NOTE IMDb
6,0/10
431
MA NOTE
Ajouter une intrigue dans votre langueA successful crooner who doesn't want to join the Navy decides to prove to his father, a Navy admiral, that he has what it takes to make it in the fleet.A successful crooner who doesn't want to join the Navy decides to prove to his father, a Navy admiral, that he has what it takes to make it in the fleet.A successful crooner who doesn't want to join the Navy decides to prove to his father, a Navy admiral, that he has what it takes to make it in the fleet.
- Réalisation
- Scénario
- Casting principal
- Récompenses
- 1 victoire au total
Ernie Alexander
- Radio Fan
- (non crédité)
Joan Barclay
- Song Spectator
- (non crédité)
Eleanor Bayley
- Song Spectator
- (non crédité)
Frederick Burton
- Adm. Fred Graves
- (non crédité)
Mabel Colcord
- Cowboy's Mother
- (non crédité)
Ronnie Cosby
- Boy in Dance Class
- (non crédité)
Virginia Dabney
- Song Spectator
- (non crédité)
Gloria Faythe
- Song Spectator
- (non crédité)
James Flavin
- Instructing Officer
- (non crédité)
Avis à la une
An enjoyable if slightly sappy movie with a fairly standard plot line.
Notably, the song from this film "Shipmates Stand Together" is still performed as part of a medley by the US Naval Academy Men's Glee Club.
Speaking about the music from the film, the US Military Academy's Alma Mater (that's Navy's gridiron rival West Point!) is used as background music at least three times, including in the closing scene.
Interesting goof, possibly intentional?
The scenes dealing with the upperclassmen "rating" the Plebes are fun; they are different in detail but not in quality from what goes on at the Academy even today.
Of the movies available on VHS or DVD about the Naval Academy, I would rank this about in the middle:
1. Navy Blue and Gold (1937) 2. Midshipman Jack (1933) 3. Shipmates Forever 4. An Annapolis Story (1955) - pretty bad. 5. Annapolis (2006) - truly dreadful.
Notably, the song from this film "Shipmates Stand Together" is still performed as part of a medley by the US Naval Academy Men's Glee Club.
Speaking about the music from the film, the US Military Academy's Alma Mater (that's Navy's gridiron rival West Point!) is used as background music at least three times, including in the closing scene.
Interesting goof, possibly intentional?
The scenes dealing with the upperclassmen "rating" the Plebes are fun; they are different in detail but not in quality from what goes on at the Academy even today.
Of the movies available on VHS or DVD about the Naval Academy, I would rank this about in the middle:
1. Navy Blue and Gold (1937) 2. Midshipman Jack (1933) 3. Shipmates Forever 4. An Annapolis Story (1955) - pretty bad. 5. Annapolis (2006) - truly dreadful.
Surprisingly good pre-war film about a former radio crooner (that's a singer to you Millennials). Dick Powell finds himself trying to deal with military life at the
Naval Academy at Annapolis.
This was an enjoyable Hollywood look at their take on life of a cadet moving through Annapolis. He has a poor attitude, but does well with his studies. But, has few friends and little support amongst his fellow cadets. He's seen as having a silver spoon.
It was refreshing to finally see a film get when NOT to salute correct in a film. It's one of the things that Hollywood just can't seem to get right. They like to have actors throwing salutes around willy nilly. When actually there are rules.
They don't give an accurate account of how tough four years at the United States Military academies can be. But there are some good characters and it's well acted. And you find yourself caring for the characters.
The Warner Brothers gang is back again, and this time they're out to sea. Richard Melville III (Dick Powell) comes from a long time of Navy men. His father (Lewis Stone) is commander of the fleet and expects that his son will follow in his footsteps. Dick doesn't want to; in fact, he has become quite successful as a crooner on the radio. And besides, his girl (Ruby Keeler) doesn't want her husband to turn out dead like her Navy brother and father. Now before you start having flashes of The Jazz Singer, read on. Dick decides to give his father's way a try, but he is stubborn enough to isolate himself during his training. It is too bad too, because his father knows how he could benefit from the company of guys like Sparks (Ross Alexander), Cowboy (Eddie Acuff), and Coxswain (John Arledge).
A really great film, Shipmates Forever is undeniably similar to Flirtation Walk not only for the cast or the story but the director Frank Borzage too. However, the similarities are no hindrance and this second chance has actually improved upon the original. It features a great many more comic moments which liven it tremendously. Alexander is always good for a laugh, and it is too bad he took his own life only a few years later. Perhaps the funniest and most shocking moment is during a "I'd Rather Listen To Your Eyes." Powell's crooning draws all of the women, and a series of Busby Berkeley-esquire close-ups on their eyes illustrates the melody. That is, until a pair of men's eyes pop up! Other songs include the Warren and Dubin standards "Don't Give Up The Ship" and "I'd Love To Take Orders From You." It is a wonder why this one has never been released.
A really great film, Shipmates Forever is undeniably similar to Flirtation Walk not only for the cast or the story but the director Frank Borzage too. However, the similarities are no hindrance and this second chance has actually improved upon the original. It features a great many more comic moments which liven it tremendously. Alexander is always good for a laugh, and it is too bad he took his own life only a few years later. Perhaps the funniest and most shocking moment is during a "I'd Rather Listen To Your Eyes." Powell's crooning draws all of the women, and a series of Busby Berkeley-esquire close-ups on their eyes illustrates the melody. That is, until a pair of men's eyes pop up! Other songs include the Warren and Dubin standards "Don't Give Up The Ship" and "I'd Love To Take Orders From You." It is a wonder why this one has never been released.
