NOTE IMDb
5,1/10
1,1 k
MA NOTE
Un agent secret du gouvernement est envoyé pour arrêter une bande de faussaires opérant près de la frontière mexicaine.Un agent secret du gouvernement est envoyé pour arrêter une bande de faussaires opérant près de la frontière mexicaine.Un agent secret du gouvernement est envoyé pour arrêter une bande de faussaires opérant près de la frontière mexicaine.
- Réalisation
- Scénario
- Casting principal
Chris Allen
- Townsman
- (non crédité)
Chuck Baldra
- Slim - Henchman
- (non crédité)
Bob Burns
- Sheriff #1 - New Mexico
- (non crédité)
Horace B. Carpenter
- Blacksmith
- (non crédité)
Joe De La Cruz
- Rurale
- (non crédité)
Joe Dominguez
- Miguel -- Rurale
- (non crédité)
Earl Dwire
- Sheriff #2 - Arizona
- (non crédité)
Herman Hack
- Deputy Herman
- (non crédité)
George Hazel
- Henchman
- (non crédité)
Avis à la une
This is not by any means a work of art, as Big John sorts out the counterfeiters who sneak across the border. However, it is remarkably entertaining, especially given it cost about three bucks to make. The background of a medicine show adds a little by way of originality, and I suspect this is a relatively realistic picture of a not-long-vanished West, that most of the audience will have experienced and remembered. John Wayne is on good form, with a particularly enormous ten gallon hat catching the attention. Mary Astor-lookalike Marion Burns is the love interest, and the difficult father-in-law-to-be is a nice performance from Earle Hodgins, who manages even to ruin their wedding. Yakima Canutt's acting is seen to good effect, as a hard-bitten villain, and Reed Howes is a good heavy. The stunts are as usual incredible, and presumably not every horse survived the picture. High Noon it is not, but there are worse ways of spending 50 minutes of your time.
I agree with all the positive reviews but I do have the original movie and some idiot(s) have removed all the original soundtracks and have substituted some truly ghastly, awful music - all the same for the those '33-'35 Westerns.
My advice? Watch and listen to the real originals on your IMDb/computer and not the rubbish that is being played on Encore/Autry Western station. For fans of the original movie(s) the changes made to the music are absolutely offensive.
The old John Wayne westerns-before STAGECOACH are terribly important because they always pursue the ethical and attempt to do the right thing. Law and order is understood to be clear cut. Whilst we have been in this day and age, encouraged to see all sides of an issue, when evil is clearly defined-which it was in the John Wayne westerns, there was the feeling, that right MUST triumph and if John Wayne was starring, you knew it would be-because it was his mission to ensure that right was the result. Trivial in a career? No! Wayne didn't compromise his values.
Thank heavens he always sought to portray a good guy in his later films as well. He set a great example for us all. Just a footnote: When I attended law school as an older adult, I was the only student to pass a legal ethics class taught by a judge! It was thanks to those principles taught by Wayne, Wild Bill Elliott, Roy Rogers, Gene Autry, et. al., that I think gave me that remarkable A!
My advice? Watch and listen to the real originals on your IMDb/computer and not the rubbish that is being played on Encore/Autry Western station. For fans of the original movie(s) the changes made to the music are absolutely offensive.
The old John Wayne westerns-before STAGECOACH are terribly important because they always pursue the ethical and attempt to do the right thing. Law and order is understood to be clear cut. Whilst we have been in this day and age, encouraged to see all sides of an issue, when evil is clearly defined-which it was in the John Wayne westerns, there was the feeling, that right MUST triumph and if John Wayne was starring, you knew it would be-because it was his mission to ensure that right was the result. Trivial in a career? No! Wayne didn't compromise his values.
Thank heavens he always sought to portray a good guy in his later films as well. He set a great example for us all. Just a footnote: When I attended law school as an older adult, I was the only student to pass a legal ethics class taught by a judge! It was thanks to those principles taught by Wayne, Wild Bill Elliott, Roy Rogers, Gene Autry, et. al., that I think gave me that remarkable A!
