Le conquérant des Indes

'Clive of India' follows the career of Robert Clive (Ronald Colman) from East India Company clerc to military leader and Westminster politician; his wife Margaret (played by Loretta Young) has very little to do except being the patient, faithful and child bearing woman at his side. The sets and costumes are fine - in part even lavish - and the acting is mostly alright. What mars the picture are the poor script, the awkward dialogues and even more the uneven pacing. The structure is episodic: we get a glimpse of what Clive did here and what Margaret or someone else said there, but these scenes do not follow each other like in a coherent story. Rather, the film uses either title cards (a lot of them) to explain what went on in between, or forces Colman to make pompous statements that serve the same purpose. The result is a picture that fails to stir much interest in either its plot or in its characters. You sit through it and somehow it feels like a relief when you have reached the end.

India, 1748, a vast nation , rich in jewels , spices and precious metals beyond the widness dreams . Fort St. David headquarters of the East India Company , a privately owned trading concern which enjoyed the protection of the British goverment . French , Dutch , Portuguese , and British are at each other's throats in an effort to stablish trading post in this ¨Paradise of Treasure¨. There a clerk in the company, Robert Clive , wants to promote himself and joins the army . Clive's leadership and gift for manipulation strengthen England's hold over India and lead to personal wealth , which is often threatened by the enemies he makes along the way . After that , there takes place the siege of Trichinopoly , where the entire British force had stumbled into a trap and faced almost certain annihilation , but nothing in history surpasses the amazing task Clive accomplished . As he captured Arcot , relieved Trichinopoly and in less than a year he became the conqueror were many , rich , honored , a hero , Clive returned to his homeland . Later on , a madman sat on the throne of Northern India , King Saraj Ud Dowlah , Clive offered him a proposition ; Saraj Dowlah's answer : ¨The Black hole of calcutta¨. But Clive's army came by quick and marches to Palassy , thugh theere was no Mr Jaffar . For ten days Clive waited but there was still no sign , no message . Waiting for Jaffar , Clive launched a sudden attack and before Suraj had time to counter , Clive had scattered the native army along India , but Suraj carried aout a counter-attack by elephants .

This is a jingoist biopic , partially based on historical events , set In the mid-1700's when the East India Company had power over commerce on the sub-continent, with the blessings of the British government . It is a patriotic biographic movie about Colonel Robert Clive , but being more a romantic melodrama than a biopic or a historical film . It was panned by reviewers for giving an apology , being an ¨ode¨ to colonialism and British Imperialism . Nice acting by Ronald Colman as a tough man who at the beginning frustrated by his lack of advancement in his life , he then transfers to the military arm of the company, where he excels .His couple is one of the best stars of 20th Century Fox Film, the beautiful Loretta Young . Support cast is frankly excellent , plenty of notorious secondaries as C. Aubrey Smith as Prime Minister , Colin Clive , Francis Lister ,Cesar Romero , Montagu Love and Leo G. Carroll . And uncredited , John Carradine and Don Ameche as Prisoner .

Rousing and evocative musical score by the classy composer Alfred Newman . Atmospheric and adequate cinematography in black and white by J. Peverell Marley . Impressive and breathtaking production design by Richard Day . The motion picture lavishly produced by Daryl F Zanuck , was professionally made by Director Richard Boleslawski . Richard was a prestigious filmmaker by making several important films at major studios like MGM and Fox before his premature death in January 1937. Among his most important directing assignments were Rasputin and the Empress (1932) (the only film in which John Barrymore, Lionel Barrymore and Ethel Barrymore appeared together), Men in White (1934) (Clark Gable and Myrna Loy), The painted veil (1934) (Greta Garbo), Les Misérables (1935) (Fredric March and Charles Laughton) and Theodora Goes Wild (1936) (with Irene Dunne) and a wide range of genres. He even directed a musical, Metropolitan (1935) (Lawrence Tibbett) and a western, 3 Godfathers (1936) (Chester Morris). His best film was his penultimate one , Garden of Alah (1936) (with Marlene Dietrich), the exteriors of which were shot in the burning heat of the southwestern American desert , until his early death at 48 .

Funny in the last 20 min or so when Clive and his wife meet the General and an officer just back from India...to request Clive return for a 3rd time to fix things again

Notice on the garden table his wife has left her laptop pc open during much of the scene. Hahaha....

Robert Clive was an 18th century Lawrence Of Arabia, a man completely convinced he had a destiny and was fanatical in pursuing it. He went to India as so many did from Great Britain to seek fame and fortune. You recall young Lieutenant Lawrence in Lawrence Of Arabia toiling away at some desultory job in Alexandria when he's given an assignment to seek out Prince Faisal. It was his destiny calling and Peter O'Toole ran with it.

Something very much like that happens to Robert Clive as played by Ronald Colman here. Convinced he has a destiny like Lawrence did, Clive leaves the British East India company clerk job and joins the army where like Ulysses S. Grant he has a talent for war.

War is what he makes and by the end of his career the French who also had imperial ambitions were chased out of India and it was British for almost 200 years. Clive wanted India to be a crown colony, but it was run by the British East India Company who not under any law and away from the monarchy's writ were quite a corrupt outfit. The Indians never got over it.

Colman brings out the fanaticism in Clive. Usually the self assured polished English gentlemen, Colman adds on that with Clive being the self assured man of destiny, but also terribly worried that destiny will pass him by. After the story of this film is concluded, Clive died by his own hand in 1774 pretty much forgotten by the British public who worshipped him at one time.

This film has not been available for years. I'm glad I finally got to see it.

Ronald Colman isn't really anywhere near his best in this rather dry biopic of the founder of the British Raj in the 18th Century. He is embarrassingly spared the worst consequences of a duel in Britain and arrives in shame, as a lowly clerk, in a country still a collection of Princely states. It's when he becomes besieged, and his betters haven't a clue how to defeat their advancing enemy, that he emerges as a bit of a soldier and, soon married to "Margaret" (Loretta Young) he climbs the ranks of the East India Company adding wealth and prosperity to all he meets. It's his last visit that facilitates huge expansion of British rule but earns him the enmity of the petty back in London who wish to impeach him and rob him of his honour and his considerable wealth. His return home to face Parliament is the final insult to a man who had put his commitment to India ahead of just about everything else. Like most biopics, it's not especially critical of the man - and in ninety minutes there isn't really time, either. What it does offer us is a rather potted history of his life that might stimulate further reading, but in itself delivers little. He and Young must have commanded most of the budget for there are perilously few action scenes as the detail of his military successes are largely left to the inter-titles. It's nice to see Montague Love given a slightly bigger speaking part and if you're eagle eyed you might spot Cesar Romero in the turbaned guise of King Mir Jaffar, bit for the main part this is just a vehicle for Colman to go through the motions of an hero with some stilted dialogue supported by the sparing appearances of an unremarkable Young.