NOTE IMDb
6,7/10
628
MA NOTE
Une star du théâtre quitte brusquement l'Angleterre pour échapper à son passé, tandis qu'un journaliste suit sa piste en Amérique pour obtenir le scoop.Une star du théâtre quitte brusquement l'Angleterre pour échapper à son passé, tandis qu'un journaliste suit sa piste en Amérique pour obtenir le scoop.Une star du théâtre quitte brusquement l'Angleterre pour échapper à son passé, tandis qu'un journaliste suit sa piste en Amérique pour obtenir le scoop.
- Réalisation
- Scénario
- Casting principal
Joe Sawyer
- Chuck
- (as Joseph Sawyer)
Harry Allen
- Driver to Steamship
- (non crédité)
Brandon Beach
- Theatre Patron
- (non crédité)
William A. Boardway
- Theatre Patron
- (non crédité)
Ward Bond
- Roman Soldier in Play
- (non crédité)
Harlan Briggs
- Theater Manager
- (non crédité)
Elsa Buchanan
- Stella's Maid
- (non crédité)
Francis X. Bushman Jr.
- Erik in Play
- (non crédité)
Avis à la une
This is a badly dated melodrama about an actress whose dark past is revealed by a conniving reporter. Kay Francis is luminous, but she can't play trash.
When Stella gets tough and starts on her downward trend, Kay, with her patrician beauty and educated accent, can't do it. A very talky movie, supposedly set in England, but the atmosphere and language aren't very British.
Apparently the play she appears in has something to do with Caligula - trust me, it's no starmaking play or performance. It was fun to see that the play actually had an orchestra, a reminder of the old days when "straight plays" were really huge events.
When Stella gets tough and starts on her downward trend, Kay, with her patrician beauty and educated accent, can't do it. A very talky movie, supposedly set in England, but the atmosphere and language aren't very British.
Apparently the play she appears in has something to do with Caligula - trust me, it's no starmaking play or performance. It was fun to see that the play actually had an orchestra, a reminder of the old days when "straight plays" were really huge events.
Stella Parish (Kay Francis) is a famous stage star in England. Her private life is private. As she reaches new heights, a mystery man from her past threatens it all. She escapes to America with her daughter Gloria and close personal friend Nana (Jessie Ralph). Eager reporter Keith Lockridge (Ian Hunter) smells a story and follows them.
I really like the mystery man with him not showing his face. I would like for the mystery figure to show up once in awhile. In comparison, Keith is less compelling. The exposition is a bit too long, but she does have to tell the whole story. I would have liked this story more as a mystery thriller and less as a melodrama.
I really like the mystery man with him not showing his face. I would like for the mystery figure to show up once in awhile. In comparison, Keith is less compelling. The exposition is a bit too long, but she does have to tell the whole story. I would have liked this story more as a mystery thriller and less as a melodrama.
I Found Stella Parish masterfully engages the viewer. It is very stylized hokum, but yet it is sincere and rather poignant. Kay Francis plays an actress with a secret past that involves having given birth to a child out of wedlock. Taking a break from her stage career, she decides to focus on her role as a mother and travels incognito with her daughter, played by Sybil Jason. It's a nice bit of casting, and their performances nicely complement each other.
Three years later, Warners would reunite Francis and Jason on screen in Comet Over Broadway. Once again, they are mother and daughter, and once again Miss Francis is an actress.
Three years later, Warners would reunite Francis and Jason on screen in Comet Over Broadway. Once again, they are mother and daughter, and once again Miss Francis is an actress.
Kay Francis had started out a couple years back when the talkies were just starting. Here, she's Stella, a British stage star who runs off to Amurrica to escape her past in this Warner Brothers film. Her daughter is child-star Sybill Jason, a precocious eight year old. and her mother, played by the amazing Jessie Ralph. check her out in Bank Dick, and so many other great films. what a presence. Co-stars Ian Hunter as the newspaper guy chasing after Stella to find out what's going on. What IS the big secret ?? Pretty good story. Directed by Mervyn LeRoy. From a story by John Saunders. Had won an oscar for Dawn Patrol. and wrote the 1927 version of "Wings". and was married to Fay Wray. who could ask for more? apparently that wasn't enough. offed himself at age 44.
Super melodramatic sudser with Kay suffering and suffering and suffering and the audience suspending disbelief. If you can do that you'll enjoy this exercise in excess.
Kay is as usual dressed in high fashion throughout. A kaleidescope of 30's fashion, which was what the public expected from a Kay Francis vehicle at the time and it's easy to see why. Due to her height, slenderness and perfect posture she's able to carry off even the most exaggerated clothes. However the clothes only take the film so far and the story that it's pegged on is the usual preposterousness that was also a regular component her films. Supported by a good cast, although Ian Hunter is rather stiff as the male lead, Kay plays one ridiculous situation after another with complete conviction. This was one of her biggest hits.
Kay is as usual dressed in high fashion throughout. A kaleidescope of 30's fashion, which was what the public expected from a Kay Francis vehicle at the time and it's easy to see why. Due to her height, slenderness and perfect posture she's able to carry off even the most exaggerated clothes. However the clothes only take the film so far and the story that it's pegged on is the usual preposterousness that was also a regular component her films. Supported by a good cast, although Ian Hunter is rather stiff as the male lead, Kay plays one ridiculous situation after another with complete conviction. This was one of her biggest hits.
Le saviez-vous
- AnecdotesThere was a widely-held belief that a young man in a wig and period costume appearing in a scene with Kay Francis in "I Found Stella Parish" was a young Errol Flynn. This was the chained male prisoner standing to the left of an all-white-clad Kay Francis on stage as she is giving her act IV speech near play finale. As reported by Rudy Behlmer in the March 1970 issue of "Films in Review" the writer and his collaborators, Clifford McCarthy and Tony Thomas, concluded that the Flynn lookalike was actually Ralph Bushman (a.k.a. Francis X. Bushman Jr.).
- GaffesIn 1 scene, both Gloria and Keith ask for a cookie. Since both were English, they really would have asked for a biscuit.
- Citations
Stella Parish, an alias of Elsa Jeffords, aka Aunt Lumilla Evans: We Americans are a fun-loving people; we pay most anything just to look at a freak. That's what I am now--a freak--a headline. I'm hot stuff. The public will eat me up, and I'll make 'em pay for it.
- ConnexionsFeatured in Comet Over Broadway (1938)
- Bandes originalesThe Pig and the Cow (and the Dog and Cat)
(1935) (uncredited)
Music by Harry Warren
Lyrics by Al Dubin
Played by Kay Francis on the piano
Sung by Sybil Jason
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Détails
- Date de sortie
- Pays d’origine
- Langue
- Aussi connu sous le nom de
- I Found Stella Parish
- Lieux de tournage
- Sociétés de production
- Voir plus de crédits d'entreprise sur IMDbPro
- Durée
- 1h 25min(85 min)
- Couleur
- Mixage
- Rapport de forme
- 1.37 : 1
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