NOTE IMDb
7,7/10
11 k
MA NOTE
Un fabricant automobile à la retraite et sa femme prennent des vacances prévues de longue date en Europe pour se rendre compte que finalement ils veulent des choses très différentes dans la ... Tout lireUn fabricant automobile à la retraite et sa femme prennent des vacances prévues de longue date en Europe pour se rendre compte que finalement ils veulent des choses très différentes dans la vie.Un fabricant automobile à la retraite et sa femme prennent des vacances prévues de longue date en Europe pour se rendre compte que finalement ils veulent des choses très différentes dans la vie.
- Réalisation
- Scénario
- Casting principal
- Récompensé par 1 Oscar
- 6 victoires et 9 nominations au total
Maria Ouspenskaya
- Baroness Von Obersdorf
- (as Mme. Maria Ouspenskaya)
John Payne
- Harry
- (as John Howard Payne)
Bobby Barber
- Italian Taxi Driver
- (non crédité)
John Barclay
- Ship Passenger
- (non crédité)
Wilson Benge
- Steward on Queen Mary
- (non crédité)
Ted Billings
- Man on Railroad Platform
- (non crédité)
Eugene Borden
- Baggage Carrier at Train Station
- (non crédité)
Horace B. Carpenter
- Motor Company Employee
- (non crédité)
Avis à la une
It is astonishing to think that this Sinclar Lewis film adaptation was made in 1936! Walter Huston is sensational as the retiring tycoon. He is married to Fran, played deliciously by Ruth Chatterton (a character who seems an early version of Meryl Streep's in "Death Becomes Her") Her fear of aging is beautifully drawn and embarrassing to witness. The rich American hicks in Europe are described with humor and compassion but above all with an uncanny understanding of the subject. I loved the structure of the phone calls from Vienna to Naples at a crucial moment in the protagonists future lives. Mary Astor is another standout in a performance of such modernity that one has to remind oneself that this was in fact shot in 1936. The director, William Wyler, was yet to give us some other milestones from "Jezabel" and "The Littlle Foxes" to "Roman Holiday", "Funny Girl" and "Ben Hur" For film lovers this is a must!
10coop-16
Some years ago, I read a short piece in TV Guide by the critic and screenwriter Jay Cocks, in which he listed ten 'great, underrated films'. One which I had never heard of before was Dodsworth.I trust Jays taste in films, so i decided to take a lot at it. I promptly saw it on Video and was enthralled.Once more, William Wyler reveals why he has to be ranked among the great Hollywood directors. Dodsworth is that rarity, a film for adult people. In addition, it boasts a literate script, fine acting by an superb cast, and an very fine design. One of the favorite themes of the fiction of Henry James,. the conflict between American innocence and European sophistication, is here explored with a concision and an empathy James only occasionally managed. In addition, the film is a profoundly moving love story. One can only wonder why this exquisite movie was not even nominated for the AFI list of great American films.
Sinclair Lewis story about how time affects a long-term marriage comes to the screen with still-relevant talk weighing the issues behind a union which doesn't have the same spark as before. Retired, wealthy American businessman and his wife finally take that trip to Europe they've been dreaming about--but, on the ship going over to England, the wife finds that men still find her desirable in a way that her older husband perhaps takes for granted. Worse, their daughter has just made them grandparents for the first time, something the Mrs. Doesn't want to share with anyone for fear of being out of her league with the flirtatious men in her path. William Wyler directs with a knowing eye and ear, and leads Walter Huston (Oscar-nominated) and Ruth Chatterton click immediately with these (not always likable) characters. Huston racks his spirit trying to come up with ways of entertaining--and keeping a hold on--his selfish spouse, unable to reconcile the fact that maybe she's just a fixture in his life, no longer a great love. Excellent support from Mary Astor, an extremely young David Niven (as a shipboard gigolo), and Maria Ouspenskaya (also Oscar-nominated) adds to the immense pleasure of watching this classic drama. ***1/2 from ****
This is truly a remarkable movie.
It is staged beautifully. Acted superbly. And the directing, shooting and cutting is nearly flawless.
Certain scenes stay with me most vividly...
