David Copperfield
- 1935
- Tous publics
- 2h 10min
Ajouter une intrigue dans votre langueA gentle orphan discovers life and love in an indifferent adult world.A gentle orphan discovers life and love in an indifferent adult world.A gentle orphan discovers life and love in an indifferent adult world.
- Réalisation
- Scénario
- Casting principal
- Nommé pour 3 Oscars
- 3 victoires et 4 nominations au total
Avis à la une
W.C. Fields can act- he's not just playing himself here. Although Mr. Micawber is a somewhat Fields-ish fellow, Fields adds a touching sincerity to Micawber's belief that he will come out ahead someday to everyone's benefit. Micawber's denunciation of Uriah Heep is both fun and close to what one can picture from the novel.
A lot of plot is left out, since you can't really cram an epic like that into a 2 hour film- the BBC miniseries is better for depth of character and filling in plot holes- but this 1935 version can be considered a classic for those looking for a nice large-screen adaptation with some incredibly good character actors.
That's what makes so much of this movie so good. MGM lavished on it their best character actors, and the result is often magical. Edna May Oliver as Betsey Trotwood, Jessie Ralph as Peggotty, Basil Rathbone as Murdstone, Herbert Mundin as Barkis (yes, "Barkis is willin'"), Una O'Connor as Mrs. Gummidge, Lionel Barrymore as Dan Peggotty, Violet Kemble Cooper as Jane Murdstone, W. C. Fields as Micawber, the sadly forgotten Lennox Pawle unforgettable as Mr. Dick, the versatile Roland Young remarkable as Uriah Heep. These actors and actresses all create vivid characters, sometimes with very little screen time. They make Dickens come alive before our eyes.
The only weak spot, to me, is the cypher Elisabeth Allen as David's mother. For me, she is a zero in several otherwise very good MGM movies from this period. She conveys no personality. I do not understand why she was given one major role after the next. She is forgettable in all of them. The thought that she was originally contracted to appear opposite Robert Donat in one of my favorite movies, Goodbye Mr. Chips, is chilling. She was replaced by Greer Garson, who was great in that movie and helped make it the masterpiece it is. Elisabeth Allan would have made it a much inferior movie, despite Donat's deservedly Academy Award-winning performance as Chips.
Freddie Bartholomew is fine as the young David, but Cukor directed him to be far too emotional for my tastes. (You can see in the trailer that "tears" were intended here.) He is much better in films like Captains Courageous, made two years later and directed by Victor Fleming.
The only problem with this movie, for me, is that, while the script is good, it sometimes radically abbreviates major moments. (In the edition I read, the novel has 848 pages. Reducing that to a 2-hour movie is a real challenge.) Just as one example: during the storm that is wrecking the ship on which Steerforth is returning to England, Ham, from whom Steerforth seduced Little Emily only to abandon her later, swims out to the ship in order to save the crew. He climbs on board and sees Steerforth, who sees him. There is the potential for a great, elemental confrontation scene there, set against the wild storm, but it is passed over almost immediately to the next scene, where the two men's lifeless bodies are dragged up on shore.
Even the great scene near the end where Micawber denounces Uriah Heep, one of the great moments in the novel, could have been given more time to build, though its still very good. (With this cast, how could it not have been?)
Definitely worth a watch.
It would be hard even to list all of the good performances. Edna May Oliver almost seems to have born to play Dickens's kind of strong-willed but caring female character. W.C. Fields is perhaps somewhat different from the novel's conception of Micawber, but he is quite entertaining, and he gets plenty of good lines. Characters like Uriah Heep, Mr. Dick, the Murdstones, and several others could have come straight from the novel. As the adult Copperfield, Frank Lawton is sometimes rather bland, but he is likable and is at least believable as Bartholomew's grown-up counterpart.
The story, of necessity, is episodic and moves quite quickly, usually including only the highlights of the narrative. But it does a very good job of this, making each sequence work well, and efficiently fitting each one into the story as a whole. George Cukor certainly deserves a good deal of credit for making it work and fit together so well. The settings, which are always important in a Dickens story, are also for the most part pretty good.
The original novel "David Copperfield" is such a fine classic of literature that no two-hour movie could be on quite the same level, but this version is quite enjoyable, and it does a very good job of depicting the atmosphere and most of the important events of the story.
I have always loved W.C. Fields, but have to disagree with those who say he steals the show. Although he is perfect as Mcawber, to me it is Edna May Oliver who steals the picture. She is delightful as the dotty aunt – especially standing up to Mr. and Miss Murdstone with the loony backing of Mr. Dick (a charming Lennox Pawle).
Of course Lionel Barrymore always makes the most of a part and does so as the gruff fisherman Dan Peggotty. Freddie Bartholomew is excellent as the young David. Elizabeth Allen is gorgeous and delightful as David's mother, while Basil Rathbone and Violet Kemble Cooper are cold and devious as the step-father and his housekeeper sister.
The entire cast is excellent, including Jessie Ralph as Peggotty and Herbert Mundin as the 'willing' Barkis. My only complaint – and this is from one who hasn't read the book – is that the miscellaneous characters get a bit confusing. A guy who apparently had been nice to David in school runs off with and abandons the adopted daughter of Peggotty's brother. Then two men fight during a shipwreck and David sees his school friend dead. Perhaps things were better spelled out in the book.
In any event, it is a quite charming film. Oliver and Field are delightful, along with the rest of the talented cast. I doubt that as better adaptation could be done today.
Le saviez-vous
- AnecdotesIn response to the widespread criticism of his having played Micawber with a strong American accent, W.C. Fields responded, "My father was an Englishman, and I inherited this accent from him! Are you trying to go against nature?"
- GaffesMicawber chases away David's tormentors and puts his arm around him, but the arm is gone in the next immediate shot. In nearly all scenes with W.C. Fields, there are continuity errors that editing does not mask.
- Citations
Mr. Micawber: Copperfield, at present, I have nothing to bestow but advice. Still, that advice is so far worth taking. I have never taken it myself, and am the miserable creature you behold. Young friend, I counsel you: annual income, 20 pounds. Annual expenditure, 19 pounds. Result? Happiness. Annual income, 20 pounds. Annual expenditure, 21 pounds. Result? Misery. Farewell, Copperfield. I shall be happy to improve your prospects, in case anything turns up - which, I may say, I am hourly expecting.
- Crédits fousFilm opens with the last sentence of Charles Dickens's preface to the original edition: "Like many fond parents, I have in my heart of hearts, a favourite child, and his name is David Copperfield."
- Versions alternativesAlso shown in a computer colorized version.
- ConnexionsFeatured in David O. Selznick: 'Your New Producer' (1935)
- Bandes originalesThe First Noel
(uncredited)
17th century (or earlier) carol
[Partially Sung and played during the opening credits]
Meilleurs choix
- How long is David Copperfield?Alimenté par Alexa
Détails
- Date de sortie
- Pays d’origine
- Langue
- Aussi connu sous le nom de
- The Personal History, Adventures, Experience, & Observation of David Copperfield the Younger
- Lieux de tournage
- Malibu, Californie, États-Unis(Dover scenes)
- Société de production
- Voir plus de crédits d'entreprise sur IMDbPro
Box-office
- Montant brut mondial
- 6 679 520 $US
- Durée
- 2h 10min(130 min)
- Couleur
- Rapport de forme
- 1.37 : 1