Amis pour toujours

While this film has a few very familiar clichés and Dick Powell is way too old to play a college freshman, it is an enjoyable film....and one I recommend.

When the film begins, Dick (Dick Powell) is visiting his father, the Admiral (Lewis Stone). Their meeting is a bit tense, as the Admiral longs for his son to join the Navy and make a man of himself. Dick is more content to be a successful singer. Additionally, Dick's lady (Ruby Keeler) likes that Dick isn't in the Navy, as her family has a long naval history...and she's lost a couple close loved ones during the war. Inexplicably, Dick suddenly reverses himself and joins the Naval Academy!! This DEFINITELY came from out of no where and soon he's in Annapolis doing everything but going to classes. Like most college films of the era, they never show any of the men going to classes! Instead, Dick is hazed and he remains aloof from the other cadets. After all, he has no intention of staying in the Navy for long. And, not surprisingly, the Admiral is ashamed to call him his son. Can Dick redeem himself and gain a sense of camaraderie? Or will he remain a bit of a butt-head? What do you think?

This film follows a very familiar pattern seen in many film (such as "A Yank at Eton" and even "A Chump at Oxford" to an extent). But it manages to do it very well...better than I'd expected. Much of this is due to Powell's nice performance and much of it is the nice location shooting...aboard ships and at the Academy. Worth seeing even if the picture is a bit dated and predictable.

Surprisingly good pre-war film about a former radio crooner (that's a singer to you Millennials). Dick Powell finds himself trying to deal with military life at the Naval Academy at Annapolis. This was an enjoyable Hollywood look at their take on life of a cadet moving through Annapolis. He has a poor attitude, but does well with his studies. But, has few friends and little support amongst his fellow cadets. He's seen as having a silver spoon. It was refreshing to finally see a film get when NOT to salute correct in a film. It's one of the things that Hollywood just can't seem to get right. They like to have actors throwing salutes around willy nilly. When actually there are rules. They don't give an accurate account of how tough four years at the United States Military academies can be. But there are some good characters and it's well acted. And you find yourself caring for the characters.

first movie i ever saw in person. i was very impressed and, although only five, i was ready to enlist in the navy. i have seen it several times since then and still think it is a good movie. although some might think it dated and anachronistic it still has a good deal to say about duty and honor. those things are in short supply today.

The Warner Brothers gang is back again, and this time they're out to sea. Richard Melville III (Dick Powell) comes from a long time of Navy men. His father (Lewis Stone) is commander of the fleet and expects that his son will follow in his footsteps. Dick doesn't want to; in fact, he has become quite successful as a crooner on the radio. And besides, his girl (Ruby Keeler) doesn't want her husband to turn out dead like her Navy brother and father. Now before you start having flashes of The Jazz Singer, read on. Dick decides to give his father's way a try, but he is stubborn enough to isolate himself during his training. It is too bad too, because his father knows how he could benefit from the company of guys like Sparks (Ross Alexander), Cowboy (Eddie Acuff), and Coxswain (John Arledge).

A really great film, Shipmates Forever is undeniably similar to Flirtation Walk not only for the cast or the story but the director Frank Borzage too. However, the similarities are no hindrance and this second chance has actually improved upon the original. It features a great many more comic moments which liven it tremendously. Alexander is always good for a laugh, and it is too bad he took his own life only a few years later. Perhaps the funniest and most shocking moment is during a "I'd Rather Listen To Your Eyes." Powell's crooning draws all of the women, and a series of Busby Berkeley-esquire close-ups on their eyes illustrates the melody. That is, until a pair of men's eyes pop up! Other songs include the Warren and Dubin standards "Don't Give Up The Ship" and "I'd Love To Take Orders From You." It is a wonder why this one has never been released.

There's a lot to like in SHIPMATES FOREVER, but it's really a treat for DICK POWELL's fans with him singing a batch of songs (only a couple are really catchy), with generous close-ups of pert and pretty RUBY KEELER as the gal who can't make up her mind about the sailor she loves.

Keeler is only given a couple of tapping moments, which is fine with me. I have to agree with the book "Warner Bros. Presents" which describes her as "conspicuously untalented" but managing to be "endearing" nevertheless.

It's the formula story about a young man whose father is a Navy veteran (LEWIS STONE) and thinks his son should follow in his footsteps. The son happens to be a popular radio crooner who only half-heartedly joins the service just to prove that he can pass the officer's exam. The predictable plot follows a standard course with the boy winning the love of the girl by the time we reach the final reel.

Powell gets to demonstrate that he had a flair for carrying a tune although his voice is nothing remarkable. He's pleasant to watch and handles the acting chores with professional ease.

I can't say the same for ROSS Alexander who mugs through his role as comedy relief, but JOHN ARLEDGE does a fine job as an ill-fated sailor friend who attempts to put out a boiler room fire.

Touches of drama are better than the humorous interludes, so it's an uneven film, to say the least, directed by Frank Borzage who usually does much more sentimental romances than patriotic musicals like this one.