NOTE IMDb
6,7/10
742
MA NOTE
Ajouter une intrigue dans votre langueA G-man goes undercover to infiltrate a gang, helping the group's leader escape from prison to gain his trust.A G-man goes undercover to infiltrate a gang, helping the group's leader escape from prison to gain his trust.A G-man goes undercover to infiltrate a gang, helping the group's leader escape from prison to gain his trust.
- Réalisation
- Scénario
- Casting principal
- Récompenses
- 3 victoires au total
William Bailey
- Federal Agent
- (non crédité)
Brooks Benedict
- Bar Patron
- (non crédité)
Ed Brady
- Convict in Prison
- (non crédité)
Frank Bruno
- Extra Leaving Theater
- (non crédité)
Lane Chandler
- Train Conductor
- (non crédité)
Cora Sue Collins
- Little Girl
- (non crédité)
Helene Costello
- Convict Wife
- (non crédité)
Nell Craig
- Duff's Secretary with Telegram
- (non crédité)
Frank Darien
- Dr. Hale - Plastic Surgeon
- (non crédité)
Avis à la une
'Public Hero Number 1' is certainly not the greatest gangster flick ever, but the film is hugely entertaining: fast-paced, suspenseful and fun. The acting is excellent throughout: Joseph Calleia is a convincing ruthless crime boss, Chester Morris the undercover agent on his tracks, Lionel Barrymore the permanently plastered doctor who caters to the underworld, and Jean Arthur the estranged sister of the gangster boss who falls for the police agent. There is a clear division of labour: Calleia and Morris are responsible for generating suspense while Barrymore and Arthur take care of the laughs. For me, 'Public Hero Number 1' ticks all the boxes. Have a look - it's worth it!
As in White Heat a G-Man is planted in a cell with known criminal Joseph Calleia
who is part of the infamous Purple Gang with the intention of letting him escape
and leading him to the rest of the gang.
In Public Hero Number 1 it's just the name of the Purple Gang is used. In real life that group's main concern was in Prohibition they were the main suppliers in the Detroit area of bootleg hooch. They did diversify in their hoodlum careers, but this story takes the name of the Purples and uses John Dillinger's exploits as a basis for the story with Calleia as the Dillinger type character.
Chester Morris is the undercover Fed and he really lays it on thick as this punk with an attitude and a temper. But the problem is that he meets Calleia's sister Jean Arthur and that kind of leads him astray in his mission for a bit.
Stealing the film in every scene he's in is defrocked doctor Lionel Barrymore like I haven't seen him in any other film. He's now a medic to the crime community when he draws a sober breath or three. Also note Paul Kelly in a strong performance as Morris's FBI handler.
I did have a problem believing Joe Calleia and Jean Arthur as brother and sister. They really don't bear the slightest resemblance to each other.
Outside of that a nice action though not in the class of White Heat.
In Public Hero Number 1 it's just the name of the Purple Gang is used. In real life that group's main concern was in Prohibition they were the main suppliers in the Detroit area of bootleg hooch. They did diversify in their hoodlum careers, but this story takes the name of the Purples and uses John Dillinger's exploits as a basis for the story with Calleia as the Dillinger type character.
Chester Morris is the undercover Fed and he really lays it on thick as this punk with an attitude and a temper. But the problem is that he meets Calleia's sister Jean Arthur and that kind of leads him astray in his mission for a bit.
Stealing the film in every scene he's in is defrocked doctor Lionel Barrymore like I haven't seen him in any other film. He's now a medic to the crime community when he draws a sober breath or three. Also note Paul Kelly in a strong performance as Morris's FBI handler.
I did have a problem believing Joe Calleia and Jean Arthur as brother and sister. They really don't bear the slightest resemblance to each other.
Outside of that a nice action though not in the class of White Heat.
Public Hero #1 starts out as a conventional prison yarn, then switches to sophisticated screwball comedy, then back to shoot 'em up melodrama. Perhaps it is the way the cast handles the crackling dialogue by J Walter Reuben and Wells Root that makes this mixed-genre film so entertaining. It never sinks into torpidity, thanks in part to the introduction of Jean Arthur and Lionel Barrymore well into the proceedings. Until then it is up to Chester Morris to hold our interest, which he does robustly, as an undercover federal agent posing as a convict to trap bad guy Joseph Calleia and his gang. Barrymore, however, steals the show as a pickled-to-the-gills alcoholic mob doctor - the great ham at his hammiest. Calleia contributes a nicely textured portrait of a hardened but still human criminal. All in all, an energetic if contrived gangster story spiked with laughs, fun plot twists and colorful characters. The final moment is interesting. It's as if Chester Morris was itching to wrap and go home that day, didn't like the way the fade out was written, so he recklessly improvised the last line and the last blocking bit and then the director gave in and allowed it. See for yourself!
