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IMDbPro

Gambling with Souls

  • 1936
  • Unrated
  • 1h 10min
NOTE IMDb
4,6/10
228
MA NOTE
Gambling with Souls (1936)
Drama

Ajouter une intrigue dans votre langueYoung girls are cheated in rigged gambling games and then forced into prostitution to pay off their debts.Young girls are cheated in rigged gambling games and then forced into prostitution to pay off their debts.Young girls are cheated in rigged gambling games and then forced into prostitution to pay off their debts.

  • Réalisation
    • Elmer Clifton
  • Scénario
    • J.D. Kendis
  • Casting principal
    • Martha Chapin
    • Wheeler Oakman
    • Bryant Washburn
  • Voir les informations de production sur IMDbPro
  • NOTE IMDb
    4,6/10
    228
    MA NOTE
    • Réalisation
      • Elmer Clifton
    • Scénario
      • J.D. Kendis
    • Casting principal
      • Martha Chapin
      • Wheeler Oakman
      • Bryant Washburn
    • 12avis d'utilisateurs
    • 5avis des critiques
  • Voir les informations de production sur IMDbPro
  • Voir les informations de production sur IMDbPro
  • Photos3

    Voir l'affiche
    Voir l'affiche
    Voir l'affiche

    Rôles principaux11

    Modifier
    Martha Chapin
    • Mrs. Mae Miller
    Wheeler Oakman
    Wheeler Oakman
    • 'Lucky' Wilder
    Bryant Washburn
    Bryant Washburn
    • 'Million Dollar' Taylor
    Gay Sheridan
    • Carolyn
    Vera Steadman
    Vera Steadman
    • Molly Murdock
    Edward Keane
    • District Attorney
    • (as Ed. Keane)
    Robert Frazer
    Robert Frazer
    • Dr. John Miller
    Gaston Glass
    Gaston Glass
    • Drunk Man in Bar
    Florence Dudley
    • Jean
    Eddie Laughton
    • Nick
    Janet Eastman
    • Blonde with Drunk in Bar
    • (non crédité)
    • Réalisation
      • Elmer Clifton
    • Scénario
      • J.D. Kendis
    • Toute la distribution et toute l’équipe technique
    • Production, box office et plus encore chez IMDbPro

    Avis des utilisateurs12

    4,6228
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    Avis à la une

    5rsoonsa

    Dedicated To Avoidance of Vice.....And To Profits.

    The highly-publicized success in 1936 of Thomas Dewey in disassembling the vice-focused operations of "Lucky" Luciano spawned a raft of exploitative films such as this one (also titled VICE RACKET), an advertisement for which states "Soiled souls in the marts of a great city......sensational events as recently seen in the nation's headlines", a popular item for many years in those side street theatres that presented movies showcasing flesh and decadence while ostensibly offering an "educational" service to alert audiences of the wages of sin and lust. Although in love with her financially straitened surgeon husband, Mae Miller (Martha Chapin) becomes frustrated because with only a budding practice, he cannot provide for her those luxuries that her friends enjoy, and she is easily lured by an acquaintance to an illegal gambling establishment where she soon becomes addicted to the feckless thrill of wagering, that leads to more dire events after she falls into a state of substantial indebtedness to the club's crafty owner. This is Lucky Wilder (Wheeler Oakman) who places extreme pressure through a threat of blackmail upon Mrs. Miller since her debt to him has exceeded $10000, an enormous amount during the Great Depression, and Mae is compelled to become a call girl for Wilder in order to pay the vicemaster what she owes him, but events still worsen for the doctor's wife when her younger sister Carolyn (Gay Sheridan) is entrapped in the same manner. The scenario is related in flashbacks, with a District Attorney's office as setting of the present where Mae is being grilled as an accused murder suspect, characterized by the D.A. as "You who thrive on the slime of life", and yet the case has not been decided for Mae Miller in this quite sleazily-toned but competently constructed low-budget potboiler that is well-edited and ably directed by Elmer Clifton, who in his palmy days had been a favoured director for the Gish sisters, with perky Sheridan and well-practiced villain Oakman both convincing in their roles.
    wilvram