There's a lot to like in SHIPMATES FOREVER, but it's really a treat for DICK POWELL's fans with him singing a batch of songs (only a couple are really catchy), with generous close-ups of pert and pretty RUBY KEELER as the gal who can't make up her mind about the sailor she loves.
Keeler is only given a couple of tapping moments, which is fine with me. I have to agree with the book "Warner Bros. Presents" which describes her as "conspicuously untalented" but managing to be "endearing" nevertheless.
It's the formula story about a young man whose father is a Navy veteran (LEWIS STONE) and thinks his son should follow in his footsteps. The son happens to be a popular radio crooner who only half-heartedly joins the service just to prove that he can pass the officer's exam. The predictable plot follows a standard course with the boy winning the love of the girl by the time we reach the final reel.
Powell gets to demonstrate that he had a flair for carrying a tune although his voice is nothing remarkable. He's pleasant to watch and handles the acting chores with professional ease.
I can't say the same for ROSS Alexander who mugs through his role as comedy relief, but JOHN ARLEDGE does a fine job as an ill-fated sailor friend who attempts to put out a boiler room fire.
Touches of drama are better than the humorous interludes, so it's an uneven film, to say the least, directed by Frank Borzage who usually does much more sentimental romances than patriotic musicals like this one.
Keeler is only given a couple of tapping moments, which is fine with me. I have to agree with the book "Warner Bros. Presents" which describes her as "conspicuously untalented" but managing to be "endearing" nevertheless.
It's the formula story about a young man whose father is a Navy veteran (LEWIS STONE) and thinks his son should follow in his footsteps. The son happens to be a popular radio crooner who only half-heartedly joins the service just to prove that he can pass the officer's exam. The predictable plot follows a standard course with the boy winning the love of the girl by the time we reach the final reel.
Powell gets to demonstrate that he had a flair for carrying a tune although his voice is nothing remarkable. He's pleasant to watch and handles the acting chores with professional ease.
I can't say the same for ROSS Alexander who mugs through his role as comedy relief, but JOHN ARLEDGE does a fine job as an ill-fated sailor friend who attempts to put out a boiler room fire.
Touches of drama are better than the humorous interludes, so it's an uneven film, to say the least, directed by Frank Borzage who usually does much more sentimental romances than patriotic musicals like this one.
In New York, popular crooner and radio star Dick Powell (as Richard "Dick" Melville) meets tap-dancer Ruby Keeler (as June Blackburn) at a Navy celebration. As you would expect, they are mutually attracted. Helping the relationship considerably is the fact that both Mr. Powell and Ms. Keeler have soured on their US Navy connections. Powell wants to continue his singing career and resists Navy admiral father Lewis Stone (as Richard Melville), who wants his boy to continue a long family tradition. Having lost both a father and brother to Navy service, Keeler agrees Powell should keep his distance...
In order to prove he can make the grade, Powell predictably applies to the Navel Academy at Annapolis. Though he intended otherwise, Powell eventually joins the Navy as a midshipman. Keeler makes a few appearances, coming to terms with her family tragedies through Powell's experience...
Director Frank Borzage and the Warner Bros. team are equipped with plenty of location and stock footage, but too much of it is padding; this film's appeal would be greater with some trimming. Helping the formulaic Delmer Daves story is a colorfully introduced trio of "Shipmates Forever" - Ross Alexander (as Lafayette "Sparks" Brown) from Arkansas, Eddie Acuff (as Lincoln "Cowboy") from Texas and John Arledge (as Johnny "Coxswain" Lawrence) from Arizona. Robert Light (as Ted Sterling) is also on board. Best supporting actor is Mr. Arledge, who gets the best-written role and sails away with the film.
****** Shipmates Forever (10/12/35) Frank Borzage ~ Dick Powell, Ruby Keeler, John Arledge, Ross Alexander
In order to prove he can make the grade, Powell predictably applies to the Navel Academy at Annapolis. Though he intended otherwise, Powell eventually joins the Navy as a midshipman. Keeler makes a few appearances, coming to terms with her family tragedies through Powell's experience...
Director Frank Borzage and the Warner Bros. team are equipped with plenty of location and stock footage, but too much of it is padding; this film's appeal would be greater with some trimming. Helping the formulaic Delmer Daves story is a colorfully introduced trio of "Shipmates Forever" - Ross Alexander (as Lafayette "Sparks" Brown) from Arkansas, Eddie Acuff (as Lincoln "Cowboy") from Texas and John Arledge (as Johnny "Coxswain" Lawrence) from Arizona. Robert Light (as Ted Sterling) is also on board. Best supporting actor is Mr. Arledge, who gets the best-written role and sails away with the film.
****** Shipmates Forever (10/12/35) Frank Borzage ~ Dick Powell, Ruby Keeler, John Arledge, Ross Alexander
Le saviez-vous
- AnecdotesNear the end of the movie is a great shot of a Martin P3M-2 seaplane landing in the ocean. Markings on the side of the plane show a "6". Only 6 P3M-2s were ever built.
- GaffesThe West Point Alma Mater is played several times throughout the movie. This must drive Annapolis graduates nuts.
- Citations
Lafayette 'Sparks' Brown: I was raised on radio. Weaned on radio. Gotta have a radio.
- ConnexionsReferenced in I'd Love to Take Orders from You (1936)
- Bandes originalesDon't Give Up the Ship
(uncredited)
Music by Harry Warren
Lyrics by Al Dubin
Played during the opening credits
Played occasionally throughout the picture
Sung by Dick Powell
Later danced to by Ruby Keeler
Frequently played in the background
Meilleurs choix
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Détails
- Durée
- 1h 49min(109 min)
- Couleur
- Mixage
- Rapport de forme
- 1.37 : 1
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