The Nitwits

Little-known team (today) of Wheeler and Woolsey were the first comedy team of film at this time, having made almost a dozen movies by 1935. Betty Grable makes a lengthy appearance here. The movie is not bad for 1935 tomfoolery, although it could benefit from some intelligent editing.

The film definitely goes on the "watchable" pile simply for the sake of its early slapstick continuity and the fact that this comedy team was so prolific in the early days.

Whether or not this type of comedy tickled your funny bone is entirely another matter (I don't think it's funny, for example, but many people will.)

When the Black Widow murderer strikes at the boss of a music production business, THE NITWITS who run the cigar stand down in the lobby find themselves under investigation for homicide. Can the Boys find the real villain before he kills again?

A rather routine Wheeler & Woolsey comedy (Bert Wheeler is the one with the curly hair; Robert Woolsey has the cigar & spectacles) but the Boys are always fun to watch. Betty Grable is on hand this time as Wheeler’s love interest. Blustery Hale Hamilton is one of the Black Widow’s victims. Erik Rhodes has a small role as a suspect. Willie Best is on hand to add to the madcap finale. Film mavens will recognize Arthur Treacher as the man with the tennis equipment.

Wheeler & Grable sing “You Opened My Eyes” - Woolsey warbles “The Black Widow’s Gonna Get You If You Don’t Watch Out”. There is some racial stereotyping, not unusual in Hollywood films of this period.

The Nitwits are of course Wheeler&Woolsey and in this film they own a cigar stand in the building where music publisher Hale Hamilton has an office. Hamilton's got a secretary played by Betty Grable that Bert is stuck on. Hamilton's married to Evelyn Brent, but never lets that stand in the way of a little nookie.

Anyway, a notorious criminal called the Black Widow is known for sending out letters of extortion demanding money or the victim would be killed. Hamilton decides not to give in and does wind up dead as a result.

Unlike Abbott&Costello's Who Done It which has a lot of the same plot premise, The Nitwits is better edited and the perpetrator doesn't come out of nowhere as in Bud&Lou's film. Unfortunately due to one of the gags which involves Woolsey inventing a chair in which a charge of electricity passes through you so you blurt the truth out, we learn a little prematurely in my opinion who the culprit is.

Anyway because Betty is a prime suspect, Wheeler&Woolsey get themselves involved in the investigation. They prove as much help to the cops as Abbott&Costello did, but like them they do stumble on to the perpetrator.

One reason this film is not revived too often is the climax also involves a bunch of black people being allowed by one of their peers who works as a janitor to use the basement for a quiet crap game. Their fright reactions in the climatic chase of the culprit plays into a lot of racial stereotyping.

Anyway I did like Woolsey's Rube Goldberg contraption as a gag. Maybe they could use a real one of those at Guantanamo.

It's got to be said that Wheeler and Woolsey are an acquired taste! Popular during the 30s, their brand of humour hasn't dated very well. I can see the camaraderie between the team but they aren't necessarily likeable. "The Nitwits" film is a typical example of this. The story is occasionally enlivened by a few good gags, effective cinematography and a fast-moving climax where everything is used - including the kitchen sink, literally! Murder is afoot and our hapless heroes are unwittingly caught up in it - naturally. But the slow pace, lack of background music and the film being restricted to a few sets are considerable handicaps. A running time of 81 minutes is too long for me. 60 to 65 minutes is plenty.

The Nitwits puts Wheeler and Woolsey into a murder mystery and as you can imagine, they manage to cause havoc as usual. Betty Grable is on hand as Bert's love interest but she doesn't do much beyond one number they sing together early on. Most of the film is took up with daft murder and chase stuff, one or two set pieces working really well but the film isn't as snappy and fun as some of their earlier work.

The director, George Stevens, went on to direct the likes of A Place in the Sun and Woman of the Year, but this early effort shows what he was up to in the first 15 years of his long career.