Ajouter une intrigue dans votre langueAt the Texas Centennial in Dallas Autry confuses two girls by being himself and his own stunt double.At the Texas Centennial in Dallas Autry confuses two girls by being himself and his own stunt double.At the Texas Centennial in Dallas Autry confuses two girls by being himself and his own stunt double.
- Réalisation
- Scénario
- Casting principal
The Jones Boys
- Singers
- (as Jones Boys)
The Beverly Hillbillies
- Musicians
- (as Beverly Hill Billies)
The Light Crust Doughboys
- Musicians
- (as Light Crust Dough Boys)
Jack O'Shea
- Henchman Joe
- (as Jack O'Shay)
Avis à la une
The likable Gene Autry plays a dual role and has some good opportunities to use his variety of talents in this enjoyable B-Western. The story is light but entertaining, and it has some good musical numbers plus some comic relief from Smiley Burnette. The Texas Centennial setting also gives it some additional historical interest.
Autry plays both a bad-tempered movie star cowboy and his talented, good-natured stunt double, so the setup offers some good lighter moments in its look at the movie industry. The story starts with the stunt double filling in for the star at a public appearance, with numerous complications arising from there. Autry gets many opportunities to sing, and there are also some good action sequences.
Most of it works pretty well, because it generally allows Autry to use his strengths. Burnette also gets some good moments, and while the story is mostly used to showcase Autry and the other musical entertainment, it works too as a way of pulling things together.
Autry plays both a bad-tempered movie star cowboy and his talented, good-natured stunt double, so the setup offers some good lighter moments in its look at the movie industry. The story starts with the stunt double filling in for the star at a public appearance, with numerous complications arising from there. Autry gets many opportunities to sing, and there are also some good action sequences.
Most of it works pretty well, because it generally allows Autry to use his strengths. Burnette also gets some good moments, and while the story is mostly used to showcase Autry and the other musical entertainment, it works too as a way of pulling things together.
Gene autry plays... gene autry. And tom ford. He's out on the range, making a movie. But when an actor disappears, shenanigans follow. And now they are tangled up with a gangster. This was partially filmed at the texas centennial fairgrounds in 1936! Songs by the pioneers, the jones boys, the light crust dough boys, and the beverly hill billies. Check out the songs in the "soundtracks" link. Lots of ladies in this western, which wasn't always the case! It's okay. Not great, but a bit dry now. This was probably quite entertaining for its time. Gene autry was a master of all trades. Acting, singing, writing songs, serving in the military; he later owned the california angels! Directed by mack wright, for republic pictures. Story by stu and dorrell mcgowan. Imdb tells us that some of the musical acts only appear in the longer version of the film. Smiley burnett died pretty young at 55.
This was almost a guilty pleasure to like. Gene Autry plays.. Gene Autry, a stunt double for the famous cowboy Tom Ford in his movies. When Ford skips town to go fishing, his agent is in a pickle as Ford is scheduled to work the Texas National Exposition1 The agent gets a brilliant idea to send Autry instead, since they are EXACTLY alike. Well almost.. You see when Autry arrives in Dallas for the fair, he is caught singing and is put on the fair's radio for all to hear! This radio station is broadcast everywhere! Everyone hears it! The Hollywood studio where Ford works is amazed and wants to book singing cowboy pictures! Problem is.. Other people hear it too.. Like underworld types Ford owes money to and, well, Ford himself! Again, I have no idea why I found this as enjoyable as it was. Probably the main thing was the originality's of the darn thing. I mean, we find out how cowboy films are made! I wonder if Gene Autry, who is playing a stunt man, had a stunt man for his stunt scenes? (He risked life and death though, playing certain "danger" scenes in front of a laughably fake screen). I also loved the fact that they shot ½ the movie at the actual fair itself. I guess they had a wild west show there. LOVE the song he sings at the show when he sings about shooting his injured horse, Champion. I mean, THAT'S ENTERTAINMENT!
For one of eight films that Republic Pictures new singing cowboy star Gene Autry appeared in 1936, the studio did the unheard of thing and filmed part of the story at the Texas State Centennial at their state fairgrounds in Dallas. In fact the centennial was an integral part of the story.
In a film with plot elements similar to MGM's Callaway Went Thataway, Gene Autry plays two roles that of himself who is fearless stunt double who happens to sing to Tom Ford, arrogant movie cowboy who doesn't and also played by Autry.
In fact Ford has himself in some trouble with gamblers and has to lam out to parts unknown after his last pictures wraps. Which leaves the studio holding the bag because they promised an appearance by their star at the Texas Centennial. Studio head Charles Judel is nursing his growing ulcer as a result.
