La malle de Singapour

China Seas is a sort of follow-up to Red Dust, with the addition of the sort of all-star cast pioneered in Grand Hotel, only set on board a passenger ship instead of in a hotel. As in Red Dust, the central plot element involves a triangle featuring Clark Gable and Jean Harlow. However, this time the hypotenuse is occupied by Rosalind Russel rather than Mary Astor.

By the time China Seas was produced the infamous Hayes Office was already busily enforcing standards of decency in the film industry. Consequently, the action is a good deal less steamy than in Red Dust. Nevertheless, the Gable-Harlow chemistry is still very much in evidence, even if their byplay has been somewhat toned-down.

Another major element of the plot involves piracy against modern (1930s) shipping in the Far East. Some viewers might find that notion a bit far-fetched. However, it is far less absurd than one might think. In fact, it is still going on today (2012)!

It is funny, sexy, exciting, and every bit as resonant today as 1935- really saying something for a post-Code picture.

It's MGM of the period all the way. Bang bang bang, nonstop action, mile-a-minute dialogue. Basically a shameless retread of Red Dust, I actually like it a lot better than Red Dust. It's also got a dash of Shanghai Express, which is fine. Maybe it's the fact that I'm drawn to "souls at sea"" pictures and ensemble films about disparate groups thrown together by fate, their bizarre stories intertwining.

And what an ensemble this film boasts: There's Harlow, who by now could act, working her sex-clown routine with total confidence- fierceness to the Nth degree. Acing scene after scene, playing off Gable and Wallace Beery and Hattie MacDaniel (who has a rare good role, although not as substantial as it could be) just wonderfully. She should have gotten a Best Actress nomination for this.

Then there's Gable as Gable. Roz Russell is stuck playing one of the dour, humorless Brits MGM frequently cast her as in the thirties (see also Night Must Fall and The Citadel ). Donald Meek and Lewis Stone and Robert Benchley and plenty of others, all making the most out of their bits.

The stories are tight, every character compelling, and great dialogue all wonderfully pieced together. I don't often agree with Leonard Maltin or find his assessments of films too astute, but he is completely correct when he calls China Seas "impossible to dislike."

China Seas, a minor title in the classic film library, is the film to show to win people over to the "Black and White" side and show them how exciting and entertaining a classic movie can be.

"When I want you to sound off, Golden Bell, I'll pull your rope"--Harlow to Yu-Lan in "China Seas." There's not another actor, alive or dead, who could make that line work, but Harlow finds both the obvious comedy and the hidden pathos in it. (The pathos stems from her realization that she's out of her league, and her fear that the others at the table are looking down their noses at her.)

She, Gable, and Wallace Beery, are perfectly cast here. Harlow is the sassy, brassy, slightly shady blonde who's impulsive and emotional, but who really wants to do the right thing. Gable is of course steady and solid, all man, in charge, unflappable, ironic, and irresistible. Beery is by turns roguish, charming, tough, and menacing.

Roz Russell does a fine job as an old flame of Clark's who shows up for the voyage. Her British accent holds up pretty well. Lewis Stone plays the cowardly 3rd Officer who is out to repair his reputation, a far cry from his future as Judge Hardy. And Robert Benchley does his familiar drunkard routine.

Besides being well-cast, the film is exciting, with tropical storms, piracy at sea, and complicated romances. The special effects are excellent for the era, and the pacing is lively. Really a fine film.

A pretty good movie with an excellent cast and some decent special effects. Gable is at his best and the same can be said for Beery , Sir C. and Harlow. I haven't seen many Harlow films but I'm assuming that her stock character is the one she portrays here , a sort of bad girl with a heart of gold, a lovable moron who speaks first and thinks later. The kind of woman who (if she were your wife/girlfriend) would ruin a party and make a big scene if she became jealous. In other words the kind of woman most men might stupidly have casual sex with and then realizing what an idiot they were saddled with, run away from as fast as they could. I'm guessing many depression era women could identify with her low class stubborn pride but now she seems like an annoying , shrill, infantile idiot constantly seeking approval. As a portrait of this kind of woman , Harlow is magnificent. You might want to strangle her or throw her overboard but she's always watchable, the bra less gowns help.

High seas adventure with Gable as a run-down captain and Harlow as his lover. Complications involve Rosalid Russell, as a high society widow Gable was in love with before. Harlow takes up with Beery to make him jealous, but ends up being forced to join him in his plot to help pirates rob the ship. Harlow and Gable remain a knockout A-class pairing, and the character roles are well-handled. Juicy dialogue and gory action are also plusses.