This film begins with a federal agent by the name of "John Wyatt" (John Wayne) being given an assignment to ride to Arizona to investigate a counterfeit ring that is operating near the Mexican border. From what he is told, the two main suspects are a convict recently released from prison by the name of "Doc Carter" (Earle Hodgins) and another man named "Curly Joe Gale" (Yakima Canutt). When he finally gets to the area in question, he finds Doc Carter driving from town to town in a truck peddling a tonic which supposedly cures everything. Also with him are two employees named "Ike" (Perry Murdock) and "Mike" (Gordon Clifford) along with his adult daughter "Linda Carter" (Marion Burns). That said, wanting to ingratiate himself with them to further his investigation, he helps them out of some difficult and is quickly allowed to join their traveling medicine show. It's also during this time that Curly Joe discovers that Doc Carter is now back in town and--fearful that he will expose him to the law--makes every effort to silence him, once and for all. The problem is that John Wyatt has gotten wise to the idea that Doc Carter was set up by Curly Joe and realizes the situation all too well. Now, rather than reveal any more, I will just say that this was an okay Western for its time with John Wayne putting in his usual solid performance. Admittedly, it is a bit short (only 52 minutes) but that was quite typical for the period in question. In any case, those looking for an old-style Western of this type probably won't be too disappointed and I have rated it accordingly. Average.
John Wayne and a couple of reasonable action scenes are about all that keep this B-Western afloat. The plot is mildly interesting, with Wayne working undercover trying to break up a counterfeiting ring. But it strains credibility a little too often, and the goofy medicine show settings, while occasionally amusing, cause at least one too many groans. The action scenes are OK, thanks to Wayne and Yakima Canutt, who plays the bad guy. Wayne was still progressing as an actor himself, and would later have much more of a screen presence, but he was obviously above most of the material in this movie. The film itself is really only interesting because he was in it, and it gives you reason to be thankful that eventually he was given a chance to move on to better things.
John Wayne's final Lone Star cheapie has him playing a government agent with a huge hat trying to bust up a counterfeiting ring. He does so by joining the traveling medicine show of Dr. Carter (Earle Hodges) and his pretty daughter Linda (Marion Burns). They always had a pretty daughter in these things. Anyway, the bad guy's named Curly Joe. He's played by stuntman extraordinaire Yakima Canutt. At least you know the stunts are good. Hodges is fun as the medicine show huckster. There's also quite a bit of comedy and some songs including one about suspenders that needs to be heard.
Is it just me or are those the loudest horse clops you ever heard? Also, I'm not sure what era this was supposed to take place in. Lone Star wasn't known for caring about historical accuracy in these cheap B westerns. There were usually shots of telephone poles and the like in the background. Here there are 1930s-era cars and clothes but everything else says Old West. This western, like the other B's made in the '30s, will seem pretty much like kids stuff today. But there is some fun to be had with it. Fans of the Duke might want to check it out. Avoid the version with the bizarre modern electronic score added.
Is it just me or are those the loudest horse clops you ever heard? Also, I'm not sure what era this was supposed to take place in. Lone Star wasn't known for caring about historical accuracy in these cheap B westerns. There were usually shots of telephone poles and the like in the background. Here there are 1930s-era cars and clothes but everything else says Old West. This western, like the other B's made in the '30s, will seem pretty much like kids stuff today. But there is some fun to be had with it. Fans of the Duke might want to check it out. Avoid the version with the bizarre modern electronic score added.
Le saviez-vous
- AnecdotesColorized and re-titled as "Guns Along the Trail" in 2007 by Legend Films.
- GaffesAt around 2 minutes into the actual film, we see John Wayne riding from town to town in southern Arizona searching for the Medicine Show that are suspect in a counterfeiting ring. We see Wayne riding through the desert and then are show a street scene just before his arrival. Unfortunately, in the scene we see snow covered mountains, towering pines and then we see 2 men walk from right to left wearing fur hats. Then we see a figure walk down the street wearing a Mountie hat, striped breeches (sometimes called banana pants) and what appears to be a short jacket or tunic, implying a Northwest Royal Canadian Mounted Policeman. The scene lasts about 8 seconds and then cuts again to Wayne as he rides into a desert town, still searching for the Medicine Show.
- Versions alternativesAlso available in a computer-colored version.
- ConnexionsEdited into Six Gun Theater: Paradise Canyon (2021)
- Bandes originalesWhen We Were Young and Foolish
(uncredited)
Composer unknown
Performed on guitars and sung by Perry Murdock and Gordon Clifford
Meilleurs choix
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Détails
- Durée
- 52min
- Couleur
- Mixage
- Rapport de forme
- 1.37 : 1
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