Is a fine Irish-American girl whose strangely Italian (?) brother (named Sonny "Dinkie" Black) runs Detroit's Purple Gang. At least they are both Catholic. Beginning inside a prison, the film introduces the immortal Chester Morris as an undercover FBI agent who infiltrates the gang and falls for Terry (played by Jean Arthur).
They have a slick prison break sequence and a fair amount of action, romantic comedy, and Hollywood's on-going campaign to make G-Men public heroes. John Dillinger had been killed a few months before "Public Hero #1" went into production, they change the names and the city but recreate the events of his apprehension outside a theater.
Forgotten actor Joseph Calleia plays the gang boss and brother. He has the most challenging role and does a fine job portraying a multi-dimensional character. Lionel Barrymore gets to overact nicely as a perpetually drunk mob doctor.
"Public Hero #1" is a surprisingly good film. It's mix of genres is as strange as it sounds but that works in its favor if you like to get away from standard formula stories. While it lacks overall unity, the disparate pieces are quite well done and are very entertaining inside their own little compartments.
Then again, what do I know? I'm only a child.
They have a slick prison break sequence and a fair amount of action, romantic comedy, and Hollywood's on-going campaign to make G-Men public heroes. John Dillinger had been killed a few months before "Public Hero #1" went into production, they change the names and the city but recreate the events of his apprehension outside a theater.
Forgotten actor Joseph Calleia plays the gang boss and brother. He has the most challenging role and does a fine job portraying a multi-dimensional character. Lionel Barrymore gets to overact nicely as a perpetually drunk mob doctor.
"Public Hero #1" is a surprisingly good film. It's mix of genres is as strange as it sounds but that works in its favor if you like to get away from standard formula stories. While it lacks overall unity, the disparate pieces are quite well done and are very entertaining inside their own little compartments.
Then again, what do I know? I'm only a child.
Always enjoyed the great acting of Lionel Barrymore, (Dr. Josiah Glass) "Key Largo" along with Chester Morris,(Jeff Crane) "Ghost Ship". This film is about the gangster era in the Mid-West, namely: Chicago, Milwaukee, and Racine, Wisconsin. The boss of the mobsters is Joseph Calleia who is a brother to Jean Arthur "Peter Pan" 1950 on Broadway NYC, who has not seen her brother for many years. Jeff Crane is an FBI agent and winds up getting deeply involved with Jean Arthur who follows him every where he goes; Jeff has no idea that the gangster he is after is Jean Arthur's brother. There is a great supporting cast of Paul Kelly,(Special Agent, James Duff) who is Jeff Crane's boss and tries to caution him that getting involved with Jean Arthur is going to be big trouble. Paul Kelly in real life served a prison sentence in San Quentin, Calif., and made a big come back into the movie industry. This is truly a gem of a picture with a great look back at old automobiles, furniture and crazy looking clothes and plenty of hats on both men and women.
Le saviez-vous
- AnecdotesContractual requirements were the reason why the name of Lionel Barrymore, who was definitely a secondary and supporting player, as far as the story was concerned, received first billing, and Jean Arthur, the leading lady, but in no way the principal participant, received second billing, while Chester Morris, around whom the entire story revolved, and who was in practically every scene of any consequence, was relegated to third position.
- GaffesDuring the big shoot out, the window frame that "Sonny" peeks out of goes from damaged to undamaged to being damaged again.
- Citations
Prison Warden: Crane, you were convicted of a hold up.
Jeff Crane: Sure! I stuck up a beer joint and got twelve bucks. Now, I'm buried alive for ten years. Ten years off my life for twelve dirty bucks! Is that fair?
Prison Warden: Yes. If your gun hadn't jammed you'd a killed a man for twelve dirty bucks. Was that fair?
- ConnexionsFeatures Big House (1930)
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Détails
- Durée
- 1h 29min(89 min)
- Couleur
- Rapport de forme
- 1.37 : 1
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