The Case of the Lucky Legs

Warren William is a heavy-drinking Perry Mason in this highly entertaining outing. Della Street is given wit, beauty, and a touch of pathos by the underrated Genevieve Tobin. The rest of the cast is superb, with no exceptions.

For a movie that came out after the Code, it is quite racy. The title refers to a contest in which ladies do not show their faces but compete as to the most beautiful stems. And what a group we see! Lyle Talbot was a decent leading man during this period. He was nice looking. It's always hard for me not to think of his Ed Wood performances when I see him in these early movies, though.

THE CASE OF THE LUCKY LEGS (1935) is a delightful entry into the Warren William "Perry Mason" series. It's a breezy murder-mystery that's full of silliness. William is great as the unorthodox attorney and Genevieve Tobin is simply wonderful as his trusty secretary Della Street.

William brings levity to the Perry Mason character, pulling the strings and solving the case while having a blast. Tobin is a comedic revelation in her turn as Della Street. Her performance is flirty and witty and daffy and hilarious as she handles Mason's office while he's away. Tobin is a great comedienne, and lovely, too. (She calls to mind that other great comedienne, Joan Blondell. Something around the eyes, I think.) Each "Perry Mason" film brought a new actress to play Della Street opposite Warren William, but Tobin really makes an impression in this entry.

The mystery starts with a "Lucky Legs" competition racket and soon involves a murder and several suspects. Pretty young Warner Bros. contract player Patricia Ellis plays the latest winner of the "nicest legs" scam, who (along with doctor boyfriend Lyle Talbot) might be the murderer in question. Perry Mason is on the case, along with his associate on the street, Spudsy (Allen Jenkins). The supporting cast also includes familiar faces like Porter Hall, Olin Howland, Barton MacLane, and Henry O'Neill.

With the plot built around a "nicest legs" competition, you can bet there'll be a lot of gams on display and Warner Bros. does not disappoint. The opening scene at the Lucky Legs finals features a parade of anonymous shapely limbs. Perry Mason is even shown Ellis's neck-down contest submission photo, allowing him to later identify the girl by her $1000 legs.

THE CASE OF THE LUCKY LEGS is a quick murder-mystery programmer, but the writing and the performances are so much fun that I couldn't help but give the movie a 7/10.

Entertaining as a screwball comedy, but hardly the kind of mystery and suspense one expects from a Perry Mason story.

From the very opening scene, the entire story is played for comedy. A criminal cheats prize winning woman out of their contest money and is soon murdered. It's up to Mason to figure out who committed the crime and why.

Since the murdered man was killed with a surgical knife, we can suspect LYLE TALBOT for awhile since he plays a doctor. PORTER HALL is the man who contacts Mason and asks him to investigate the man who has run off with the prize money. PATRICIA ELLIS is the pretty blonde contest winner who wants Mason to find the crooked contest sponsor (CRAIG REYNOLDS).

GENEVIEVE TOBIN is Della Street, batting her eyes at everyone as the plays a mischievous secretary with tongue-in-cheek humor. A sample of the flippant dialog: (Mason to Lyle Talbot): "All alone in the bridal suite? You must love yourself." And later, after knocking him out briefly, "Bring yourself to life. You're a doctor."

Entertaining only as a comedy. The mystery is given short shrift.

I wonder what the younger audiences thought who saw the first Perry Mason movies in the 1930s, and then saw the Perry Mason TV series that began in 1957. Were they disappointed by the changed character and his venue? As some people seem to be today with the earlier films – those being people who grew up on the TV series that starred Raymond Burr. A number of other viewers have related that author Erle Stanley Gardner didn't like the direction, scripts and characters of his first books put on film. And this one, "The Case of the Lucky Legs," got his ire up the most. Supposedly, that led to his eventual efforts to serialize his stories on TV.

