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Philo Vance is back with a new face and minus that thick accent he had in the last film (ha!). This time Vance is investigating strange suicides. The best part of the movie is the return of Etienne Girardot as coroner Dr. Doremus. This wonderful actor steals every scene he's in. He was previously in two Philo Vance films in a row, The Kennel Murder Case and The Dragon Murder Case. But then he was noticeably absent in The Casino Murder Case. His part was played by a dull actor with no flair for comedy. This marks his return to the role but sadly is also the last time he'll play it. By coincidence or not, the three Vance films Girardot are in also happen to be the best three of the series.

The rest of the cast is solid. Edmund Lowe is not as well-known as William Powell or even Warren William, but he's charming and good with comedy. If you get a chance to see it, check out the underrated gem Espionage (1937) that he stars in. He's wonderful in that. The supporting cast here is pretty impressive. Great character actors Nat Pendleton, Gene Lockhart, H.B. Warner, Jessie Ralph, Henry B. Walthall, and Grant Mitchell -- nice lineup. Also beauties Virginia Bruce, Frieda Inescort, and Benita Hume, who would go on to be Mrs. Ronald Colman and then Mrs. George Sanders! This also happens to be the film debut of Kent Smith, leading man of the Cat People movies. This is a good B detective flick with a short runtime and quick pace. It's not the best of the series but it's up there. It's a shame Lowe didn't play Vance anymore. The series badly needed a steady actor in the role.

EDMUND LOWE (who reminds me somewhat of Warren William), heads the nice cast of an interesting little mystery that moves at a brisk pace and runs just a little over an hour.

Douglas Walton plays the unlucky jockey who appears to be intent on his own demise (hypnotism, anyone?), and the suspects include a good number of the supporting cast--everyone from Virginia Bruce, Kent Smith, Frieda Inescourt, Gene Lockhart, Jessie Ralph, Benita Hume, Rosalind Ivan and H.B. Warner. As an added bonus, there's Nat Pendleton as a dimwit detective--and furthermore, get a load of that art deco set decoration for the fancy interiors of a wealthy home. Must have been a set that was used in many a subsequent film.

On the plus side, the mystery is not so complicated that anyone can follow the plot with reasonable assurance of not being too baffled. It's all suddenly clear to detective Philo Vance--and then he has a final confrontation with the murderer that gives the film a nifty five minutes of unmitigated suspense.

Nicely done and passes the time in an entertaining manner.

Edmund Lowe plays the role as Philo Vance a detective who tries to solve a series of murders in the Hammle Family who live in a 22 room apartment in NYC. The first member of the family is murdered, Edgar Lowe Hammle,(Gene Lockhart) and then Zalia Graem, (Virginia Bruce) appears on the scene and is accused of being a murderer when a woman falls to her death from a double decker bus. Zalia Graem and Philo Vance gave an outstanding performance together and there is a spark of romance between the two of them as Philo tries to help prove her innocence in the murder case. This is a low budget B film from 1936 but has a great story with even hypnoses being utilized. Enjoy.

This mystery involves the death of three people that may be suicides and again might be murder. The dead are - a jockey, a wealthy corrupt man who was hated by many, including his own family, and a woman who called the police and said she could tell them something about the death of the corrupt man.

These Philo Vance mysteries from 1930 to 1940 are all over the place as far as the persona of the titular character, the pace, and even the studio at which they were made. In this entry, Philo Vance is played by Edmund Lowe who gives a dapper and restrained performance, much along the lines of William Powell's interpretation of the character in the four Philo Vance films in which he starred. Lowe's portrayal brings out the detective's wit, charm, and sharp intellect, capturing the essence of Vance's original literary persona. Also, this Philo Vance loves dogs!

A negative aspect of the production is the pacing occasionally slows down in certain scenes. Additionally, a few characters receive less development than others, leaving their motivations feeling slightly underexplored. A positive aspect is that in this film Vance's resolution to the mystery does come from the various clues he uncovers, not pulled from almost thin air as was the situation in the Dragon Murder Case.

I really liked the performances in this one, especially Edmund Lowe as Vance although I couldn't figure out why he would begin to fall for the murdered Hammle's niece and heir, Zalia. At best she is someone who blows hot and cold on relationships - she impulsively breaks an engagement with somebody because he is a bit naive. And at worst she could be the murderer!

