Collège rythme

"Old Man Rhythm" is one of those musicals where the studio rounds up talent and creates a story that tries to fit them all in, including whatever specialty acts they are big on. But the plot of this film does not try much to be other than that. It opens with a musical number, on a train, that includes just about every actor in the film. That first scene tells us everything we need to know about the film: it's light and playful and filled with talent.

OMR is driven by the music of Lewis E. Gensler and Johnny Mercer. If you like clever lyrics and toe-tapping tunes, this is a good film to watch. Gensler is talented, but the entire film is Mercerized by the Ogden Nashish lyrics.

Speaking of which, the only slow part of the film is a scene about fleas. Yes, it's true. Apparently the entire scene (apart from being a silly plot device regarding a letter) is just a setup for a poem that is, nevertheless, interesting. The poem is called "Siphonaptera" and if you look it up on Wikipedia, you will learn its origins and its variations.

One more point about the music. It captures a time in the evolution of popular music when you can easily hear the transition from the blues to jazz (and swing). The musical arrangements in this film are filled with examples.

Betty Grable taps en pointe. Hermes Pan arranged the dance numbers, so I guess he might be partly responsible for this difficult feat. Among the other talented performers, I particularly liked Evelyn Poe, though her film career seems to have been short.

The story is not much to write home about. A college boy's father (John Roberts) is concerned that his son (JR, Jr.) is losing his scholarly focus because of a girl (Marion). He enrolls in the same college, hoping to turn the boy's affections toward another girl (Edith) deemed more suitable. Though Junior thinks Marion is the marryin' kind, she proves to be more interested in his familial fortune. They all live in some dormitories that wow and they frequent a soda shop where the local talents shake a leg and croon competently. Which is what the film is all about, after all--the music.

This double-bill special no doubt had the cats boogeying in their theater seats in 1935.

Any RKO movie with ERIC BLORE and ERIC RHODES in the supporting cast can't be all bad. This is a strictly second-rate little college musical with a trivial plot and a bevy of harmless tunes typical of the swing mood that was on the horizon. Vivacious BETTY GRABLE has one of her early campus sweetheart roles (sings a little, dances a little), and if you look hard enough you can spot LUCILLE BALL among the extras, the girl who would go on to buy the studio one day.

GEORGE BARBIER is the senior who wants to be a freshman (he wants to keep an eye on his son, BUDDY ROGERS) whom he thinks is failing subjects because his mind is on girls. Rogers is a blank in a colorless role. The female lead (unknown today) is pretty brunette BARBARA KENT. Silly nonsense with Barbier becoming a freshman subjected to student pranks with more attention on random song numbers than a plot.

The songs are strictly a blend of the type popular at the time but have the benefit of lyrics by Johnny Mercer which helps a lot and its surprising to see that the B&W photography is by Nick Musuraca who did all those great film noirs later at RKO.

Summing up: Harmless fun that passes the time quickly in 75 minutes.

Unlike much of the other posters here, I really didn't enjoy the many musical numbers in this movie, and thought more acting and plot was needed. The first number on the train went on waaaaaay too long, I thought it would never end! I think I clocked it at around 8 minutes of silly, uninspiring singing. I would have liked to have seen some classroom scenes, a football game, or anything that positioned the action in a college. The sets were spectacular art-deco architecture and interior decorating, making me wonder if the movie had actually first been envisioned as a sophisticated Manhattann penthouse romp.

Not a terrible movie, but nothing much happens in my opinion.

This is definitely a "B" movie churned out by RKO to fill its theaters. It is a very good B movie with lots of talented people who didn't get a lot of exposure. The most famous name is Betty Grable and a fading overage Buddy Rogers. The musical numbers are well staged (by Hermes Pan) and lively, are very witty, and due to Johnny Mercer, who is one of the stars, has some very good lyrics. The plot is nonsense and doesn't get in the way of the musical numbers. I only wish college had been like this. Did every college have an ice cream shop? The opening titles are very interestingly staged. Eric Blore is amusing and gets to explain the difference between male and female fleas. Erik Rhodes does his Italian thing, and George Barbier as Buddy's father seems to be enjoying himself. You will too.

This movie had some GREAT tunes, and not ones that became classics, these tunes will be new to you. I particularly like the one about going to college that the movie starts off with in the first scene. The movie is not about romantic rivalries between father and son, rather the father does not approve of the effect girls have on his son's grades and does not approve of his son's new fiancé' so he goes to college to sort things out.This is an older movie, but very watchable with none of the glitches that you sometimes see in these older films. It is rather an obscure movie from the early thirties, thus it has not been subtitled. I thought that this was a shame because I missed a few of the words to the songs and I would have liked to have heard every word. The kids were in the room when the movie started. They were on the computer and paying NO attention to Mom's old movie, but when the song about college came on, they drifted over and watched the whole, long song. I hope you enjoy this movie as much as I did. Thank goodness for TNT!