Les hommes traqués

Public Hero #1 starts out as a conventional prison yarn, then switches to sophisticated screwball comedy, then back to shoot 'em up melodrama. Perhaps it is the way the cast handles the crackling dialogue by J Walter Reuben and Wells Root that makes this mixed-genre film so entertaining. It never sinks into torpidity, thanks in part to the introduction of Jean Arthur and Lionel Barrymore well into the proceedings. Until then it is up to Chester Morris to hold our interest, which he does robustly, as an undercover federal agent posing as a convict to trap bad guy Joseph Calleia and his gang. Barrymore, however, steals the show as a pickled-to-the-gills alcoholic mob doctor - the great ham at his hammiest. Calleia contributes a nicely textured portrait of a hardened but still human criminal. All in all, an energetic if contrived gangster story spiked with laughs, fun plot twists and colorful characters. The final moment is interesting. It's as if Chester Morris was itching to wrap and go home that day, didn't like the way the fade out was written, so he recklessly improvised the last line and the last blocking bit and then the director gave in and allowed it. See for yourself!

I wasn't sure what to expect from Public Hero Number 1, since the plot synopsis I'd read online wasn't very clear. Turns out, I was really glad I didn't learn too much, since the plot was so intriguing and fast-moving.

Chester Morris stars as a prisoner who doesn't like to be contained. He starts a riot, loses his temper, and tries to cozy up to a notorious gangster Joseph Calleia. How is prison warden Lewis Stone going to handle him? Believe it or not, Chester's big secret gets revealed pretty early on, but since it's so much fun to see it as it plays out, I won't even tell you that much of the plot. All you need to know is that he's hiding something, and this part is a pretty big tour-de-force for the 1930s actor. He only had about ten years in the spotlight, so if you like him, be sure and check this movie out.

Along the way, Chester and Joseph escape from prison and try to escape the cops. Jean Arthur, who's hiding a secret of her own, feels an instant connection to Chester, but with all the deception, will they find a happy ending? Or is this drama, with Lionel Barrymore as a drunken, disreputable doctor in the supporting cast, too much of a drama for a normal romance? You'll have to rent it, which I suggest you do during the next rainy afternoon, to find out.

'Public Hero Number 1' is certainly not the greatest gangster flick ever, but the film is hugely entertaining: fast-paced, suspenseful and fun. The acting is excellent throughout: Joseph Calleia is a convincing ruthless crime boss, Chester Morris the undercover agent on his tracks, Lionel Barrymore the permanently plastered doctor who caters to the underworld, and Jean Arthur the estranged sister of the gangster boss who falls for the police agent. There is a clear division of labour: Calleia and Morris are responsible for generating suspense while Barrymore and Arthur take care of the laughs. For me, 'Public Hero Number 1' ticks all the boxes. Have a look - it's worth it!

"Public Hero #1" is a relatively little known, continually entertaining gangster thriller that veers from prison mellerdrama to quirky romance to bullet-riddled shoot-out. Okay, so the plot has enough holes to drive a getaway car through -- like the unexpected "meet cute' encounter, during a flash flood, of a government agent disguised as a hold-up man with the sister of the crime czar he's tracking. But Chester Morris as the plucky, love-stricken fed, Jean Arthur who still loves her brother despite his homicidal tendencies, Lionel Barrymore as a boozy doctor and Joseph Calleia as the underworld kingpin who doesn't seem bright enough to rob a candy store are all fun to watch. And darn near believable. At no point, as the tale gallops through various genres, does it bog down. Wish the same could be said of quite a few more modern movies. Credit director J. Walter Ruben with doing a first-rate job on one of the final films he would helm prior to his premature death at the age of 43.

Always enjoyed the great acting of Lionel Barrymore, (Dr. Josiah Glass) "Key Largo" along with Chester Morris,(Jeff Crane) "Ghost Ship". This film is about the gangster era in the Mid-West, namely: Chicago, Milwaukee, and Racine, Wisconsin. The boss of the mobsters is Joseph Calleia who is a brother to Jean Arthur "Peter Pan" 1950 on Broadway NYC, who has not seen her brother for many years. Jeff Crane is an FBI agent and winds up getting deeply involved with Jean Arthur who follows him every where he goes; Jeff has no idea that the gangster he is after is Jean Arthur's brother. There is a great supporting cast of Paul Kelly,(Special Agent, James Duff) who is Jeff Crane's boss and tries to caution him that getting involved with Jean Arthur is going to be big trouble. Paul Kelly in real life served a prison sentence in San Quentin, Calif., and made a big come back into the movie industry. This is truly a gem of a picture with a great look back at old automobiles, furniture and crazy looking clothes and plenty of hats on both men and women.