La fugue de Mariette

I wish that "Naughty Marietta" and "Sweethearts" and "I Married an Angel" and " and "Maytime" and would be gathered in a 4 disc Tribute set of DVD's. MacDonald and Eddy were well aware that the music in their films was mostly tripe and that the plot lines were thin at best.They were keenly aware of their film's theatricality being in a style that was already passé. But if you watch their faces when they act, ( and it is very good acting!) and see the mutual admiration in their eyes, and understand that it is all performed with tongue in cheek, the films become a lasting delight. My favorites are "Marietta," "Sweethearts" and "Maytime."

"Marietta" is the height of charm. MacDonald is perfection with her bird like trills and rolling "r"s, and shows a very wide display of emotions, including everything from dramatic hand wringing and tears to delightful comedic acting and humor. Eddy matches these moods with considerable skill. He had to be somewhat less flamboyant than MacDonald in order to keep t the movie plausible. The real villain is the plot, but even that could not take away the delight this picture gives to me. ( Frank Morgan is great in it!)

" Sweethearts" is my very favorite of their films. The antiquated plot of the musical stage play was tossed, and a whole new modern story was written for it by Dorothy Parker. Only the songs from the operetta were kept, and were interwoven into the movie within "Great Ziegfeld " like elaborate settings. It was also the first full length 3 strip Technicolor movie made at MGM. Both stars looked wonderful in color, and the absolutely rip roaringly funny story line only pauses for the musical numbers . The songs were acted and sung with such obvious self depreciating humor, that I cannot stop smiling , even now as I am writing this.

"Maytime" is, of course a tragedy, with lovely haunting songs and great scenic beauty. The made for the screen "Opera within the operetta" is the two star's acting zenith. Their delight and passion and friendship for each other in real life shines through the scene, giving it an extraordinary sense of truth. SO, Why not a glorious Boxed set from SONY/ TURNER/ MGM? Please??????

Jeannette MacDonald and Nelson Eddy had their first teaming in the musical "Naughty Marietta" in 1935. They went on to make "The New Moon," "I Married an Angel," my favorite, "Maytime," and many others. Both performers were operatically trained, Eddy possessing a magnificent high baritone, and MacDonald a coloratura soprano. If her high notes don't have frontal placement and seem to back off, it's still a pretty voice, and of the two, she was the actor as well as being a great beauty.

Though the film uses the Victor Herbert score, it differs in plot from the actual musical. Here, a princess ordered to marry one Don Carlo replaces her maid, Marietta, on a ship that carries women to New Orleans to look for a husband. Right before they arrive, pirates attack the ship and the women are rescued by mercenaries, headed by Richard Worthington (Eddy). With her beauty and obvious education, Marietta sticks out and begins a love-hate relationship with the vain Worthington. Soon, however, a messenger arrives - the King is looking for his escaped princess.

The couple sing "Ah, Sweet Mystery of Life," while Eddy leads his men in "Tramp, tramp, tramp," and MacDonald entertains with the "Italian Street Song," and "Chansonette" among other solos that each has.

This isn't the greatest MacDonald-Eddy musical, but it was a huge hit and started them off on their partnership. Were they in love in real life? Supposedly they were and never got together because Eddy wouldn't have wanted her to work. But take a look at Gene Raymond. He kind of looks like Nelson Eddy.

Naughty Marietta marked the first teaming of Jeanette MacDonald and Nelson Eddy and what a success it was. MacDonald had broken into films with Paramount pictures which made her a star. She moved to MGM the previous year and had done a fourth film with Maurice Chevalier which was well received. But she and Chevalier did not get along and she wanted no more films with him. She did one with Ramon Novarro and there was no great demand for that team.

Louis B. Mayer decided to team her with operatic baritone Nelson Eddy. Eddy had been signed by MGM and had done what we would now call cameo parts in three films. He even gave Eddy co-star billing in this first featured role.

The results were a box office smash. Jeanette and Nelson looked great on the screen and sang even better. Seven more films followed that paired them. Even today they still have a loyal fan base.

Naughty Marietta had its debut on Broadway in 1910 with music by Victor Herbert and book and lyrics by Rida Johnson Young. It was one of Herbert's biggest hits and the songs are still popular today. Back then the melody was king and what melodies they were.

Of course the book has to be taken with a grain of salt and allowances for the mores of the times. The operetta is set in the New Orleans of Louis XV. One of his royal wards has been promised to wed a Spanish nobleman and she wants none of it. The royal lady exchanges places with her maid who is going to New Orleans as a promised bride for one of the French colonists.

When they're almost there, the ship is attacked by pirates and the promised brides among them Jeanette MacDonald are taken ashore. But they are rescued by an intrepid band of frontiersman led by Nelson Eddy who sing even better than they fight. They're mercenaries in the service of the Territorial Governor of Louisiana.

As Jeanette put it in the beginning of the film, she wants to marry for love and she couldn't love any of those powderpuff courtiers that inhabit Versailles.

Watching my VHS of Naughty Marietta today it was interesting to see a portrayal of New Orleans society in 1765 and then seeing New Orleans try to dry out from another hurricane. New Orleans was and is one valuable piece of real estate on this continent, located at the mouth of the Mississippi-Missouri-Ohio river systems. It changed hands until many times until the Louisiana Purchase got it for the USA.

Nelson and Jeanette have a rough go of it as they always do in their films. But a few songs and love conquers all.

Being this was their first film, Jeanette and Nelson got to sing their first duet which was Ah Sweet Mystery of Life. A really fabulous melody and lyric from a golden age of song writing. One of the great love songs ever written. Naughty Marietta should be seen for that alone.

One of the first concerts I ever attended was an appearance of Nelson Eddy singing on the stage of the Troy Music Hall in Troy, New York, my hometown. My older sister was a violinist, and took me to hear him, a fine baritone, wanting to introduce me to classical music for the first time. He had a very appealing voice, as he was a handsome man. His parts were important, for they reflect music and styles of eras of the early twentieth century before and after films. Nelson 2003 is now history, having been a fabulous week-long festival of films, music, lectures, friendship, fun (and glorious food) at the historic Riverside Inn in beautiful Cambridge Springs, PA. Plans are already underway for June 2007. For details, contact Dr. John Marsh (jmarsh1@san.rr.com) after January 1, 2007 for exact dates, convention theme, and a hint about guests and activities. You are also invited to attend the dedication of Nelson Eddy Street at Hollywood Forever Cemetery, 6000 Santa Monica Blvd., Hollywood, California. The ceremony will begin at noon in the chapel and conclude with the unveiling of the street sign. There will be entertainment and refreshments. It is hoped that many who knew and heard Nelson, and were important in his life will be able to come.

This is truly one of my favorite classics. My grandmother gave it to me when I was five, after she saw my interest in and love of opera and musicals. It is light and romantic with some absolutely lovely duets between McDonald and Eddy. Though not as passionate and dark like the more modern musicals, it is quite charming and worth seeing.