The Casino Murder Case

Philo Vance has been played by a number of actors over the years, everyone from Wilfred Hyde-White to William Powell, who portrayed the detective the most. In "The Casino Murder Case," it's Paul Lukas' turn to have a go at it. This is a light mystery concerning some murders within a family. Rosalind Russell is the young woman here, and she does a fine job.

I'm not familiar with Philo Vance in the books so I can't comment on Lukas' portrayal in comparison. However, I suspect that normally, the role is approached with a lighter touch. Lukas is a wonderful and very likable actor, but I think that in the hands of someone like William Powell, the humor would have been mined a little bit more. Lukas isn't heavy-handed in any way, it's just that this type of role isn't a perfect fit for him. All in all, entertaining.

The Philo Vance series of mysteries made in the 20s, 30s, and 40s were of widely varying quality. The first four starred William Powell and were excellent as Powell fit the Philo Vance character like a glove. But then Powell left Warner Brothers for MGM and the Philo Vance franchise (largely) moved there too, but oddly enough MGM never put Powell back into the Philo Vance role. Were they afraid he'd leave there too if he had to play Vance again? At any rate, over the years, Basil Rathbone, Warren William, Edmund Lowe, James Stephenson, and - in this case - Paul Lukas played Philo Vance at Warner Brothers, MGM, and Paramount.

Lukas does a good enough job here, and he gets the urbane and sophisticated style of Vance down well enough, but I'm just not buying the European accent on a cinematic Vance. The plot has Vance receiving an anonymous note saying that if socialite Lynn Llewelyn goes to the casino that night he will be in danger. He does so anyways and is poisoned but survives. His wife is also poisoned - at home - but dies. Vance investigates with the help of Llewelyn household servant Doris Reed (Rosalind Russell).

MGM put star power and production value effort into this, but forgot the plot and pacing, and as a result it is as boring as watching paint dry. I will say, though, that the end does an interesting and unique end run around the production code. Also, this is when MGM was still trying to push Ted Healy, and thus they completely miscast him as police Sergeant Heath, who spends most of his time admiring himself and his tuxedo in a mirror. Why I have no idea. The best actor to play Heath was Eugene Pallette who played it likeable and professional, even if deferential to Vance. Healy couldn't be likeable if you gave him detailed instructions and diagrams.

Apparently Rosalind Russell really hated this film - It was when she was first starting out, had not yet become established, and as a contract player had to do what she was told. I wouldn't say this was the worst role I've ever seen her in, but it just might be the worst film. I'd avoid this one unless you are a Philo Vance completist.

In the wake of the success of The Thin Man, the studios began to churn out scads of little mystery movies that are really more like screwball comedies than problems in deduction or thrillers. This is a pretty good sample of the type, with Rosalind Russell showing a flair for the genre that would be exploited in His Girl Friday. It even takes about 15 minutes or so before anyone gets murdered.

Paul Luckas is fine as the sleuth in the picture. Any resemblance between him and the Philo Vance depicted in the series of novels by S.S. Van Dine is a coincidence. This Philo is charming, polite, and doesn't mind when Roz complains that his mystery stories are wordy and complicated. And shouldn't come as a surprise that this Philo is more seems more interested in Roz than the mystery at hand. The actual crime is mildly intriguing, but the solution is mildly ridiculous.

Treat this as a pleasant way to spend a little more than an hour, and look at cool 30s cars, clothes and decor. Don't look for great art here.

Rosalind Russell saves this movie from being just another '30s mystery out of the mystery machine. Paul Lukas, despite his panache is not a good Philo Vance because of his accent. This is more of a romantic "screwball comedy" type of film than a mystery, but taken in that aspect, it's pretty good. The auction scenes and Alison Skipworth are wonderful. The chemistry between the unflappable Russell and Mr. Lukas is really neat, although in the novels romance never got in the way of a good murder. Whether played by Ted Healy or Eugene Palette, poor Sgt. Ernest Heath never got a fair shake. In the books he was never quite the boob portrayed on the screen. The Casino Murder Case is worth viewing if for nothing but to watch Rosalind Russell on top of her game.

I enjoy the old movies, no CGI or special effects as there are today. If there are deficiencies its due to the writers. The