6 Swedish films before this original version of "Intermezzo"(1936). This made her a star in her native country. The American remake would make her a star around the world.
It's a unique story of a brilliant violinist, with a sweet loving family, who falls for his accompanist, and the pain it brings to all involved. I haven't seen the American version, but the original is great. The acting is just so natural, just like they were actually living these lives. It's strange to hear Ingrid speaking Swedish, but she laughs and looks like she always did. The best things about this movie is the beautiful soundtrack, the intelligent script, terrific acting, and that cute little girl who played the daughter(I forgot kids were like that). I lucked out finding this video at a lumber store(?), but what a find. If you get the chance to see the original, see it. It's that good!!
It's a unique story of a brilliant violinist, with a sweet loving family, who falls for his accompanist, and the pain it brings to all involved. I haven't seen the American version, but the original is great. The acting is just so natural, just like they were actually living these lives. It's strange to hear Ingrid speaking Swedish, but she laughs and looks like she always did. The best things about this movie is the beautiful soundtrack, the intelligent script, terrific acting, and that cute little girl who played the daughter(I forgot kids were like that). I lucked out finding this video at a lumber store(?), but what a find. If you get the chance to see the original, see it. It's that good!!
What's the difference between the 1936 and 1939 Intermezzo films? Not much, except that one's in English and the other's in Swedish. Both are exactly the same story, and both star Ingrid Bergman as the alluring other woman who makes a decent family man stray. Basically, you just have to make the choice of whether you want to read subtitles or not.
In this Swedish version, Gosta Ekman is a respected violinist who has two children and a devoted wife. Ingrid is a pianist, and when she starts teaching his little girl how to play, they both start fantasizing about playing duets together. This is a very 1930s plot line, where the woman is the great temptress and the man is practically possessed by his feelings for her. Like in The Blue Angel, the man is not an active participant, but is instead the victim. Sometimes that is the case in real life, when homewreckers really go out their way to seduce a married man. But most of the time, as in the immortal words from French Kiss, they don't "steal anything that doesn't want to be stolen", so a lot of these 1930s movies aren't that realistic. However, if you want to see a very, very young Ingrid Bergman speaking in her native tongue, you can rent it. She doesn't play a femme fatale; in fact, her character is quite sweet, but just keep in mind the blame doesn't rest solely on her shoulders.
In this Swedish version, Gosta Ekman is a respected violinist who has two children and a devoted wife. Ingrid is a pianist, and when she starts teaching his little girl how to play, they both start fantasizing about playing duets together. This is a very 1930s plot line, where the woman is the great temptress and the man is practically possessed by his feelings for her. Like in The Blue Angel, the man is not an active participant, but is instead the victim. Sometimes that is the case in real life, when homewreckers really go out their way to seduce a married man. But most of the time, as in the immortal words from French Kiss, they don't "steal anything that doesn't want to be stolen", so a lot of these 1930s movies aren't that realistic. However, if you want to see a very, very young Ingrid Bergman speaking in her native tongue, you can rent it. She doesn't play a femme fatale; in fact, her character is quite sweet, but just keep in mind the blame doesn't rest solely on her shoulders.
Le saviez-vous
- AnecdotesAfter a single viewing of the film, producer David O. Selznick brought Ingrid Bergman to Hollywood to sign a contract with Selznick International. Bergman and Selznick then remade the film as Envol vers le bonheur (1939), with Leslie Howard.
- Citations
Thomas Stenborg: Miss Hoffman, I expect great things from our work together. What I couldn't accomplish, you will. Remember, for an artist only three things matter. Work...
Anita Hoffman: Work and work.
Thomas Stenborg: Yes, and we'll work. Isn't that so?
- ConnexionsFeatured in Envol vers le bonheur (1939)
- Bandes originalesIntermezzo
(1936)
Music by Heinz Provost
Played during the opening credits
Played on a record
Played on violin by Gösta Ekman
(dubbed by Charles Barkel)
Reprised by Gösta Ekman with Britt Hagman on piano
Reprised again by Gösta Ekman with Ingrid Bergman on piano
Played also on radio and on a zither and as background music
Meilleurs choix
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- How long is Intermezzo?Alimenté par Alexa
Détails
- Durée
- 1h 33min(93 min)
- Couleur
- Rapport de forme
- 1.37 : 1
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