It is a movie that could not, would not be made today. There is no violence, no overt sex. It is, as other posters have noted, an adult movie, made for the sensibilities of adults.
And Mary Astor is just radiant and beautiful throughout...
MMG
It is staged beautifully. Acted superbly. And the directing, shooting and cutting is nearly flawless.
Certain scenes stay with me most vividly...
- Mary Astor warning Ruth Chatterton off of Paul Lucas with nothing more than a brief line and a quick look.
- Huston and Chatterton undressing while their marriage starts to crumble.
- Huston getting the wire from Europe, just after being so much of a blowhard with his family.
- Walter Huston connecting with Mary Astor in Italy.
It is a movie that could not, would not be made today. There is no violence, no overt sex. It is, as other posters have noted, an adult movie, made for the sensibilities of adults.
And Mary Astor is just radiant and beautiful throughout...
MMG
The experience of watching movies has got to be one of the great original adventures of the 20th century. What luck when we come across a movie that we may have only slightly heard of, if at all, and then happen to bump into one evening - which changes your perspective on life or adds just that little bit more of enjoyment into a life spent thinking one has seen everything!
Such was my experience tonight with DODSWORTH. What an innocuous, if not, nondescript title for a movie which held so many delights within the walls of its celluloid chamber!
How could I have known that this silly title would open up new vistas for me? I am not saying this movie changed my life. But how unexpected to have found ONE MORE GEM amongst the thousands of movies that I have already known and loved! Walter Huston was a major surprise for me. I had seen him before. But never like this.
The same with Ruth Chatterton. The scenes with Mary Astor near the end are almost priceless. Talking about those scenes...one can only wonder how such simple dialog could elicit so many feelings from us? I say that Sinclair Lewis had something to do with its success.
But let's not leave out the master - William Wyler!
Such was my experience tonight with DODSWORTH. What an innocuous, if not, nondescript title for a movie which held so many delights within the walls of its celluloid chamber!
How could I have known that this silly title would open up new vistas for me? I am not saying this movie changed my life. But how unexpected to have found ONE MORE GEM amongst the thousands of movies that I have already known and loved! Walter Huston was a major surprise for me. I had seen him before. But never like this.
The same with Ruth Chatterton. The scenes with Mary Astor near the end are almost priceless. Talking about those scenes...one can only wonder how such simple dialog could elicit so many feelings from us? I say that Sinclair Lewis had something to do with its success.
But let's not leave out the master - William Wyler!
Le saviez-vous
- AnecdotesWilliam Wyler spent a whole afternoon shooting the sequence where Fran (Ruth Chatterton) burns a letter from her husband; he wanted the letter to specifically blow gently along the terrace, stop for a moment, and then continue to flutter as the scene faded to black as a metaphor for Fran and Sam's failing marriage.
- GaffesDuring the "last night out" on the Eastward crossing from New York to England, the moon illuminates the ocean swells as the ship moves right to left. That would indicate a Westward voyage. In an Eastward crossing, 1st Class accommodations for someone of Dodsworth's standing would have been "Starboard Eastbound", since the Sun would shine on the right (starboard) side of the ship. Also, the ship in question is the Cunard "Queen Mary". The Dodsworth stateroom seems to have a private veranda, but no such thing exists on that ship.
- Citations
Sam Dodsworth: You'll have to stop getting younger someday.
- Versions alternativesThe 1946 re-release, shown on the Turner Classic Movies channel, lists the end credits with a different order: Kathryn Marlowe is listed after Harlan Briggs, and John Payne is listed last, after Marlowe.
- ConnexionsFeatured in AFI Life Achievement Award: A Tribute to William Wyler (1976)
- Bandes originalesAuld Lang Syne
(1788) (uncredited)
Traditional Scottish 17th century music
Arranged by Alfred Newman
Played during the opening scene
Meilleurs choix
Connectez-vous pour évaluer et suivre la liste de favoris afin de recevoir des recommandations personnalisées
- How long is Dodsworth?Alimenté par Alexa
Détails
- Durée
- 1h 41min(101 min)
- Couleur
- Rapport de forme
- 1.37 : 1
Contribuer à cette page
Suggérer une modification ou ajouter du contenu manquant