    Stunning star performance

    This somewhat ramshackle production starts out as it means to go on, with shots of police starting out on a raid, clearly borrowed from elsewhere. We're soon introduced to Mae Miller, wife of a distinguished surgeon, and arrested for the murder of the local vice king following her inducement into heavy gambling, and then being forced to work as a call girl to pay off her debts. She's played by the unknown Martha Chapin, who is absolutely mesmerising in a performance of real star quality. Bearing more than a passing resemblance to a renowned star of the infinitely more explicit Adult entertainment of over forty years later, the adorable Juliet Anderson, she is alternately vivacious and vulnerable, and very sexy throughout. Did participation in such an outlaw movie as this preclude working in more respectable productions? If so, then what a waste.

    The rest of the acting is variable; Wheeler Oakman as head of the gambling/vice racket would have been twirling his moustache, had it been longer; Vera Steadman is quite good as Mae's supposed friend Molly. In its crude fashion, this is entertaining, keeping you watching, and fans of this kind of dubious fare from yesteryear should enjoy it.
    5Leofwine_draca

    Dark morality story

    GAMBLING WITH SOULS is one of many "morality" shockers that were made in the 1930s. Ostensibly these were films designed to educate the viewing public about the dangers of drugs, vice, and sex, but in reality they were lurid little potboilers whose posters screamed sensationalism.

    GAMBLING WITH SOULS is the first of these I've watched (it won't be the last) and it's a surprisingly well-made little film for the most part. Clearly this was done on a low budget, but the production values are fairly strong; there are lots of scenes set in bustling casinos and with lots of extras in the background. The narrative is well-constructed, with a mystery court-case bookending the tale told in flashback; it concerns a young woman, addicted to gambling, who is forced into prostitution in order to pay off her debts.

    The cast is undistinguished but the material still holds a certain significance to this day - it's amazing how non-dated this feels, especially in comparison to the creaky likes of Lugosi's Dracula made the same decade - and it's fast-paced enough to retain the attention span of even the modern viewer.
    3planktonrules

    Rather dull for an exploitation film

    This is one of many so-called "educational films" of the 1930s that were really sad excuses for sleazy low-budget producers to make films that could slip nudity and banned material past the censor boards. Starting in late 1933 and early 1934, the Hays Production Code was dramatically strengthened to eliminate nudity, extreme violence and decidedly adult far from movies. Believe it or not, before this time, all kinds of taboos were relatively common in films coming from reputable Hollywood studios. However, after the Code was strengthened, perverts and the curious went looking for seedy material and found it in educational films that were really just excuses to show boobs and talk about sex and drugs. As educational material, some states DID allow these films to be seen, though I seriously doubt that parents went to them to learn how to better raise their children!

    The main theme of GAMBLING WITH SOULS is forced prostitution. It seems that a local gambling den is actually a front where nice young ladies are hooked on gambling and then forced to become hookers to pay off their debt. The story begins with a police raid and seeing a blonde shooting one of the leaders of this hole. The rest of the film is her account to the police of what led her to this murder and how she lost everything due to gambling.

    The film is very obvious and trite--with only passable acting and a script that, at times, is very silly. Certainly NOT a great film but oddly watchable if you are a bit of a voyeur and like bad films. Otherwise, beware.
    7sol-kay

    Vice a' Versa

    (Spoilers) Educational movie about the evil's of gambling and how they can destroy even the best brightest and good among us.The movie starts off with a police raid of an illegal city gambling den that ends with the shooting death of the mobster who runs it Frank "Lucky" Wilder, Wheeler Oakman, a obvious fictional "Lucky" Luciano mob kingpin. Mae Miller, Martha Chapin, is caught by the police red-handed with the smoking gun still in her hand.What caused Mae an upstanding citizen who never was in trouble with the law in her life to end up charged with first degree murder?

    Later in the D.A's office, the D.A looking a lot like the legendary 1930's New State crime fighter Thomas E. Dewey, Mae tells her story with her heart-broken and shocked husband Dr. Miller, Robert Frazer, present. Some time back at a local garden party Mae won $105.00 gambling on a boxing match and was approached by Molly Murdock, Gay Sheridan, who encouraged her to go with Molly to this gambling den in the city to have fun together with her. Unknown to Mae Molly works for that notorious gangster Frank "Lucky" Wilder as a madam who's out looking for new recruits for his prostitution racket. Rigging the roulette wheel so that Mae could win it turns out that at one point she won over $5,000.00 and spent it on fancy clothes and a new car as soon as she got it.