So, now we're stuck watching with the audience of 1935 this third film about Perry Mason, and the third starring Warren William. We've already seen considerable changes in character and his venue in these three films. He started off with a big office, law partners and his own investigative staff. In Lucky Legs, he's almost down and out, and a one-man show, but with sidekicks and friends.

This third film is the weakest of the mystery genre, mostly because the mystery is almost lost in the comedy. Indeed, there's so much comedy here, that the mystery is clearly an adjunct to the comedy with all its antics, witty exchanges and hilarious scenes. On second thought, the comedy may well have been invited because the mystery in this film is not that good or complicated. Plus, Warner Brothers had seen by then the success that MGM had with "The Thin Man," and how audiences loved the comedy of the Nick and Nora Charles mystery.

This film opens with a changed Perry from the earlier two films. He's a boozer whose health is in jeopardy. So, his friend, a doctor down the hall (played wonderfully by Olin Howland) prescribes rest and puts him on a heavy liquid diet that excludes anything alcoholic. Perry asks, "Are there any other liquids?" Della (played to maximum hilarity by Genevieve Tobin) replies, "Milk." Perry says, "Milk. You mean that unpalatable by-product of the cow?" Doctor Croker (Olin Howland) says, "Exactly! No excitement whatsoever, and no stimulants." Perry: "Did you get that, Miss Street? No stimulants and no excitement. I'll have to get rid of you." Della: "Thank you, you flatterer."

This film in places borders both on slapstick and on screwball comedy. It doesn't quite get there for either sub-genre, but the result is a mix of all types of humor with nice doses of slapstick and screwball throughout. Perry is at his height here for flirting and womanizing, but this is done only by insinuation and suggestion.

I rate this film a notch lower than the first two of the series because I think it loses its mystery appeal. To the point that the comedy almost dismisses the crime of murder. But, as a very good comedy, this film stands on its own. Here are some snippets of dialog to tickle one's funny bone.

District Attorney: "Bizzy, why do your men always arrive at the scene of a crime just after Mason?" Police Chief: "Well, I suppose it's because before they decide to a commit a murder, they hire Perry Mason to defend 'em."

Police Sergeant: "Who was that on the phone?" Della: "The garbage man. I told him to send up enough for four."

Airport steward: "I dropped him in a bus for the Lakeview Hotel." Perry: "You haven't got a lake here, have you?" Steward: "No, but the hotel has beds for you lie down on." Perry: "That's a very clever remark." One can see that the other two men are almost cracking up – which leads me to think that there may well have been some impromptu lines at times – especially from Warren William, that the director kept in the film. One has to love and laugh at exchanges like this. A Lakeview Hotel, but no lake. And that's OK because the hotel still has beds.

In a scene toward the end, Della is exhausted and is lying on the office sofa with her head turned toward the sofa back. Perry unlocks his back door and enters the room. Without turning her head to look at Perry, Della says, "Come right in and sit down, please. If you're looking for Mr. Mason, I don't know when the gentleman will be back." Perry says, "The gentleman is here." Della replies, "Oh, ha, don't lie to me. You're no gentleman. You're Perry Mason."

Erle Stanley Gardner oversaw the TV series "Perry Mason," including picking the Perry - so you can see the difference between that series and a Mason movie like "The Case of the Lucky Legs." Warren William is Mason, and his Mason is 180 degrees different from his first, more serious Mason portrayal in "The Case of the Howling Dog." Here, he's extremely flippant, he and Delta flirt constantly, and it's all a game to him in between drinks. In the first entry into the series, he has a huge office with lots of associates; here, he's a one-man office as in the books.

William's Mason has nothing to do with the Erle Stanley Gardner's passionate Perry Mason of the Depression, or the steady, solid Perry of later on, but he's still wonderful - handsome, charming, debonair, and very funny. He's definitely a guilty pleasure, even though I know how much Gardner hated these films.

At least in title, this is an actual Perry Mason story, and it's a good one.

Warren William played heavies in silent films and emerged in talkies as a leading man. He had a great persona.

Very entertaining.