The Blow Out

Osama bin Laden, you may consider yourself the cleverest terrorist on earth, but you've got nothing on the bomber portrayed in the early Porky Pig cartoon "The Blow Out". The thug here goes around town planting bombs, and no one can catch him. But when Porky - doing good deeds so as to get enough money to buy a milkshake - gives back the bomb, the bomber isn't a bit happy.

Still listening, Osama? You've got nothing to worry about in the real world. While George W. Bush doesn't know jack about how to catch you, Porky catches the bomber without even trying.

OK, I'll stop pretending that I'm talking to Osama bin Laden. But the point is that while this is a very early Porky cartoon (at this time, he looked like a walking heart attack and Mel Blanc wasn't yet providing his voice), it's still fairly entertaining. I presume that at this this point, the Termite Terrace crowd was still trying to figure out exactly what path their work would take, so we needn't expect the sorts out completely wacky gags that characterized the Looney Tunes/Merrie Melodies cartoons in the '40s and '50s. Worth seeing. As it's not available on video or DVD - that I know of, at least - you can find it on YouTube.

"The Blow Out" is one of the darkest shorts I've seen from Looney Tunes from the 1930s...if not the darkest. It's about a mad bomber and not only is he up to all sorts of unsavory stuff, but his voice and look are incredibly creepy! It's probably NOT a great film for little kids because of this....or at least you might want to watch it with them.

After you see and hear the bomber, the story cuts to Porky Pig....and back in 1936 he looked very different from his later and more familiar incarnation. He is much more rotund, not especially cute and the voice is much different. It is important to note that this is the first Looney Tunes cartoon STARRING Porky, though he'd already been in a few others before this as a supporting character. How do the bomber and Porky relate to each other in this one? See the film and find out for yourself.

I actually LIKED the darker and nasty aspects of this cartoon. Too often in the 1930s, Looney Tunes depended on cute characters and saccharine singing...none of which is evident here, thank goodness! Also, for Looney Tunes the artwork is pretty good, though not even close to the quality of the industry leader at the time, Disney. The overall quality of the Looney Tunes/Warner Brothers cartoons would increase tremendously in the 1940s. Still, despite not looking amazing, it is, for the time, among the best the studio had to offer.

This is an early Tex Avery, with Avery still feeling his way. The cartoon is actually more cute than menacing and Avery seems to have more fun with the villain than with our hero, the rather hefty Porky (this was a formative cartoon, when they were still fiddling around with character design and Porky carried a good deal more weight then), with Porky's role limited to one running gag and the payoff at the end. This is a cute cartoon and there are quite a few sight gags, but pacing is slower and the gags are more repetitive in nature and form than later Avery shorts. Avery taking baby steps. But I like this one a lot, personally. The original black and white is far superior to the later colorized version (usually true, but in this case, the use of shadows originally makes colorizing this one an especially bad idea), so try and catch the black and white. Well worth watching. Recommended.

Love animation, it was a big part of my life as a child, particularly Disney, Looney Tunes and Tom and Jerry, and still love it whether it's film, television or cartoons.

Also have much admiration for Tex Avery, an animation genius whose best cartoons are animated masterpieces and some of the best he ever did. 'The Blow Out' is fairly early career Avery, but it's a good, very good even, early Avery cartoon. For Avery, 'The Blow Out' is fairly tame with his uniquely wacky style being more obvious from the 40s onward, a sense that he was still finding his style. Porky is fun and appealing, but there is a vast personal preference for Mel Blanc voicing Porky than Joe Dougherty, who didn't sound as natural as the character.

However, the animation in 'The Blow Out' is characteristically great with the inventive and atmospheric use of shadow being particularly striking. The music score is energetic and lush.

Only Avery could make something entertaining out of a very serious subject like terrorism. The material here is not as imaginative or as hilarious as the material when he properly found his style, but it's still well timed and funny while never including anything that will offend.

The pace throughout is lively and the characters are a lot of fun. Dougherty as Porky aside, the voice acting is good especially Lucille La Verne (best known as the evil queen in 'Snow White and the Seven Dwarfs').

All in all, good well-made fun but Avery is not at his best. 8/10 Bethany Cox

Don't expect to see this one on TV. It is a perfect example that animators, especially at Warner Brothers, in the 1930's weren't afraid to use any topical subject for humor. No wonder Chris Rock cites Bugs Bunny as a major influence. It features Porky Pig before they slimmed him down. It was directed by Tex (as Fred in this case) Avery, his second directorial effort for WB. The Ha Ha subject? A terrorist bomber. It opens with a character looking like radio's The Shadow placing a bomb in front of a building and blowing it up. Next, newspaper front pages report on the further carnage and reward offered for the capture of the mad man. Porky enters the picture by trying to buy an ice cream soda. He comes up five cents short. He hits on the idea of picking up things people drop and returning them in hopes of a small reward. He sees the bomber deposit a bomb. The cartoon then kicks into high gear with Porky dogging the tale of the bomber trying to return the bomb. Now the hunter is the hunted, trying to escape his own murderous device. Porky finally chases him right into the welcoming arms of the police, earning the reward. He immediately goes back to the soda fountain and spends every penny on a mountain of ice cream sodas. If you think Tex Avery was the only animator who would make fun of terrorism, see Ali Baba Bound (Bob Clampett), oh yes, that one isn't shown any more either. Suppressing the past, doesn't it make you feel safe?