Sixième édition

With Bette Davis doing a role that Glenda Farrell or Joan Blondell was used to doing and George Brent standing in for James Cagney or Pat O'Brien, Front Page Woman is about a sob sister columnist wanting to prove she's as good at investigative reporting as the man she loves. Brent's a good guy all right, but he certainly believes that woman's place is in the home or writing a woman's column about same.

The chance comes when both are sent by their rival papers to cover a fire. The fire it turns out was only a ruse to cover the stabbing of a bigshot played by Huntley Gordon. As the investigation, arrest, and trial proceed, Davis and Brent go on scooping spree to show the other up who is the better reporter.

That kind of fun can certainly put a strain on a relationship and the two of them, Brent more so, play fast and loose with the criminal justice system to get that scoop over the other. In the end the crime revolves around a love triangle with Gordon, mystery lady Wini Shaw, and polo player Gordon Westcott.

Contrary to rumor Bette Davis could play comedy though it was not her strong suit. Her material is slight, but she does her best to rise above a role she's miscast in. Her devoted fans will certainly not turn away from Front Page Woman.

Bette Davis and George Brent star in "Front Page Woman," a 1935 film from Warner Brothers.

Davis and Brent, of course, were often paired, and they make a cute couple here. Davis is reporter Ellen Garfield, and Brent is ace reporter Curt Devlin. They're in love, but competitive at the same time, Ellen determined to prove herself.

Given the time period, Curt pooh-poohs Ellen's abilities, because of course as a married woman, she isn't going to be working. But she's not marrying him until she proves herself, and as far as working after marriage -- well, we'll see.

The two compete getting the story on a murder case, even listening at the keyhole during jury deliberation and both reporting opposite verdicts - and both making headlines. It's a game of oneupmanship all the way through.

Surprisingly feminist in its tone at the end, "Front Page Woman" is a fun film, with a hilarious performance by Roscoe Karns as a photographer thrown in. Always great to see Davis at any age. Here, young, blond, and vivacious, she's adorable.

Bette Davis plays a plucky female reporter who just got the chance to do lead stories--those traditionally done exclusively by men. A rival reporter, George Brent, is in love with her but also has little respect for her "trying to make it in a man's world"--so naturally she refuses to marry a man who doesn't respect her. In the midst of their arguments, Brent proposes a contest to see which can get the biggest scoop during a murder investigation and the subsequent trial. Now this all could have been very predictable or sexist, but somehow both pitfalls were avoided.

Sure, this isn't the deepest or best film that Bette Davis made in her long and distinguished career, but for the mid-1930s it's pretty good stuff. Although Warner Brothers employed one of the finest actresses of all time in the form of Miss Davis, up until the late 30s, they bounced her around from bad to mediocre to top of the line films and back again! So inconsistent were these roles that even after being Oscar nominated (OF HUMAN BONDAGE) and receiving the Oscar (DANGEROUS), Miss Davis STILL bounced around the studio in predictable programmers, B-movies AND A-films as well. As a result, she walked out of her contract (briefly).

Despite all this, FRONT PAGE WOMAN was a good film for her career--as it was quite enjoyable, gave her a chance to appear with her favorite leading man (George Brent) and gave her a decent (though not always believable) leading role. The film is a typical battle of the sexes film which weren't especially uncommon during Hollywood's Golden Age and like many of these films (such as PAT AND MIKE and WOMAN OF THE YEAR), it was a lot of fun. Plus, the chemistry between Davis and Brent was wonderful and I wish their films together got more attention--they are always enjoyable even when the writing isn't up to snuff (as in a few of their films together).

Bette Davis seems miscast as a hard-working dynamic reporter in a rivalry with star reporter, George Brent, who works for a different newspaper. The role is more suited to wise-cracking, fast-talking stars such as Glenda Farrell (who made a similar film, Blondes at Work (1938)), or Joan Blondell (who also made a similar film, Back in Circulation (1937)). Her make-up, too, belied her profession. With perfectly tweezed eyebrows and immaculately applied lipstick, she looked like, as well as sounded like, a Hollywood star rather than a reporter. Still, Bette Davis is always a pleasure to watch even if not perfect. She and Brent are supposedly in love, but she won't marry him until he admits she is just as good a reporter as he is. You would think he wouldn't place any obstacles in her path towards reporting equality, but his vanity won't allow that conclusion, so he does. After a jury comes to a "guilty" verdict in the trial both are covering, and the jurors leave the jury room, Brent sneaks in to examine the ballots so he can get an extra on the street as quickly as possible. But sensing Davis is following him, he replaces the ballots with ones that read "not guilty." With friends like that, who needs enemies? Davis does report the wrong verdict to her editor, leading to the two rival newspapers coming out at the same time with opposite verdicts. Davis gets fired because of this hostile and vicious act, but, of course, it's not the end of the story, and she does get the last laugh in the matter.

Saw 'Front Page Woman' as a big fan of classic film. As somebody who liked the premise, which indicated that it would be quite a fun diversion as long as one didn't expect too much. Have said more than once about liking/loving other Michael Curtiz-directed films, with two of my all time favourite films being 'Casablanca' and 'The Adventures of Robin Hood'. Bette Davis and George Brent have been fine in other things, individually and even together.

A fun diversion 'Front Page Woman' turned out to be and it is worth seeing for anybody that likes racy for the time films, a nice chemistry between good casts and those involved on good if perhaps not great form. Though 'Front Page Woman' is also in my view a film that one shouldn't expect too much from, not for anybody expecting realism and am not trying to be snobbish or childish here (it does depend on the level of "unrealistic").

'Front Page Woman' is very nicely photographed and Davis looks fabulous in her wardrobe. As was usually the case, Curtiz's direction is efficient and he never seemed uncomfortable with the material. The story may not offer many surprises or realism in its depiction of newspaper life, but it has a lively energy throughout and is never less than entertaining.

The dialogue sparkles in its sharp wit, also being remarkably racy in particularly what it has to say on the working women. The chemistry between Davis and Brent is hard to resist, likewise with their performances. Brent getting the very slight edge.

Coming onto the not so good things, while never less than entertaining, 'Front Page Woman' is one of those "solid in all ways but not a lot exceptional" sort of films. If there were more surprises (even if just a few) and if it didn't try so hard in some places it would have been even better than it was.

Supporting cast are all competent but nobody is amazing or on the same level as Davis and Brent. Roscoe Karns in the most colourful supporting role coming closest.

In conclusion, entertaining. 7/10