Of the ten actors who portrayed Philo Vance in the series, Edmund Lowe seemed the most personable, but in this script the audience is way ahead of the famed detective. After all, when the jockey, Douglas Walton, stares blankly in space, obviously hypnotized, and says something like "I must ride and be killed," I felt it was dumb that no one picked up on it after he does get killed. The police thought it was a suicide because he said he would do it! After hated horse owner Gene Lockhart gets shot and killed, Frieda Inescort does the same thing, saying she's going out to be killed, and then fatally jumps off a bus. I laughed when Lowe finally yells "I got it," as though it were a revelation. The guilty party, however, was cleverly concealed and there was considerable suspense generated when that party starts to hypnotize Lowe to get him to jump off a roof.

Edmund Lowe plays Philo Vance(making him now the fifth actor after William Powell, Basil Rathbone, Warren William, and Paul Lukas)to assay the role of the urbane detective. His characterization is okay but he doesn't really seem to have the wit of most of his previous precursors. The mystery here too is somewhat thin and when added with Lowe comes out a bit weak. This time around a jockey gets killed after saying he must go out and ride and be killed as does a woman getting on a bus. Vance makes friends with a young woman who hates her rich uncle(the sparring between Lockhart and Bruce might just be the best part of this film). Vance meets a strange nurse and H. B. Warner affecting a British accent trying to make sense out of the third murder - that of Lockhart. The film is loaded with some great character actors like H. B. Warner, Henry Walthall, and Gene Lockhart to help make things go smoothly yet the film meanders here and there, and some scenes just look incredibly cheesy as the bus scene does. The ending with Vance confronting the killer was convincing though. The female lead and future Vance bed-mate is played by Virginia Bruce and she does a nice turn with a somewhat complicated role. This Vance is an acceptable mystery but a definite notch below those that came before it.

While there were not that many filmed Philo Vance mysteries, THE GARDEN MURDER CASE is a standout in the series and, perhaps, a close second to the KENNEL MURDER CASE starring William Powell.

This is an elaborate murder mystery with dapper Edmond Lowe doing the honors as the master detective. The only debit; Lowe did not continue the series, which needed a debonair gent, and he definitely fit the bill. Beautiful Virginia Bruce plays the lady in distress, naturally suspected of murder and the object of Lowe's affection. They make a sleek couple.

This screenplay is extremely clever, dealing with hypnotism, and is similar to THE WOMAN IN GREEN, a Sherlock Holmes entry, starring Basil Rathbone (and yes, he too played Philo Vance!). Makes us armchair detectives wonder if the writers at Universal may have "borrowed" a few ideas from this screenplay to keep their famous detective in business? Bertram Millhauser wrote both stories, known for his work with Cecil B. DeMille.

Another interesting footnote, Nat Pendleton was cast as the long arm of the law, quite the same type of role he played in the original THIN MAN. Those casting directors were a smart bunch.

Whatever the case, this fine whodunit will keep your attention through and through, campy at times, and guessing the murderer is worth the wait.

Virginia Bruce would next co-star in THE GREAT ZIEGFELD.

Always on dvd and thanks to TCM for running this golden oldie.

Garden Murder Case, The (1936)

** (out of 4)

Philo Vance (Edmund Lowe) looks into some deaths where the murder seems to have been committed by hypnosis, which forced the people to kill themselves. This film starts off very good but really doesn't go anywhere and even the 61-minute running time seems very long. The story is an interesting one but the screenplay does very little with it due to some very boring characters, which just aren't that interesting. I've never been a fan of Lowe and that feeling continues here. He's decent in the role but he's just as tad too laid back to me. Virginia Bruce is the best part of the film as the woman Vance is interested in. Henry B. Whalthal plays a small, supporting role.

Depressed race jockey Floyd Garden falls off his horse. His dying words are, "I've got to fall... I've got to break my..." Gentleman detective Philo Vance (Edmund Lowe) investigates the apparent suicide. A shot rings out and Edgar Lowe Hammle is found dead. It's another assumed suicide.