    Mae's little sister Carolyn, Janet Eastman, is so impressed with Mae's lifestyle that she becomes interested in going to "Frank's Place" and make a bundle too and then live it up like Mae is doing. Then things start to turn around where Mae starts to lose and runs up a debt to "Lucky" for over $10,000.00, money that he so "gracefully" loaned her. Not being able to pay "Lucky" Wilder off Mae is forced to do unthinkable things like going out with strange men and putting out sexually for them in order to get the "blood money" that she owes Wilder.

    A total wreck and mentally and psychically destroyed Mae tries to get away from Wilder but he threatens to tell her husband about her secret life if she pulls out of his control, but the worse is yet to happen to poor Mae. little Carolyn also gets involved with the Wilder mob as a dancer and Mae in shock and outrage tries to go to the Wilder nightclub where Carolyn is working to take her back home but Wilder has her thrown out.

    Later Carolyn turns to even worse vices as she like Mae gets hooked on to the lifestyle that getting easy money, like by gambling, leads to. Found on the street one night and seriously injured from a back alley abortion, Carolyn obviously was knocked up by one of her Johns,Carolyn dies in the hospital with both her brother-in-law Dr. Miller, who worked there, and her sister Mae by her side.

    Enraged and almost suicidal Mae goes to Wilder's gambling den and just as the police raid the joint, did she tip them off?, shoots him dead after telling him what a lowlife heel he is for what he did not only to her and Carolyn but to the scores of other people that he exploited. Mae shooting Wilder didn't at all look unprovoked. It seemed like Wilder was about to pull a gun out of his suit just before Mae shot him.

    Back at the D.A's office Dr. Miller pleads with him to spear Mae for what she did saying that she bared her soul and that she only exterminated a vile and evil creature, Frank "Lucky" Wilder, who was only a menace to society and deserved what he got and that Mae had already suffered enough. The D.A in his ultimate wisdom tells Dr. Miller that it's up to a court and jury to decide what she did was either right or wrong.

    Better then the far more famous "Reefer Madness" and far more accurate in it's subject matter "Gambling with Souls" is as prevalent today on the evil's of compulsive uncontrollable and illegal gambling as it was back then in 1936.

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    Histoire

    Modifier

    Le saviez-vous

    Modifier
    • Anecdotes
      The dive restaurant where Carolyn goes slumming is the same one that appears in the opening scenes of La reine du narcotique (1936) (it also appears as a saloon in the Bob Steele western The Feud Maker (1938)). The house that Mae and her husband share also appears in Slaves in Bondage (1937) and the vanity set in Mae's bedroom also shows up in Stupéfiants (1938), where it's also owned by a character named Mae.
    • Gaffes
      During the police raid at the beginning of the film, a fat man hides under the bed, and is brought out by a cop. During this entire scene, the shadow of the microphone is plainly visible on the left wall of the set.
    • Citations

      Attorney: There's nothing I can do.

      Dr. Miller: [holding his wife's hands in his] Yes, there is! You can give me back my wife!

      Attorney: I'm sorry, but that has to be decided by a judge and a jury.

    • Connexions
      Edited into Teen Age (1943)

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    Détails

    Modifier
    • Date de sortie
      • septembre 1936 (États-Unis)
    • Pays d’origine
      • États-Unis
    • Langue
      • Anglais
    • Aussi connu sous le nom de
      • The Vice Racket
    • Société de production
      • Jay-Dee-Kay Productions
    • Voir plus de crédits d'entreprise sur IMDbPro

    Spécifications techniques

    Modifier
    • Durée
      1 heure 10 minutes
    • Couleur
      • Black and White
    • Mixage
      • Mono
    • Rapport de forme
      • 1.37 : 1

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    Gambling with Souls (1936)
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    By what name was Gambling with Souls (1936) officially released in Canada in English?
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