Meurtre dans un taxi

If anybody would like to hear Anton Walbrook speaking in (his native ?!) Austrian accent I recommend this movie. Here Anton Walbrook very convincingly portrays the Budapest taxi driver Fred Sponer. He is a mischievous,ill-humoured, bad-tempered (granteln), sometimes too simple minded almost stupid member of the lower classes, toiling his day away, having high aspirations but with no hope of changing his situation. This character gets tangled up in a jealousy drama involving the famous conductor Montemayor, his wife and of course Jack Mortimer, who gets murdered on the backseat of Sponer's taxi on his arrival in Budapest. How his simple mindedness gets Fred Sponer ever deeper into a fix is shown in this very delicious movie I highly recommend. The script is very well-done and written by Thea von Harbou. A very deserved ten out of ten from me!!!

Ich War Jack Mortimer was originally a novel written by Austrian author Alexander Lernet-Holenia in 1933. This is the German film adaptation of the novel.

Ferdinand Sponer is a cab driver who one day picks up a man from the train depot and by the time he arrives at the man's hotel he is dead. Now Sponer doesn't know what to do. Should he tell the police or will they just arrest him for the murder? Should he dispose of the body? Is there anything he can do to clear his name? Well, watch this German classic from 1935 starting Anton Walbrook and you can find out. Fun film. True to the book. On YouTube too!

Anton Walbrook -- still credited as "Adolph" -- is driving his taxicab for his last shift in Budapest before taking a better-paying job. He picks up a fare at the train station, but when he asks which hotel, he discovers that his passenger has been shot.

This sort of thriller was becoming popular in the movies. Hitchcock's efforts like THE MAN WHO KNEW TOO MUCH and LADY ON A TRAIN set the standard. This German variation, co-written by Thea von Harbau, is much more gloomy and Teutonic than Hitchcock's saturnine works and the answer to the mystery is clear before it is offered. It's seventy-five minutes of bombastic anger and fear. If that's your taste, you'll enjoy it. Me, I grew up with Hitchcock's works and I prefer his vicious comic relief.

I've seen some of Walbrook's movies shot in in Vienna in the early 1930s. Soon after this, he moved to England, where he worked under the name of Anton -- Adolf wasn't that popular name in Britain starting in 1939 -- where he specialized in kindly, cynical, world-weary Germans and resumed a wider range when he returned to Continental work after the War. He's good here, but it's a role that a lot of actors could have played well.