Then studio yes man William Newell gets the idea to get Autry to impersonate Ford and when he sings on the radio and in personal appearances, Mammoth Pictures figures it has a star with greater venues.
If you've seen Callaway Went Thataway you know what happens. The Big Show turned out to be one of Gene's better early westerns.
A lot of acts get in the act in this film and Gene has two special numbers, Nobody's Darlin' But Mine and Ole Faithful. The latter was a cowboyballad written in England and introduced in America by Bing Crosby on his radio show.
Gene gets to romance Kay Hughes and Smiley Burnette and Sally Payne are around for comic relief. One of Gene's better early Republic westerns.
In a film with plot elements similar to MGM's Callaway Went Thataway, Gene Autry plays two roles that of himself who is fearless stunt double who happens to sing to Tom Ford, arrogant movie cowboy who doesn't and also played by Autry.
In fact Ford has himself in some trouble with gamblers and has to lam out to parts unknown after his last pictures wraps. Which leaves the studio holding the bag because they promised an appearance by their star at the Texas Centennial. Studio head Charles Judel is nursing his growing ulcer as a result.
Then studio yes man William Newell gets the idea to get Autry to impersonate Ford and when he sings on the radio and in personal appearances, Mammoth Pictures figures it has a star with greater venues.
If you've seen Callaway Went Thataway you know what happens. The Big Show turned out to be one of Gene's better early westerns.
A lot of acts get in the act in this film and Gene has two special numbers, Nobody's Darlin' But Mine and Ole Faithful. The latter was a cowboyballad written in England and introduced in America by Bing Crosby on his radio show.
Gene gets to romance Kay Hughes and Smiley Burnette and Sally Payne are around for comic relief. One of Gene's better early Republic westerns.
A lot of fun as long as you're not expecting a traditional formula Western. There're more imaginative set-ups in this Republic oater than in most A-pictures. Catch the Light Crust Boys as they roll down the road, or the talking horse a couple decades before Mr. Ed, or a mustachioed Gene acting mean and nasty. No, there's no real plot, but the pace is brisk from one lively set-up to the next. And whose great idea was it to film at the new Texas state fair, a backdrop like no other. Those live panoramas are a taste of big screen pageantry before the big screen. All in all, it's a great little peek at popular history and Art Deco. Then too, catch the clever little spoof of movie-making and tyrannical studio heads. I love the movie love scene that immediately becomes a hate scene once the cameras stop rolling. I guess my one complaint is with the movie as a driver's manual-- Driving down the wrong side of a two-lane highway is not, I repeat Not, a good way to deliver lunch. Anyway, the diverse story elements are neatly combined into a highly entertaining 71 minutes, programmer or no programmer. Thanks Western Channel and Autry Enterprises for the full restoration.
Le saviez-vous
- AnecdotesAlmost all the scenes were filmed on location at the (then) brand-new Fair Park in Dallas, TX, which served as the location of the 1936 Texas Centennial and has served as the location of the Texas State Fair since. Many of the buildings in the film still exist in what has been called the largest collection of art deco buildings in the world. Also seen is the Gulf Radio Studios building (this is not the WRR Studios; WRR is the only city-owned radio station in the country and still broadcasts from new studios adjacent to Science Place II). The lagoon was pretty barren back then, and Dallas trolley cars which served downtown at the time had just been expanded to Fair Park to service the Centennial. The Cotton Bowl, which was constructed in 1930 and renamed The Cotton Bowl for the Centennial, is seen briefly in the background as Gene Autry rides out of the Cavalcade set in the chase scene.
- GaffesThe Light Crust Doughboys and The Jones Boys appear in the credits, but do not appear in the shortened (54 minutes) version, but along with some additional action they appear in the original (71 minutes) movie.
- Citations
Lee Wilson: Oh why was I ever born?
Gene Autry: Now this is no time for riddles.
- ConnexionsFeatured in Gene Autry: White Hat, Silver Screen (2007)
- Bandes originalesThe Martins and the Coys
(1936) (uncredited)
Music and Lyrics by Ted Weems and Al Cameron
Performed by Gene Autry, Smiley Burnette and The Beverly Hillbillies
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Détails
- Date de sortie
- Pays d’origine
- Langue
- Aussi connu sous le nom de
- Astro por Aclamação
- Lieux de tournage
- Fair Park, Dallas, Texas, États-Unis(1936 Texas Centennial Exposition)
- Société de production
- Voir plus de crédits d'entreprise sur IMDbPro
- Durée1 heure 11 minutes
- Couleur
- Rapport de forme
- 1.37 : 1
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By what name was The Big Show (1936) officially released in India in English?
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