La reine du narcotique

This is a bad movie that purports to be an educational film designed to warn America about the menace of marijuana use. However, like almost all the so-called "educational" films of the 30s and 40s, it was really a shabby little film designed to be snuck past the censors of the Hays Office. In 1934, the major studios all agreed to abide by the dictates of a stronger Production Code--eliminating sex, nudity, cursing and "inappropriate" plots in films (these had actually been relatively common in films in the early 30s). However, in an effort to sneak in smut, small studios created films to shock adults when they learn about terrible social ills, though they were REALLY intended to titillate and slip adult themes past the censors! Such films as CHILD BRIDE, MAD YOUTH, REEFER MADNESS and SEX MADNESS were all schlocky trash that skirted past the boards because they were supposedly educational. Even though they were laughably bad, they also made money due to low production costs and because they offered nudity, violence and sordid story lines--all in the name of education!

Many will no doubt watch this film because they are hoping for a similar film to REEFER MADNESS (one of the most laughably bad anti-drug films of all time). While it isn't quite as dopey and unintentionally funny, MARIJUANA is probably a worse film when it comes to being exploitational all in the name of educating our parents. While on drugs, the characters don't madly play the piano or run amok quite as much as they do in REEFER MADNESS--but they DO run amok in the most ridiculous manner. Once they begin puffing this "wacky tobacky", all the characters begin laughing non-stop and acting like total idiots. In addition, the ladies respond by taking off all their clothes and running nude along the beach at night!! And, because of this, the film is very, very explicit--showing lots of "naughty bits" (A Monty Python term for nudity). This film would probably receive an R-rating today if shown in the theaters because of the nudity--and this must have been VERY shocking to audiences of the day. However, audiences today would also be a bit shocked at how extremely unattractive and unappealing these ladies were--I kept wanting to yell at the characters to "put it back on--PLEASE!!". If you are looking for a cheap thrill, this film won't provide it!

Now when they aren't showing people running amok, the film actually is much more watchable. Those who sell the drugs are indeed users, but they manage not to behave like morons, so they are more convincing. The story of one of them, Blondie, is somewhat compelling and mildly interesting--though not nearly enough to make up for the rottenness of the rest of the movie.

This film is so bad that I would recommend it for a bad movie festival you can stage with your friends. You know, the ones where you laugh at just how bad and stupid films can be. They didn't even bother trying to get decent music for much of the film--using classical tunes that were completely inappropriate just because they were in the public domain.

One of several anti-marijuana/drug propaganda films of the 1930's with over- reactive screen narratives, over-dramatized screen-writing and acting...that is completely inaccurate in the depiction of marijuana usage.

Over-excessive to the point, in light of what is known about marijuana today and effects upon the average marijuana user, it's almost comedic by today's standards and realistic knowledge of this drug.

Burma, an 'innocent' but unhappy youth clashes at home and hangs out with a 'wild' crowd..to the point the laughing makes my head ache with high- pitched, giggling, silly girls. Solely because of using marijuana, according to the film, she indulges in a series of immoral acts, becomes pregnant out of wedlock, and two friends are killed (as if one was not enough in a one- hour film). Her response is to become a hotshot dealer herself....leading to deeper crime (with an ironic twist to boot) & yes, another tragedy.

Way over-the-top, inaccurate, but entertaining to watch and thus what is known as a 'cult classic' in today's world. One of a series of anti-drug, specifically anti-marijuana films aimed to exaggerate & allegedly decry the horrors of marijuana usage.

An Innocent young woman is seduced into pot parties,a wedlock baby, and eventually, into pushing drugs for a professional ring.

Naturally, no one expects artistry from these exploitation flicks. Instead, audiences expected more titillation than usually allowed under Hollywood's restrictive Production Code. Of course, the liberties were granted under the guise of educating the public on the menace of demon weed. However, I doubt anyone went to see this epic for its hyped-up pot warning. Instead, Dwain Esper's mid-1930's production has more peek-a-boo than usual, with a lot of nude scampering and uplifted skirts.