It is a lot talking in an old fashion whodunit mystery. Edmund Lowe is a playing classy older gentleman. He has little flourishes, but it is mostly a gentlemanly front. He and Zalia Graem are a fine coupling, but not anything great. I don't think that I'm following every detail, but the general idea is fine. There are so many characters. This is fine.

Having won the screen rights to the latest Philo Vance book -- or lost it, depending on your viewpoint -- MGM put it together in the most desultory manner they could, producing a movie that ran 61 minutes -- not their shortest feature, but not one calling for an intermission. While casting Edmund Lowe is an obvious choice for Vance, he's loaded down with love interest, the underused Virginia Bruce, and the filled the cast with the usual MGM regulars: Nat Pendleton, Jessie Relph, H. B. Warner, Henry B. Walthall, and topped it all with Edward Marin to direct.

How can you expect anything terribly interesting from that description? You can't, and that's what you get. Oh, the mystery portion of it is good. There's even a point at which Lowe snaps his fingers, informing the audience that we have all the clues we need to figure it out. Did I solve it? I got half of it, which I think makes it a fair mystery. As a movie, it's a programmer, and the pacing, on reflection, seems a lot slower than it might have been. Whether that's good or not, I cannot say.

S.S. Van Dine must have been a shrewd businessman in dealing with Hollywood. Most of the film series' from the studio days were usually confined to one or two studios. But apparently Van Dine must have sold his rights to each book about Philo Vance one at a time. Note that Paramount, MGM, Warner Brothers, and more all released Philo Vance films. Only Tarzan seemed to get around Hollywood more.

MGM produced the Garden Murder Case and starred Edmund Lowe as the fashionable detective. Of course MGM had the screen's original Philo under contract at the time, but Bill Powell was busy doing The Thin Man at the time and I guess Louis B. Mayer decided to concentrate him there.

Edmund Lowe is a pretty acceptable Philo Vance. Lowe had started out pretty big at the tail end of the silent era with What Price Glory and then with a string of films with Victor McLaglen with their Flagg and Quirt characters. But after McLaglen got his Oscar for The Informer, Lowe seemed to fade into the B picture market.

The Garden Murder Case involves three separate victims, Douglas Walton, Gene Lockhart, and Frieda Inescourt. The sinister atmosphere around the perpetrator kind of gives it away, the mystery is really how all the killings are connected and how they are accomplished.

I will say this though. Vance takes a very big chance in exposing the villain and the last 15 minutes are worthy of Hitchcock.

When Philo Vance (Edmund Lowe) is standing precariously on the edge of a balcony high above the city, apparently hypnotized and just about to step to his death,it immediately reminded me of a nearly identical scene in another film made nine years later, "The Woman in Green" in which Sherlock Holmes (Basil Rathbone)is similarly about to hurl himself into space while being hypnotized.

Happily, both Philo Vance and Sherlock Holmes survive these attempts at murder by unscrupulous criminals. Exciting cinematic suspense in both these scenes. When will they learn you can't cloud the minds of great fictional detectives ?

This is a fun movie with Edmund Lowe playing Philo Vance. Also one of my favorite actors H. B. Warner as Major Fenwicke-Ralston; he was in 136 titles including "Topper Returns" (1941).

Screen Play by Bertram Millhouser. Because the first scene in the movie is a racetrack and the first location in the book is a rooftop garden the title is a little confusing to cinephiles that do not here the name of the first victim.

The opening scene is at a racetrack where all the characters get introduced. Floyd Garden (Douglas Walton) says "I have got to break my neck". Everyone puts it down as being moody however we as the observers already guessed the problem. Still, all in all, this movie makes for a pretty good murder mystery. As usual, it is always the last person you suspect (or it is supposed to be).

This is a keeper and worth rewatching.

A series of mysterious suicides surrounding millionaire Lowe Hammle (Gene Lockhart) and the death of Hammle himself has detective Philo Vance (Edmund Lowe) working overtime to learn the truth.

Edmund Lowe takes over as Philo Vance and does a fine job, coming across a bit more human and he even has a pet dog - he's quite dapper but shrewd, though he does a soft spot for one of the suspects, a niece of the murdered control freak. The plot is engaging and the mystery surrounding the "suicides" is quite enticing. The set-up is quite good, which leads a satisfying finale. The misdirection is well done.