Surprisingly, however, it's a better movie than at least I expected. Except for the exaggerated pot party, it plays pretty much like a standard Hollywood cheapie of the time. Actress Wood does a good job going from innocent fun-loving teen to hardened drug pusher. At the same time, director Esper adds some nice unexpected touches, such as Burma's descent reflected in her choice of shoes, a bad guy joining the innocence of the little girl, plus the final symbolic shot of the door closing. Also, the script integrates its central twist effectively into the narrative.

Of course, these are minor virtues in an otherwise shoddy production. Still, they should not be overlooked. All in all, this cheapie plays more legitimately than most of its competitors from that campy category of sex, dope, and retribution.

I love these 30s exploitation flicks! This one definitely builds on the stereotypes of marihuana and its evil effects. Victims under the influence of this terrible narcotic wear menacing smiles and blank eyed stares. They gad about and jiggle in nightclubs while intoxicating themselves on copious amounts of alcohol as if mesmerized by the music. You will love how a couple of puffs/tokes/hits turn a group of young women into hysterical, sex crazed floozies! Man, that scene was funny.

On the down note, Burma (nice to be named after an aftershave) spirals downward into destruction and despair. Hey, don't blame the pot, it didn't make her become a heroin dealer! Very poor gateway drug reference they were trying to get across.

There seems to be a plot, but don't bother following. Dialogue is lame, muffled, and you'll be saying the phrase "who are you?" quite frequently throughout the film. I don't think that guy's spanish accent was authentic either. Doesn't top the all-time kampy 'Reefer Madness ', but it's a load of hoots.

**SPOILERS** One of the many exploitation movies made in the 1930's about weed pot or marijuana the film "Marihuana" is mostly about a sibling rivalry between two young sisters Berma and Eline who come from one of the towns most upright and blue blood families.

Eline is engaged and to be married to local rich well connected and also blue blood Morgan Stuart while Berma is in love with a local boy who's both poor and out of work Dick Collier. With Eline being her moms favorite Berma rebells by partying and going out with the wild crowd who drink and do pot and have naked sex parties at night.

One Saturday evening after having a wienie roast on the beach the roast turns deadly when one of the girls Joann, Berma's best friend, who was drunk and butt naked runs into the ocean and drowns. Meanwhile back at the beach house the rest of the girls at the party undress and run naked out on the beach skinny dipping into the cold waters with their boyfriends, fully dressed, chasing them. Alone and by themselves both Dick and Berma has a sexual tryst which later results in Berma getting pregnant.

With the news of Joann's tragic death the local pot dealer Tony Sentello tells the young people at the party, who looked like they were in their early twenties at the least, to keep their mouths shut if they don't want to be taken away from their parents and put into a local orphanage.

Dick wanting to get married to Berma and give their expecting child a proper name as well as a family gets a job working for Tony as a drug runner. On Dick's first day on the job he's shot and killed by the police as he picked up some pot from Tony's sidekick Nickie Romero, who's a dead ringer for actor Andy Garcia,on the waterfront. The very day that Dick was shot and killed Eline and Morgan were happily married at the town church.

Giving her baby up for adoption Berma went to work with Tony and Nickie in their pot selling racket and later even went into selling the hard stuff, heroin, which she herself soon got addicted to. Leaving an apartment house after selling some heroin to a desperate woman, who gave up her engagement ring for the dope, Berma sees her Sister Elaine with her husband Morgan and their little girl Gloria. Berma gets this idea to kidnap Gloria and hold her for a ransom of $50,000.00 from her rich parents knowing that both Eline and Morgan wouldn't want this to become public with the person responsible for the kidnapping being a close family member.

Going to get in touch with Morgan to get the ransom money Berma get the startling news from her brother-in-law that Gloria is not his and Eline's real child but she was adopted from an underground baby selling mill and she's really Berma's child that she gave up for adoption some three years ago.In a state of shock and emotionally destroyed Berma realizes that the one thing that she had over her hated sister Eline, a child of her own, she unwittingly gave away to her.

Going back to the apartment hideout where her partners in crime, Tony & Nickie, were holding her daughter Gloria hostage Berma gives herself a "hot Load" injection in her leg. As she enters the apartment Berma finds that the police raided it, and arrested both Tony and Nikie, and rescued Gloria. With the drugs taking affect Brma slowly goes into shock and collapses and overdoses from "the hit" that she just gave herself.